• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
  • Donate
Views from the Choir Loft

Articles

Jeff Ostrowski · December 17, 2017

How Should Renaissance Music Be Sung?

Hermann Finck (d. 1558) wrote about choral sound and performance in 1556.

Veronica Brandt · December 16, 2017

Not That Gaudete

A simple misunderstanding that arises with new choir members who are aware of the Christmas Carol called Gaudete and that the Third Sunday of Advent is known as Gaudete Sunday.

Richard J. Clark · December 15, 2017

Discouragement and Hope

Despite such a bleak picture, so many musicians remain faithful and loyal servants of the Church. This is hope.

Andrew Leung · December 14, 2017

Video • A Chinese Offertory Hymn

My new choir singing a Chinese offertory hymn…

Jeff Ostrowski · December 14, 2017

3rd Sunday of Advent (3rd of December)

John answered them, saying, “I baptize with water; but there hath stood one in the midst of you, Whom you know not…”

Jeff Ostrowski · December 13, 2017

PDF Download • “Rorate Mass” (13 pages) —Dec 2017

“Let us not be cast into the darkness to burn in flames, but may we share the joy of heaven, seeing the face of God.”

Guest Author · December 12, 2017

Latin Mass Youth Choir…in Las Vegas!

“I am a firm believer that anyone can learn to sing, even tiny children.” —Andrea Leal

Jeff Ostrowski · December 11, 2017

Advent Piece for 2 Voices

Multi-Track recording created by a high school sophomore.

Fr. David Friel · December 10, 2017

Knowledge of the Infant Lord

Sheer Grace

Veronica Brandt · December 9, 2017

Online Advent Calendars 2017

What do you use to countdown to Christmas?

Jeff Ostrowski · December 8, 2017

PDF Download • Immac. Conception Booklet

“He whom the whole world cannot contain was enclosed in thy womb…”

Jeff Ostrowski · December 7, 2017

“Creator Alme Siderum” (Guerrero)

The famous plainsong tune can be played on a Woofer Guitar.

Jeff Ostrowski · December 6, 2017

Holy Purity & Anger

Our seminarians and priests taught us about “captivity of the eyes.”

Jeff Ostrowski · December 6, 2017

Quickest Psalm Tone Ever Created

A nicely done Psalm Tone is preferred to a poorly sung authentic version.

Jeff Ostrowski · December 5, 2017

Rorate Caeli • “Very Ancient Catholic Song”

This Catholic hymnal was written by a priest named “Police.” (not kidding)

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 127
  • Page 128
  • Page 129
  • Page 130
  • Page 131
  • Interim pages omitted …
  • Page 322
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski
    Beginning a Men’s Schola
    I mentioned that we recently began a men’s Schola Cantorum. Last Sunday, they sang the COMMUNION ANTIPHON for the 3rd Sunday of Easter, Year C. If you’re so inclined, feel free to listen to this live recording of them. I feel like we have a great start, and we’ll get better and better as time goes on. The musical score for that COMMUNION ANTIPHON can be downloaded (completely free of charge) from the feasts website.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Indeed I might add that although unfamiliar with it myself, the Extraordinary Form expressly reminds us that Mass in either form is not merely a communion meal but a ritual of love, a sacrifice at Calvary, by which, for you and for me, yes, here and now, Jesus Christ lays down his life.

— ‘Most Rev. Philip Egan, Bishop of Portsmouth’

Recent Posts

  • “Entrance Chant” • 4th Sunday of Easter
  • Reader Feedback • Mendelssohn’s “Wedding March” at a Nuptial Mass?
  • Music List • “Repertoire for Weddings”
  • We (Will) Have A Pope!
  • Beginning a Men’s Schola

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.