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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · March 6, 2018

PDF Download • Rare German Hymnal (879 pages)

Most German hymnals we’ve come across contain words only—but this one has harmonies!

Fr. David Friel · March 4, 2018

New Memorial of the Blessed Virgin Mary, Mother of the Church

Invoking Mater Ecclesiae in a new annual feast

Richard J. Clark · March 2, 2018

Blue Heron shines the light on Ockeghem—“The best composer you’ve never heard”

“He is in every way a composer of Bach’s stature and accomplishment both technically and expressively.” ~ Scott Metcalfe

Jeff Ostrowski · March 2, 2018

3rd Sunday of Lent (Extraordinary Form)

“Be merciful, O Lord, we beseech Thee, and free us from all sins and dangers…”

Jeff Ostrowski · February 28, 2018

Contemporary “Stabat Mater” (SATB) • by Gustaaf Nees (d. 1965)

You’ve never heard this arrangement before—perfect for Lent.

Jeff Ostrowski · February 25, 2018

“Tu Es Petrus” (Rec. 2017 Symposium)

No matter how many people imitate John Denver on the guitar in our churches, Palestrina and Victoria will always be loved and sought by serious Catholics.

Veronica Brandt · February 24, 2018

Build your Music Theory Skills

How to Finally Acquire a Musical Education While Still in College or Anywhere Else (with apologies to James V Schall)

Jeff Ostrowski · February 22, 2018

“First Run Through” • Guerrero’s Kyrie

“To put it simply, I was pierced by the beauty of the liturgy in a way I have never before experienced.” —2017 participant

Andrew Leung · February 22, 2018

The Smoke of Satan

Blessed Pope Paul VI: “The smoke of Satan has entered the Church.”

Dr. Lucas Tappan · February 20, 2018

Building Your Choir Vocally

If more choirmasters were honest with themselves, they would probably acknowledge that no more than 25 to 40 percent of their singers are actually leaders within their choirs.

Jeff Ostrowski · February 19, 2018

Rare Lenten Hymns You’ve Not Sung

“Our hymnbooks know nothing of such a treasure as this, and give us pages of poor sentiment in doggerel lines by some tenth-rate modern versifier.” —Fr. Fortescue

Fr. David Friel · February 18, 2018

St. Thomas More on the Reception of Holy Communion

“Let us not lose this time…for we can hardly tell whether we will ever get in to church again or not.” —St. Thomas More

Veronica Brandt · February 17, 2018

Towards a Standard Protocol for Frayed Ribbons

Adding ribbons sounds like a fine idea, until they fray and come adrift. Serious bookmakers take precautions to stop ribbons fraying, but even amateurs can learn from these tips.

Jeff Ostrowski · February 15, 2018

Phone Interview • Fr. Guy Nicholls, Cong. Orat.

The Blessed John Henry Newman Institute of Liturgical Music (England) has a big announcement!

Dr. Lucas Tappan · February 13, 2018

Review • Fr. White’s Tools for Rebuilding

I’m edified by Fr. White’s work, but hope his regard for “church growth” doesn’t negate the Sacramental and supernatural nature of the Church.

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Corpus Christi Watershed

President’s Corner

    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski
    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

Yet, with all its advantages, the new Missal was published as if it were a work put together by professors, not a phase in a continual growth process. Such a thing never happened before. It is absolutely contrary to the laws of liturgical growth, and it has resulted in the nonsensical notion that Trent and Pius V had “produced” a Missal four hundred years ago.

— Josef Cardinal Ratzinger (1986)

Recent Posts

  • Cheap! Cheap! Cheap!
  • Children’s Repertoire: “3 Recommendations”
  • PDF Download • Dom Murray Harmonies
  • “Music List” • 14 September (Holy Cross)
  • Do You Recognize This Hymn? Do You Like It?

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