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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Saint Paul’s Choir School ~ Top 5 on the Billboard Charts

Richard J. Clark · December 12, 2014

HE SAINT PAUL’S CHOIR SCHOOL, Harvard Square, founded in 1963 by the legendary Theodore Marier, has recently enjoyed a flurry of national publicity surrounding their new CD “Christmas in Harvard Square” on Decca/AimHigher Recordings/UMC. Under the direction of John Robinson and accompanied by organist Dr. Jonathan Wessler, the CD was produced by Grammy Award winner Blanton Alspaugh.

Released in October of this year, it opened on the No. 2 spot on Billboard Magazine’s overall Classical Traditional Chart. During the nine weeks since its release, it has remained in the top 5 on the Classical Traditional Chart. Additionally, it listed last week at No. 4 on the Holiday Albums Chart and No. 10 on the Classical Albums Chart.

* *  Order the CD here: Christmas in Harvard Square • Saint Paul’s Choir School | Harvard Square You can also view the track list and listen to samples. It is also available on iTunes and Amazon.

ECENT NATIONAL TELEVISED APPEARANCES include a Christmas Special on PBS as well as a segment on “Fox and Friends.” During this segment, Music Director John Robinson was asked about the boys’ typical day and rehearsal time. While discussing their extensive rehearsal in addition to demanding academics, Robinson quite notably points out that “…the highlight of our day is always singing the mass that happens at 12:10 in the beautiful acoustics of St. Paul’s Church.” To watch the entire segment click here:

Watch the latest video at video.foxnews.com      * *  Here is a detailed review of “Christmas in Harvard Square” by Michael Olbash on One Peter Five. Of the many details Mr. Olbash discusses, one comment stands out as it reflects this music the context of faith:

Many choral ensembles include Gregorian chant in concert programs and recording projects as novelty items which tend to sound like precious, fragile museum pieces. In contrast, the two Gregorian introits on this recording — Dominus Dixit and Puer Natus Est — were lively and expressive, the kind of chant singing which can only be achieved when the Gregorian plainsong is part of the living, daily prayer life of a choral ensemble. (emphasis added)

F YOU ARE IN THE BOSTON AREA you can view their concert series and buy tickets online here. Their last concert was sold out, so buy tickets now!

Finally, if you know a talented third or fourth grade boy, you can learn more about “How to Become a Choirboy.” This provides information about admissions, tuition, and opportunities at the Saint Paul’s Choir School. This is an extraordinarily unique Catholic education that may open many unexpected doors. The passion and discipline of music in the context of a faith-filled Catholic education lead to success not only in higher education, but potentially in all matters of life.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: November 27, 2021

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

On March 24th, 1945, Pope Pius XII, by the Motu Proprio “In cotidianis precibus” gave permission to all who recite the divine office to use a new version of the Psalter made by six Jesuit professors of the Biblical Institute. This, contrary to some expectations, was neither a revision of the existing Vulgate nor of Saint Jerome’s ‘Psalterium juxta Hebraeos’, but a new translation altogether, based on the Massoretic text, the versions, and (in a few instances) on conjectural emendations.

— Dr. T. E. Bird

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