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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Corpus Christi Watershed · August 21, 2024

Famous Italian Actor Regrets Aborting Son

“I would have liked you to be lying under the covers during a storm, silent so you could hear the sound of the rainfall.” —Andrea Roncato

Jeff Ostrowski · August 20, 2024

“The Very Best 42 Seconds of Gregorian Chant”

Fulton J. Sheen, Saint John Mary Vianney, and more!

Jeff Ostrowski · August 19, 2024

Must This Be Accompanied?

The age-old question—will it ever be resolved?

Adam Raha · August 17, 2024

Fathers Must Turn Their Hearts To Their Children

I don’t necessarily mean children with no dad. I mean “absent” fathers.

Corpus Christi Watershed · August 11, 2024

(Chicago) • Upcoming Sacred Music Workshop!

Featuring as presenters Jeffrey Ostrowski and Kevin Allen.

Jeff Ostrowski · August 6, 2024

PDF Download • “Entrance Chant in English” (19th Sunday in Ordinary Time)

Including twelve (12) different versions!

Veronica Brandt · August 5, 2024

Slavonic Sub Tuum: a 3 part gem of haunting beauty for your choir

An easy-peasy all-year-round Marian motet in three parts plus some reflections on typing up sheet music.

Follow the Discussion on Facebook

Jeff Ostrowski · August 4, 2024

“Something Quite Odd” • Today’s Responsorial Psalm

Including a special comparison chart which shows the NAB translation vs. the “Abbey Psalms and Canticles” translation.

Jeff Ostrowski · August 2, 2024

PDF Download • “Sanctus” (Roman Missal, 3rd Ed.) in English, Latin, Spanish — Organ Accomp.

You might want to download three PDF files I composed this morning.

Jeff Ostrowski · July 31, 2024

“Saint Felix Creed” • Musical Setting for the Nicene Creed (Roman Missal, 3rd Edition)

On 20 March 2014, this musical setting was approved for liturgical use by “The Committee on Divine Worship” (a standing committee of the USCCB).

Jeff Ostrowski · July 29, 2024

PDF Download • “O’Fallon Mass Propers” (483 Pages)

Including an English version of the “Dies Irae,” an English version of the “Lauda Sion,” and hundreds of pages of English Mass Propers.

Jeff Ostrowski · July 29, 2024

Can You Answer These Four (4) Questions?

How to unify your parish music program for different Masses in different languages.

Richard J. Clark · July 25, 2024

Spanish Psalter that’s great for the Organ!

Free download of Responsorial Psalms in Spanish that work great for the organ from composer Marc Cersiser

Dr. Samuel Backman · July 24, 2024

Sacred Music and Suspicions of Elitism

“While a student, I was told to avoid playing Bach in the context of worship, as doing so might give the impression that I was targeting a sort of ‘elite’ class.” —Dr. Samuel Backman

Jeff Ostrowski · July 23, 2024

PDF Download • “Entrance Chant” for the 17th Sunday in Ordinary Time (Years ABC)

Including ten (10) alternate versions!

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“We have baptized about 240 this year … All the labors of a million persons—would they not be worthwhile if they gained one single soul for Jesus Christ?”

— Father Isaac Jogues, writing to his mother

Recent Posts

  • Fulton J. Sheen Played The Pipe Organ!
  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”
  • Every Diocesan Music Commission Should Do This
  • Exclusive Interview • “Púeri Cantóres” President

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