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Views from the Choir Loft

Is There Music in Heaven?

Fr. David Friel · March 5, 2017

HAT IS heaven like? Of course, no one on earth knows specifically. There are many people, however, who have attempted to describe what it might be like. From Augustine’s City of God to Dante’s Paradiso to Mitch Album’s Five People You Meet in Heaven, there are plenty of portrayals of what might lie hereafter. One notable portrait of heaven comes from John, the Beloved Disciple, who put his vision to parchment in the fourteenth chapter of the Apocalypse.

He paints his portrait mainly with sounds. The scene includes the Lamb standing atop Mount Zion before the 144,000 elect. The author speaks of “the sound of rushing water,” then adds “a loud peal of thunder”; thereafter, he hears the sound “of harpists playing their harps”; finally, he reports that the multitude of saints “were singing what seemed to be a new hymn before the throne.”

The idea that heaven is filled with sound—even music—is intriguing. Having sung in choirs for many years, I have come to appreciate choral singing, as well as chant, as a premonition of the Kingdom. To sing well in a choir, one must listen to the other voices. This listening leads one to recognize and value the other voice. Only then is the chorister able to contribute his or her own voice to complement the others’ voices. No one, after all, can sing in harmony with oneself.

This strikes me very much like what heaven should be. In heaven, there will be no discord, no backbiting, no jealousy. In the words of John, “On their lips no deceit has been found; they are unblemished” (Rev. 14:5). According to the Christian vision of earthly life, heavenly life must consist in the perfect giving-and-taking, acceptance-and-bestowal of saintly relationships. There, love of God and love of neighbor will be perfected and overflow with song. It is so magnificently appropriate for the lover to sing for the beloved.

So, what is heaven like? No one on earth knows precisely. But I would not be surprised if it is, in fact, a place filled with music. At the very least, it must be a place of perfect harmony.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Partly on account of these alterations, and partly because I have been unable to ascertain the authorship of many compositions—which have come to me either in manuscript or through other collections—I have thought it right to publish the volume without appending the names of writers to their works. This, however, I confess to be a defect…”

— Benjamin Hall Kennedy (1863)

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