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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Corpus Christi Watershed · November 9, 2024

“Reader Feedback” • 9 November 2024

Let’s call this person “Harry.” (We usually redact names for anonymity’s sake.)

Jeff Ostrowski · November 8, 2024

Huge Discovery! • Rare Document Explains Why There’s a “Spoken” Version of the Propers

His statement is not only foolish, it approaches heresy!

Jeff Ostrowski · November 6, 2024

“Entrance Chant” for this Coming Sunday • Jeff Attempts to Accompany Himself on the Organ

Singing Gregorian Chant lifts one’s spirits. Agree or disagree?

Dr. Samuel Backman · November 5, 2024

Bending Your Ear • A Sound Theology

“The way in which music is deployed in the Holy Mass has a direct impact on how we understand our relationship with God.” —Dr. Backman

Jeff Ostrowski · November 4, 2024

Re: Copyright Status of “Abbey Psalms & Canticles” (PDF Chart)

There’s been considerable online discussion about this. Our readers have a right to know what’s at issue.

Jeff Ostrowski · November 4, 2024

“I Bow to Rebecca Raber Who Oversees the Music in This Chapel.” —Mike Aquilina

“This is not the choir!” … exclaims Mike Aquilina.

Jeff Ostrowski · November 1, 2024

“All Saints” • Jeff Ostrowski Tries to Simultaneously Accompany His Voice on the Organ

Although it beggars belief, in his entire life Father Josef A. Jungmann never celebrated a sung Mass—not one!

Corpus Christi Watershed · October 31, 2024

Pop Quiz • “How Well Do You Know Plainchant?”

Re: the “Communion Antiphon” for the Feast of All Saints (November 1st).

Jeff Ostrowski · October 30, 2024

PDF Download • “Entrance Chant in English” (31st Sunday in Ordinary Time) for 3-NOV-2024

With a brief digression on “feelings of inadequacy.”

Jeff Ostrowski · October 29, 2024

A Suggestion for Ordinary Form Masses

The idea developed (somehow) that having the priest wait 15 minutes for an item he needs is “good and reverent” liturgy. But that’s false.

Christopher Mueller · October 28, 2024

*Gasp* — Other Sacred Music Websites!

In a show of “web-ecumenism” I’d like to mention five today.

Veronica Moreno · October 26, 2024

PDF Download • “Seasonal Index” for the Brébeuf Hymnal

It’s been downloaded more than 4,000 times, so it seems useful.

Jeff Ostrowski · October 23, 2024

PDF Download • “Like Gold Dust” — Extremely Rare Book of Gregorian Chants (315 pages)

Including “O Come All Ye Faithful” (with Latin text) in a delightful arrangement for two voices.

Rebecca De La Torre · October 22, 2024

Entrance Antiphons • “Transitioning from a Contemporary to Sacred Music Program”

“These are simple propers, but not to the point of being monotone.” —Rebecca De La Torre

Corpus Christi Watershed · October 22, 2024

In Search of the Pius XII Psalter!

Robert B. sent us the following email…

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

From 1827 until the last month of his life, Liszt gave lessons in composition and piano playing. He wrote in 1829 that his schedule was “so full of lessons that each day, from half-past eight in the morning till 10 at night, I have scarcely breathing time”

— Re: Abbé Franz Liszt

Recent Posts

  • Comm. Fauxbourdon • “What does it sound like?”
  • “Ad Te Levavi” • Variant
  • Spectacular Communion Setting!
  • Now That You’re Shunning Bad Hymns … Stop Announcing Them!
  • Bach’s Psychotically Awesome Walking Bassline

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