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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Fr. David Friel · April 22, 2018

Spanish Missal Chants Now Available

A collection of fine resources are available from the Domenico Zipoli Institute

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Richard J. Clark · April 20, 2018

Listening and Mission

All that matters is God’s call of service—God’s agenda. This mission of service is primary. Service is a form of love.

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Dr. Lucas Tappan · April 17, 2018

Teaching Gregorian Chant to Boys with Changed Voices

The boys encountered the same learning curves the adult men had previously, but their facility in solfege speed up the learning process.

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Guest Author · April 16, 2018

What does Cicero have to do with the Breviary?

A proposal for “mutual enrichment”

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Andrew Leung · April 12, 2018

Photos • Two Recent Solemn Masses in Hong Kong

This wasn’t my first time serving as a subdeacon, but it was a trembling experience.

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Dr. Lucas Tappan · April 10, 2018

Tone Quality and Your Singers

Ultimately it doesn’t matter if your choir resonates well and sings beautiful vowels but can’t communicate via the music…

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Fr. David Friel · April 8, 2018

The Turns at Benediction

To the Right or to the Left?

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Jeff Ostrowski · April 5, 2018

“ Dissonance? ” • Gregorian Accompaniment

Nothing could be further from the truth!

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Fr. David Friel · April 3, 2018

Ratzinger’s 1987 Letter to a Former Catechism Student

The Pope Emeritus presents church music as something central to life.

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Jeff Ostrowski · April 2, 2018

I Was Wrong to Dread the “Pre-1955” Holy Week

Five (5) differences between the ancient rites of Holy Week (“Pre-1955”) and the Pius XII version.

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Jeff Ostrowski · April 2, 2018

“Crotalus” • How Does It Sound?

Holy Thursday pew version from a pocket recorder.

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Fr. David Friel · April 1, 2018

Summer Chant Courses—Dunwoodie

Two course offerings from the St. Cecilia Academy for Pastoral Musicians

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Corpus Christi Watershed · March 29, 2018

FSSP Palm Sunday (2018) • “Pre-1955 Rubrics”

Rome gave permission this year to a few parishes to use the “Pre-1955” Holy Week.

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Veronica Brandt · March 28, 2018

Ratchets instead of Bells for your Electric Angelus

Remember to change any electronic bells this Friday and Saturday! Links to some good ratchet sounds included.

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Jeff Ostrowski · March 27, 2018

PDF Download • Organ Accompaniment for “Vexilla Regis” (Hymn) by Fr. Adrian Fortescue

When I saw this page, my opinion of Fortescue went down—but then I remembered…

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of September (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • “Cordero de Dios”
    Feel free to download this setting of the “Cordero de Dios” (AGNUS DEI) in Spanish. The congregation gets an interesting melody within reach, the organist gets a straightforward accompaniment, and the person assembling the ORDER OF WORSHIP gets a ‘ready-to-paste’ plainsong version. Try this setting of the “Santo, Santo, Santo” (SANCTUS) if you desire one that’s easy to sing and includes a simple organ accompaniment. For the record, I have harmonized the Spanish “GLORIA” found in the MISAL ROMANO, Tercera Edición. Click here to download that.
    —Jeff Ostrowski
    “Be Joyful Mary” • Organ Interlude

    Peter Piel (1835–1904), was a Roman Catholic composer named “Royal Music Director” under Wilhelm I, King of Prussia.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

We cannot exaggerate our indebtedness to Dr. Julian’s “Dictionary of Hymnology,” a monumental work, without which we could not have reached the high standard of accuracy, as to both texts and authorship, which we set before us when entering upon our labours.

— Committee for “New English Hymnal” (1906)

Recent Posts

  • “Reminder” — Month of September (2026)
  • PDF Download • “When I Survey the Wondrous Cross” — Simple Organ Interludes (5 pages)
  • Eucharistic Hymn • Skeleton Harmonies (“Simplified”) for Pianists Becoming Organists!
  • PDF Download • “Antiphons Which Are Sung Whilst the Blessed Sacrament Is Exposed”
  • PDF Download • Organ Harmonization for a Splendid Version of “O Salutaris Hostia”

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