Views from the Choir Loft

Articles

Jeff Ostrowski · April 29, 2018

Yesterday’s Solemn Mass Was An Inflection Point

Consider three (3) clerics who took part in this Solemn Mass at the National Shrine

Andrew Leung · April 26, 2018

This Saturday! • Solemn Pontifcal Mass in D.C.

Archbishop Sample will be offering a Solemn Pontifical Mass at the National Shrine in DC.

Jeff Ostrowski · April 24, 2018

Directing A Choir: Are You Tough Enough?

Your sense of humor says it all…

Corpus Christi Watershed · April 23, 2018

Opportunity to study Polyphony in San Francisco

Dr. Michael Alan Anderson is a superb director.

Fr. David Friel · April 22, 2018

Spanish Missal Chants Now Available

A collection of fine resources are available from the Domenico Zipoli Institute

Richard J. Clark · April 20, 2018

Listening and Mission

All that matters is God’s call of service—God’s agenda. This mission of service is primary. Service is a form of love.

Dr. Lucas Tappan · April 17, 2018

Teaching Gregorian Chant to Boys with Changed Voices

The boys encountered the same learning curves the adult men had previously, but their facility in solfege speed up the learning process.

Guest Author · April 16, 2018

What does Cicero have to do with the Breviary?

A proposal for “mutual enrichment”

Andrew Leung · April 12, 2018

Photos • Two Recent Solemn Masses in Hong Kong

This wasn’t my first time serving as a subdeacon, but it was a trembling experience.

Dr. Lucas Tappan · April 10, 2018

Tone Quality and Your Singers

Ultimately it doesn’t matter if your choir resonates well and sings beautiful vowels but can’t communicate via the music…

Fr. David Friel · April 8, 2018

The Turns at Benediction

To the Right or to the Left?

Jeff Ostrowski · April 5, 2018

“ Dissonance? ” • Gregorian Accompaniment

Nothing could be further from the truth!

Fr. David Friel · April 3, 2018

Ratzinger’s 1987 Letter to a Former Catechism Student

The Pope Emeritus presents church music as something central to life.

Jeff Ostrowski · April 2, 2018

I Was Wrong to Dread the “Pre-1955” Holy Week

Five (5) differences between the ancient rites of Holy Week (“Pre-1955”) and the Pius XII version.

Jeff Ostrowski · April 2, 2018

“Crotalus” • How Does It Sound?

Holy Thursday pew version from a pocket recorder.

“Music List” • 29th in Ordinary Time (Year C)

Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 19 October 2025, which is the 29th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.

—Jeff Ostrowski

Liturgical Round (“Canon”) in C-Major

Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.

—Jeff Ostrowski

Latin Liturgy Association

We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”

—Corpus Christi Watershed

New Bulletin Article • “12 October 2025”

My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.

—Jeff Ostrowski

“American Catholic Hymnal” (1991)

The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).

—Jeff Ostrowski

“Canonic” • Ralph Vaughan Williams

Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.

—Jeff Ostrowski