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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Centrality of the Sign of the Cross

Fr. David Friel · May 27, 2018

BOUT fifteen years ago (which, for someone my age, is quite some time ago), a priest pointed out to me the inescapability of the Sign of the Cross in the form of Mass we now call the Extraordinary Form. The Sign of the Cross, of course, is not absent from any of the Church’s liturgies, but the prominence of this gesture in the Extraordinary Form often catches the attention of people who participate in such a Mass without much familiarity with it. Similarly, by comparison to the current Book of Blessings, the Sign of the Cross is much more omnipresent in the older Roman Ritual.

I’ve written elsewhere about the centrality of the Communion of Saints in the Extraordinary Form, and I think something parallel can be said for the Sign of the Cross.

From signing oneself at the Misereatur to the incensing of the gifts during the offertory to the pouring of water and wine into the chalice over the cross on its base, the Sign of the Cross is one of the most notable features of the ceremonial ritual of the Extraordinary Form.

Consider what St. Francis de Sales has to say about the manifold applications of this most basic Catholic prayer:

The Sign of the Cross . . . [is] a plea for God’s help. St. Jerome, writing to his spiritual daughter, said, “With every work, with all of your comings and goings, may your hand make the Sign of the Cross.”

St. Ephraim said, “Whether you sleep or wake, travel or work, eat or drink, sail on the sea or cross a river, cover yourself with this breastplate, clothe and encircle your limbs with the saving sign, and evils will not meet you.”

And Tertullian: “At every change of place and movement, every going out and coming in, when dressing, when putting on shoes, at the bath, at the table, when carrying a lamp, upon entering a room, and in every action that life requires, we touch our forehead with the Sign of the Cross.”

“Make this sign,” St. Cyril said, “eating, drinking, sitting, standing, going outside, walking, in sum: in all of your affairs.” And, elsewhere, “Have therefore no shame of confessing the crucifix, but with confidence let us impress the Sign of the Cross with our fingers upon our forehead, and may the Sign of the Cross be made in all things, eating, drinking, coming in, going out, before sleep, sitting, standing, doing, and remaining idle. For it is a great defense, which for the sake of the poor is given away freely, and for the sake of the weak is made without difficulty, this grace being from God, as the sign of the faithful and to bring fear to the devils.”

St. John Chrysostom: “The Cross shines everywhere, in places inhabited and uninhabited.”

St. Ambrose: “All of our works should be done with the Sign of the Cross.”

. . . Who does not know that prayer is the general and universal tool of Christians, proper to all of our affairs and works, for every encounter and all of the actions of our life? The Sign of the Cross, then, is nothing other than a brief and lively exterior prayer by which God is invoked, and, as a result, it is proper for all of our doings and plans. 1

HE NUMEROUS Signs of the Cross in the Extraordinary Form do not strike me as examples of the “useless repetitions” (repetitiones inutiles) which Sacrosanctum Concilium sought to avoid (SC, no. 34). The ubiquity of this prayerful gesture seems, rather, to be an utterly simple method of praising God and a beneficial means of instructing the faithful. It teaches us how to conform every thought, word, and deed to Christ.

May the Cross, the great Sign of our salvation, become an ever more central feature of our Catholic life and prayer!




NOTES FROM THIS ARTICLE:

1   St. Francis de Sales, The Sign of the Cross: The Fifteen Most Powerful Words in the English Language, ed. and trans. Christopher O. Blum (Manchester, NH: Sophia Institute Press, 2013), 17–19.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, Traditional Latin Mass Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“There are some so restless that when they are free from labour they labour all the more, because the more leisure they have for thought, the worse interior turmoil they have to bear.”

— Pope Gregory the Great

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