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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · March 6, 2015

Pope Francis and “recovering the allure of beauty”

If the priest is “excessively” focused on the rubrics “…I do not enter into the mystery” “…if I am a showman, the protagonist” of the Mass, “then I do not enter into the mystery” either.

Richard J. Clark · February 27, 2015

Helping Your Deacon or Priest Learn the Exsultet

Singing the “Exsultet” can be intimidating! Six pages of endless notes and words? Here are some helpful tools.

Richard J. Clark · February 20, 2015

Permission Needed to Replace the Propers?—(1 of 7)

“Tacit approval” alone isn’t getting the job done. It is abdicating authority to composers and publishers, pastors and liturgists.

Richard J. Clark · February 13, 2015

Choir Rehearsal Is Prayer

It is quite possible we won’t get to sing the music we rehearsed — a problem everyone in Boston is facing this Sunday. But choir rehearsal itself is a prayer.

Richard J. Clark · February 6, 2015

World Day for Consecrated Life and Leadership from the Laity

Priests and musicians need each other and must mutually support each other. Both are immersed in the work of the liturgy, the most important act of evangelization.

Richard J. Clark · January 30, 2015

Liturgy of the Word and Paraphrasing the Responsorial Psalm

Would a lector paraphrase a reading from Isaiah or Paul? Would a deacon or priest change the words while proclaiming the Gospel of St. Luke?

Richard J. Clark · January 23, 2015

The Blessing of Daily Mass – Saint Mary’s Chapel, Boston College Reopens

I am at daily mass, but through no virtue of my own. God has a way of drawing us toward him even when we resist.

Richard J. Clark · January 16, 2015

Reviving a Music Program & Ryan Lynch on “Sounds from the Spires”

Good-hearted and talented people respond quite positively to the philosophy of service to God and others.

Richard J. Clark · January 9, 2015

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

The Lowest Musical Aspiration Possible – Or the Highest?

Is being a church musician the lowest musical aspiration possible? Or the Highest?

Richard J. Clark · January 2, 2015

Christmas Season and the New Year

This is a profession that is in fact, unfriendly to families, i.e., working all weekend long, nights, holidays, low pay, etc. Yet we persist through an act of will as much as an act of loving service.

Richard J. Clark · December 26, 2014

Scripture, Sacred Music, and the Actions of Our Lives

Let’s not minimize the role of the psalms in the mass to the Responsorial! Plus a FREE download of the Epiphany Communion antiphon.

Richard J. Clark · December 19, 2014

I am a fraud: A Life of Service

The richness of liturgical worship is what draws may of us in –- for life.

Richard J. Clark · December 12, 2014

Saint Paul’s Choir School ~ Top 5 on the Billboard Charts

“Christmas in Harvard Square” opened on the No. 2 spot on Billboard Magazine’s Classical Traditional Chart and has remained in the top 5 since.

Richard J. Clark · December 5, 2014

Marian Meditations on RJC Cecilia Music

When I was young, I never viewed the Blessed Virgin Mary as a great source of inspiration for composition. How wrong that turned out to be!

Richard J. Clark · November 28, 2014

A self-fulfilling prophecy and why we don’t sing the Creed

But how many times have we heard: “We shouldn’t use that that because nobody can sing it.” This is a self-fulfilling prophecy, is it not?

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Corpus Christi Watershed

President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“We decided to entrust this work to learned men of our selection. They very carefully collated all their work with the ancient codices in Our Vatican Library and with reliable, preserved or emended codices from elsewhere. Besides this, these men consulted the works of ancient and approved authors concerning the same sacred rites; and thus they have restored the Missal itself to the original form and rite of the holy Fathers.”

— ‘Pope St. Pius V (Quo Primum, 1570)’

Recent Posts

  • From Sentiment to Sacrament: Reclaiming Sacred Music for the Wedding Mass
  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)

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