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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

Incredible News! • Re: Mæstro Richard J. Clark

Jeff Ostrowski · October 22, 2018

87289 RICHARD J CLARK UR VERY OWN contributor has been appointed to one of America’s most prominent sacred music positions! Richard J. Clark has been named DIRECTOR OF MUSIC of the Archdiocese of Boston and the Cathedral of the Holy Cross.

One of the most sought after liturgical musicians and composers, it is no wonder Richard has been asked to lead music for the fourth largest Archdiocese in the United States. A dedicated servant of the church, Clark’s compositions range from humble settings (for simple parishes) to works performed by the finest choir and musicians in the world. In addition to being a husband and father, he maintains a pretty nifty website.

In some ways, his path to becoming a church musician was unlikely. At age nine, my understanding is that he declared, “being a church musicians has to be the lowest musical aspiration possible.” Instead of beginning studies at a conservatory, be began at Berklee College of Music. Interestingly, it was there he discovered composition in the styles of J. S. Bach and Palestrina. Somewhat late in life he began playing the organ—not until his early twenties. Yet, he fell in love with the instrument so instantly, he quickly become one of Boston’s most notable organists, performing in the Boston Symphony Hall, St. Patrick’s Cathedral (New York), Saint-Eustache (Paris), and so forth.

87279 Richard


Richard is at ease with a vast array of musical styles; from Gregorian Chant to classical to jazz and pop. This eclectic background informs his unique voice as a composer. Always filtered through the prism of reverence and prayer, any influence Clark draws from results in a work surging with emotion and spirit. Perhaps most importantly, Richard’s experience of working in parishes for decades makes him eminently qualified to guide an archdiocese. While he is devoted to and respects the traditional music of the Church, Richard’s hand in many musical styles affords him the ability to see multiple points of view. He has had a gift for unifying musicians and people (no mater how diverse) in prayer through sacred music. By the way, several of Richard’s hymn settings were chosen to be in the Brébeuf hymnal, and they’re absolutely marvelous—I think people will really enjoy them.

87286 Fenway Park in 2017. 87287-Richard-Clark-Organ 87288-Orchestra-Rehearsal-2017

Never doubt one thing: Richard is a man of INTEGRITY. 1

I was blessed to make his acquaintance through a mutual friend, Edmund G. Murray (who is also a phenomenal church musician). About half a decade ago, I served on the faculty of the CMAA Colloquium, and we both ended up stranded in the same airport for a few hours. We had a wonderful talk, and I’m happy to say we’ve been friends ever since. In light of this sensational appointment, wherein he’s now the musical leader of the Archdiocese of Boston, I can only say one thing: “Please don’t forget the little people, Richard!”



NOTES FROM THIS ARTICLE:

1   How many people can you say that about these days? Honestly?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Corpus Christi Watershed

Quick Thoughts

    “Glory To God” • (For Choir + Congregation)
    I wish to thank everyone for the nice comments I received vis-à-vis my Glory To God setting for Choir & Congregation. A gentleman with a musical doctorate from Indiana University wrote: “Love this setting so much. And I will pray, as you asked, for your return to composition more fully. You are very very good.” A female choir director wrote: “I love your harmonizations, your musicality, and the wonderful interplay you have with dissonance and consonance in your music. So fun to listen to, and great for intellect, heart, and soul!” A young woman from California wrote: “Thank you for releasing your new Glory To God in honor of Saint Noel Chabanel. I'm enjoying reading through the various parts and listening to your recordings.”
    —Jeff Ostrowski
    William Byrd • “Mass for Five Voices”
    Our volunteer choir is learning the “Sanctus” from William Byrd’s Mass for Five Voices. You can hear a short excerpt (recorded last Sunday) but please ignore the sound of babies crying: Mp3 recording. We still have work to do—but we’re on the right track. Once we have some of the tuning issues fixed, I desire to use it as an example proving volunteers can sing complicated polyphony.
    —Jeff Ostrowski
    “Baptism” • A Unique Hymn
    Father Christopher Phillips is the founding Pastor of Our Lady of the Atonement Catholic Church. One of his hymns is unique and (in my humble opinion) quite beautiful. His hymn is basically a prayer to the Holy Trinity but also speaks of Baptism and the Holy Eucharist. It would be an ideal Communion hymn on Trinity Sunday or the feast of the Baptism of the Lord. You can hear live recording from last Sunday by clicking here.
    —Jeff Ostrowski

Random Quote

Saint Phillip Neri founded a religious congregation called the Oratory. Animuccia was involved from early on and remained “maestro di capella” of the Oratory until his death. The Oratory was able to attract many musicians who volunteered their services, including the famous singer Francesco Soto de Langa from the Capella Sistina, the composer Palestrina, and probably the composer Tomás Luis de Victoria who lived in the same house as St. Phillip Neri for five years.

— Source Unknown

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