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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Richard J. Clark · November 4, 2016

Seraphim Singers Premiere “I Am the Land: A Poem in Memory of Óscar Romero”

Assassinated on March 24, 1980 while saying Mass, Romero was beatified by Pope Francis on May 23, 2015.

Jeff Ostrowski · November 3, 2016

New Release! • “Dies Irae” Rehearsal Video

Also includes a printable score with literal English translation!

Jeff Ostrowski · November 1, 2016

“Sanctus” Recorded By Young Ladies From Las Vegas • Fabulous!

Palestrina cleverly interweaves an ancient hymn.

Fr. David Friel · October 30, 2016

The “Cantiones Sacrae” of William Byrd & Thomas Tallis

Why was this 1575 collection a financial failure?

Jeff Ostrowski · October 30, 2016

“Kyrie VIII” Organ Accompaniment by Flor Peeters

…with the Solesmes markings.

Jeff Ostrowski · October 30, 2016

Musical Resources • Feast of Christ the King

“Ask of Me, and I will give thee the nations for thine inheritance…”

Veronica Brandt · October 29, 2016

Christus Vincit – Laudes Regiae

The flexible and stirring chant that is almost a war cry. Two versions to download.

Guest Author · October 28, 2016

What you didn’t realize about World Youth Day…

Guest article by the co-director of music for the English liturgies at WYD 2016.

Andrew Leung · October 27, 2016

New Document on Christian Burial and Cremation

The CDF released a Instruction on Christian Burial and Cremation yesterday.

Fr. David Friel · October 27, 2016

New Sacred Music Magazine — “Altare Dei”

Announcing the first issue of a brand new publication focusing on liturgy and sacred music.

Guest Author · October 27, 2016

PDF Download • “Mass of the Alabaster Jar” (2016)

These settings were written to be easily played by pianists and organists of an intermediate skill level.

Richard J. Clark · October 26, 2016

I Say: “Good for Marty Haugen”

He has been on top of the Roman Catholic world of liturgical music for decades.

Dr. Lucas Tappan · October 25, 2016

Music for the Year of Mercy

Puccini’s music allows us to glimpse the love of a Father, Who doesn’t merely sit on the 50 yard line waiting to see which side of the eternal line we die on…

Jeff Ostrowski · October 24, 2016

“Pleni sunt coeli et terra gloria tua.”

Living in Los Angeles—what I miss most.

Jeff Ostrowski · October 24, 2016

PDF Download • Rare Hymnal by Organist at the Birmingham Oratory (1913)

Download all 572 pages—thanks to Peter Meggison!

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

The People’s Hymnal suffers from a too literal and awkward translation. And even in the lovely Slovak “Memorare” in The Saint Gregory Hymnal we are still asked to sing “that anyone who sought thee, or made to thee his moan.” Why not “groan” or “bone” or even “phone?” The only thing necessary, it seems, is that it rhyme with “known.”

— Mons. Francis P. Schmitt (1958)

Recent Posts

  • New Bulletin Article • “21 September 2025”
  • How do you pronounce this word in Latin?
  • Cheap! Cheap! Cheap!
  • Children’s Repertoire: “3 Recommendations”
  • PDF Download • Dom Murray Harmonies

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