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Views from the Choir Loft

Let Everything That Hath Breath Praise the Lord!

Lucas Tappan · March 7, 2017

320 Mass ERHAPS IT IS DUE to the artistic temperament endowed to me by God, but among Truth, Goodness and Beauty, it is without doubt Beauty that speaks to my soul. To be sure, I love Truth and Goodness, but I love them because they are beautiful. God has called me to walk the via pulchritudinis along my earthly pilgrimage and I praise God for that!

At the same time, I acknowledge that the pilgrim way is not always as beautiful as one might hope. On a daily basis I am forced to confront the ugliness of my own sins, the hatred of God by some, the disdain shown for His creatures by many and a great apathy quietly professed by most in the world for anything heavenly. Unfortunately, the last of these plagues seems to be the modus operendi in too many celebrations of Holy Mass in the western world. As a society we have become completely exhausted with living; we are tired with everything and Mass is just another event to be endured and gotten through, another obligation. We no longer care. It is an irony supreme that in the face of a renewed focus on evangelizing in the Church today, we have ceased, in practice if not in belief, to care about the Church’s Sacred Liturgy. We no longer find it beautiful.

The celebration of Holy Mass should be the daily event in the life of the Church where the Christian worships the Lord, spends time with Him, receives Him, is renewed and strengthened by Him, where his love for God and neighbor is given new breadth and where he begins to live the life of the blessed in Heaven. But alas, no longer. Now the Mass is merely a filling station where the Christian hops in for a short time, inserts his coin into the basket and in return receives the Eucharist from whichever of the 20 vending machines (Eucharistic Ministers) is closest in physical proximity. He might even spend five minutes afterward in personal prayer where he tells God exactly what He needs to do so the day’s plans will be successful, after which the Christian can move on to the really important tasks of the day, which usually take place in the office.

This is in stark contrast to the view of so many saints who saw the celebration of Holy Mass as a foretaste of the Heavenly Banquet (I am reminded of the text of the Ave verum corpus) where Christians were taken up, and if they allowed God, were formed more fully into His image and likeness to become like living tabernacles, sent out into the world to be other Christs. By sharing the joy of living as such, the saints thereby converted the world.

The former view, which we struggle with today, is an extremely utilitarian one, which uses the Mass as a tool to produce what the Christian needs. The second view, a very classical one, acknowledges the Mass to be a partaking in the Heavenly Liturgy, one which calls all of creation, the entire world, to enter into the worship and rest of God. To be honest, who is not tired of the modern world’s utilitarian view, which asks how useful a thing is? What is useful in a child’s laughter, or Thanksgiving dinner or in the worthy celebration of the Heavenly Liturgy? None of these things are useful in the eyes of the world and therefore we are exterminating each one by one. We abort our children, we cut short Thanksgiving dinner in order to shop on Black Friday (which has been transferred by our secular liturgists to Thursday afternoon) and we have given up anything more than the most banal celebration of Holy Mass.

I recently read the EU Report in my latest edition of The American Organist (March 2017) and was both fascinated and frustrated by Paulo Bottini’s article entitled The Organ and Organist in Italy. He writes “You can count on the fingers of one hand the musicians who, when asked the question, ‘What do you do for a living?’ could rightfully answer, ‘I am a church organist. This is because in the Catholic Church, singing and instrumental music are not considered constituent parts of the rite, but ultimately are optional (my emphasis). For this reason many pastors… prefer to rely on anyone to make do—preferably for free—clumsily accompanying the same few botched songs.” Unfortunately this is believed believed by most in the western world, including our clergy, which is why I was happy to see the recent publication of Cantate Domino Canticum Novum: A Statement on the Current Situation of Sacred Music on the 50th anniversary of Musicam sacram.

The first point made in Canticum Domino concerning the regrettable state of church music today is this, “There has been a loss of understanding of the ‘musical shape of the liturgy,’ that is, that music is an inherent part of the very essence of liturgy as public, formal, solemn worship of God“(my emphasis). I agree with the document’s authors—we must recover the biblical belief that all of creation is called to be caught up in “one triumphant hymn of praise” to the Father, through the Son and in the Holy Spirit, what has been called the cosmic liturgy. This true (and ultimately beautiful) belief is indispensable if we hope to pull modern man out of himself and into eternity. I appeal to our bishops, pastors and seminarians, please re-orient the Church toward Heaven, to God. Do it first by re-orienting our worship, where Heaven truly meets earth. Give us churches that point to the reality of Heaven. Give us music that reminds us of the eternal hymn of praise sung by the angels, Give us homilies that inflame our hearts to love God and neighbor more deeply. Point us once again to God Who is Beauty Itself!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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Lucas Tappan

About Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Surprising Popularity!

One of our most popular downloads has proven to be the organ accompaniment to “The Monastery Hymnal” (131 pages). This book was compiled, arranged, and edited by Achille P. Bragers, who studied at the Lemmensinstituut (Belgium) about thirty years before that school produced the NOH. Bragers might be considered an example of Belgium “Stile Antico” whereas Flor Peeters and Jules Van Nuffel represented Belgium “Prima Pratica.” You can download the hymnal by Bragers at this link.

—Jeff Ostrowski
15 February 2021 • To Capitalize…?

In the Introit for the 6th Sunday after Pentecost, there is a question regarding whether to capitalize the word “christi.” The Vulgata does not, because Psalm 27 is not specifically referring to Our Lord, but rather to God’s “anointed one.” However, Missals tend to capitalize it, such as the official 1962 Missal and also a book from 1777 called Missel de Paris. Something tells me Monsignor Knox would not capitalize it.

—Jeff Ostrowski
15 February 2021 • “Sung vs. Spoken”

We have spoken quite a bit about “sung vs. spoken” antiphons. We have also noted that the texts of the Graduale Romanum sometimes don’t match the Missal texts (in the Extraordinary Form) because the Mass Propers are older than Saint Jerome’s Vulgate, and sometimes came from the ITALA versions of Sacred Scripture. On occasion, the Missal itself doesn’t match the Vulgate—cf. the Introit “Esto Mihi.” The Vulgate has: “Esto mihi in Deum protectórem et in domum refúgii…” but the Missal and Graduale Romanum use “Esto mihi in Deum protectórem et in locum refúgii…” The 1970s “spoken propers” use the traditional version, as you can see.

—Jeff Ostrowski

Random Quote

It should be borne in mind that there is no preference expressed in the liturgical legislation for either “versus populum” or “ad orientem.” Since both positions enjoy the favor of law, the legislation may not be invoked to say that one position or the other accords more closely with the mind of the Church.

— ‘Congregation for Divine Worship (Vatican City), 10 April 2000’

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