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Views from the Choir Loft

Articles

Jeff Ostrowski · February 11, 2020

Big News! • Symposium Dates Revealed

Woo Hoo! The preëminent conference for Church musicians announces dates for its fifth year!

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Jeff Ostrowski · February 11, 2020

Septuagesima Gradual • Strange Formation on Clivis

Is there a “jail” for people who change the official edition of Gregorian Chant?

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Patrick Torsell · February 10, 2020

Youth Choristers – Formation Beyond Singing

If we want young people to help restore and promote sacred music, we must get beyond the “what” and the “how” and dig in to the “why.”

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Dr. Alfred Calabrese · February 8, 2020

To Breathe or Not To Breathe

Our choirs should not sound mechanical. Beautiful music its waiting to be discovered.

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Dr. Lucas Tappan · February 7, 2020

Westminster Cathedral Choir School: Update

Jeff’s recent post made me think that perhaps a recap of all the events so far at Westminster Cathedral would be helpful to readers.

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Jeff Ostrowski · February 7, 2020

“I’m hanging on every word.”—Catholic Organist Group

My friend, Richard J. Clark, sent me a screenshot from the “Catholic Organist Group.”

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Jeff Ostrowski · February 7, 2020

When Choirs Prefer A “Real Voice” To Midi

Only an insane person would post this publicly—but I “fit the bill”…so here goes!

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Jeff Ostrowski · February 6, 2020

Short But Superb Film • “Westminster Choir Boys”

The resignation of Martin Baker was quite a shock to the Catholic world.

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Jeff Ostrowski · February 6, 2020

PDF Download • “What Makes A Good Hymn?”

Dr. Terry says: “The melody must be clearly defined, free from triviality and trite clichés, avoiding harmonies that are sugary or sensuous.”

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Jeff Ostrowski · February 5, 2020

Protected: 3rd edition • Saint Edmund Campion Missal

There is no excerpt because this is a protected post.

Dr. Lucas Tappan · February 4, 2020

The Institution as Formator (Part I)

Everyone is searching for a silver bullet. Perhaps it’s a certain education method, a special book or a technique. Standing somewhat in opposition to all of these various techniques and methods is the English choir school, where the director stands in front of the boys and says “that’s an A, now sing it!”

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Jeff Ostrowski · February 4, 2020

PDF Download • “Ave Maris Stella” (Organ Accompaniment)

The 2nd part has blank staves, so you can compose your own harmonies!

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Jeff Ostrowski · February 2, 2020

PDF Booklet • Feast of the Purification (2 February)

Better late than never, right?

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Jeff Ostrowski · January 31, 2020

A Traditional—But Bizarre!—Way To Assist At Mass

Just because I’m aware of something that happened in the past doesn’t mean I endorse it.

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Richard J. Clark · January 31, 2020

Two Reasons for Fewer Vocations

The marketing and commercialization of sacred music has had vastly mixed results, some positive, but some deleterious.

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Corpus Christi Watershed

President’s Corner

    “Holy, Holy, Holy” transposed lower

    A simple setting based on a work by Canon Jules Vyverman.

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    —Jeff Ostrowski
    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

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    —Jeff Ostrowski
    A Mystery! — Re: the “Liber Usualis”

    Even after all these years, nobody has been able to explain this.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“Victoria not only made his professional debut as church organist: he also continued active on the organ bench until the very eve of his death. Indeed, during his last seven years at Madrid (1604-1611) he occupied no other musical post but that of convent organist.”

— Dr. Robert Stevenson (1961)

Recent Posts

  • 7 Letters • “Simple Music for the Mass Propers”
  • “The Priest in Your Breviary” • Who Was Father Joseph Connelly? (Mysterious Liturgical Scholar)
  • “Holy, Holy, Holy” transposed lower
  • Music List • (27th Sund. Ordinary Time)
  • A Mystery! — Re: the “Liber Usualis”

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