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Views from the Choir Loft

Solemn High Mass with Faure’s Requiem on All Souls’ Day

Fr. David Friel · October 23, 2018

ESS THAN two weeks from now, the Church will observe All Souls’ Day. This annual commemoration is an opportunity to pray for all the faithful departed, invoking God’s mercy upon them. In addition to its spiritual efficacy, the Requiem Mass has also been the inspiration for innumerable works of art. Not least among these is the musical genre of the Requiem.

One of the most well-known and beloved settings of the Requiem Mass is that of Gabriel Fauré (1845-1924). Of this Mass, the composer once wrote:

“Everything I managed to entertain by way of religious illusion I put into my Requiem, which moreover is dominated from beginning to end by a very human feeling of faith in eternal rest.”

Fauré’s Requiem in D minor (Op. 48) even warrants its own Wikipedia page.

OR THE SECOND YEAR in a row, Fauré’s Requiem will be sung—not in concert, but within the liturgy—at an Extraordinary Form Mass held at the National Shrine of Saint John Paul II (3900 Harewood Road NE, Washington, DC 20017). The Mass will be offered Friday, November 2, 2018 at 7 PM. Whereas last year this Mass was a Missa cantata, this year it will be a Solemn High Mass. See the Facebook event page here.

The music for this Mass will adhere closely to the composer’s original instrumentation for strings, choir, and soloists. Readers who live in the greater Washington, DC area might consider marking All Souls’ Day this year at the JPII Shrine.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, Pope Saint John Paul II, Requiem Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel served as Parochial Vicar at Saint Anselm Church in Northeast Philly before earning a doctorate in liturgical theology at The Catholic University of America. He presently serves as Vocation Director for the Archdiocese of Philadelphia and teaches liturgy at St. Charles Borromeo Seminary.—(Read full biography).

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Corpus Christi Watershed

Quick Thoughts

    PDF • “For the Season of Pentecost”
    During the season of Pentecost, you might consider using this 2-page Piece “for the season of Pentecost.” Rehearsal videos are available at #40691, but the lyrics are different. Therefore, make sure your choir members understand that one can rehearse songs that have different lyrics (“CONTRAFACT”).
    —Jeff Ostrowski
    Introit • (This Coming Sunday)
    Our volunteer choir appreciates training videos, so here's my attempt at recording “Exáudi Dómine Vocem Meam,” which is the INTROIT for this coming Sunday. This coming Sunday is Dominica Post Ascensionem (“Sunday after the feast of the Ascension”). It is sung according to the official rhythm of the Catholic Church.
    —Jeff Ostrowski
    Volunteer Choir Attempts “Kýrie Eléison”
    My volunteer choir attempted the polyphonic KYRIE that will be sung at this year's Sacred Music Symposium. If you're interested, you can listen to the live recording from last Sunday. The piece is based on the ancient plainchant hymn melody: Ave Maris Stella. Polyphony like this is truly intricate and wonderful. It reminds me of the quote by Artur Schnabel: “music that's greater than it can be performed.”
    —Jeff Ostrowski

Random Quote

“Our Christian people regard with great joy everything that contributes to the splendor of the ceremonies. Jesus—who was poor in His private life—received ointment on His feet. See Thomas Aquinas (Prima Secundae, q. 102, art. 5, ad 10) and the holy Curé of Ars. The Church has always loved beautiful churches, and so forth. We must preserve our sacred patrimony and make sure sacred objects do not become secular possessions.”

— Abbot & Council Father denouncing “noble simplicity” during Vatican II

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