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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · December 5, 2016

Communion Antiphons for Christmas on “Sounds from the Spires”

“Sounds from the Spires” has been a great supporter of sacred music in the liturgy, bringing choral music, chant, and the pipe organ to a broad audience.

Richard J. Clark · November 18, 2016

A Dad’s Dilemma • I pray and God determines.

Working for the Church is wholly at odds with having a family and being present for them.

Richard J. Clark · November 4, 2016

Seraphim Singers Premiere “I Am the Land: A Poem in Memory of Óscar Romero”

Assassinated on March 24, 1980 while saying Mass, Romero was beatified by Pope Francis on May 23, 2015.

Richard J. Clark · October 26, 2016

I Say: “Good for Marty Haugen”

He has been on top of the Roman Catholic world of liturgical music for decades.

Richard J. Clark · October 21, 2016

Memorial of Pope Saint John Paul II

Two FREE resources honoring Pope Saint John Paul II

Richard J. Clark · October 14, 2016

The Unhealthy Liturgical Obsession with Self

It is not found in the Roman Rite. It is not there in the scriptures. We are in fact inserting such self-obsession.

Richard J. Clark · October 7, 2016

Vocation Directors Immersed in Chant—Immersed in Prayer

This isn’t about chant. This isn’t about a style of music. It is about the urgency we face with vocations.

Richard J. Clark · September 23, 2016

The Choir Isn’t Everything

The priest’s musical role is enormously influential. This can not be emphasized enough.

Richard J. Clark · September 9, 2016

Three Things that Inform the Work of Every Parish: Hospitality, Catechesis, Evangelization

These three elements inform most every aspect of our service to God and the faithful.

Richard J. Clark · September 2, 2016

The Power of Wordless Presence

Many of us are gearing up our choir programs. Yet if we do not invest of ourselves time to “know” the Lord, our work may be for our own glorification rather than for God’s.

Richard J. Clark · August 26, 2016

Communion Antiphons for Advent & Christmas • NEW • World Library Publications

World Library Publications has published settings of Communion propers for Advent and Christmas. Listen here to beautiful recordings directed by Paul French.

Richard J. Clark · August 19, 2016

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

New Resource from the Archdiocese of Boston for First Communion and Confirmation

The most important element of this document is not the list of hymns and chants, but the vital coupling of faith formation and sacred music.

Richard J. Clark · August 12, 2016

The Difficulty of Cultivating a Prayerful Focus for Musicians

Quiet prayer for church musicians is very difficult to come by. Here are nine things one may find helpful.

Richard J. Clark · August 5, 2016

“Ad Orientem” and Granovetter’s Threshold Models of Collective Behavior

The people deserve to know the truth. It is time for ignorance to end so that the faithful may develop informed opinions.

Richard J. Clark · July 15, 2016

Letter from USCCB Committee on Divine Worship on “Ad Orientem”

Most Rev’d Serratelli says the current rubrics “reflect the real possibility that the celebrant might be facing away from the assembly.”

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Corpus Christi Watershed

President’s Corner

    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest.
    —Jeff Ostrowski
    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“Ways to receive Our Lord as King of the Universe…read and reflect on the Sunday Scriptures, plan your whole weekend around receiving your King, wear your best garments, spend time in quiet, kneel to receive Him, receive Him on the tongue, offer silent time of thanks after mass.”

— Most Rev. Bishop Strickland (15 December)

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  • Buckfast Abbey Weighs In
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