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Views from the Choir Loft

The Blessing of Daily Mass – Saint Mary’s Chapel, Boston College Reopens

Richard J. Clark · January 23, 2015

ANY OF MY earliest memories are of attending daily mass with my mother at St. William the Abbot parish in Seaford, New York. I’m sure I was quite a handful and disturbed mass frequently. (Some may argue this still occurs.) On days we did not go to mass, it was common that my mother would bring me into church for a “quick visit” in-between running errands. This seemed like normal life for me.

These days, I am at daily mass, but through no virtue of my own. I get paid to play and sing five days a week at St. Mary’s Chapel at Boston College, which includes a mass just for the Jesuit Community of about sixty priests. Mass is attended mostly by students, employees of the college, and some people from the neighborhood. There are also a few regulars who bring their very young children to mass most every day.

Ironically, the busier we are, the more we must make time to pray. When I began playing at St. Mary’s Chapel ten years ago, I thought I might only do this for a few weeks or months because I did not have the time. But quite quickly – if not almost immediately — I became completely hooked on playing daily mass. God has a way of drawing us toward him even when we resist.

ROFESSIONALLY, THE VALUE of playing and singing daily mass cannot be underestimated. Although I had studied organ with BSO organist James David Christie and already had a great deal of experience behind me, it was daily mass that taught me some very important things.

Most importantly, the relationship between the congregation and the organ becomes more intimate with people who sing most every day. It was at daily mass that I realized it is the people in the pews who are the “leader of song.” While the organ is the glue that keeps everyone together, it is ideally a cooperative relationship like chamber music. (Taking their lead, we sing all the verses of the hymns as they refuse to put their hymnals down after two verses.) Playing daily mass made me a much better hymn player – and not simply through repetition. I learned the subtleties of my role as organist which involves as much listening to the congregation as it does playing for them.

An extension of the idea that the congregation is the “leader of song” is that unaccompanied singing comes quite naturally when a congregation is allowed to find its own pace. When St. Mary’s Hall reopened after two years of renovation, the organ was not quite ready yet. So I sang the Psalms and ICEL chants unaccompanied in the beautiful acoustic of marble and wood. The singing was astounding because the people were freed up to sing the chants, yet were still supported by a warm acoustic. The organ would only have gotten in the way.

Perhaps most importantly, there is no replacement for following the continuity of the scripture readings from Sunday to Sunday. Many of us who work hard to prepare music for Sundays are well served by following the scriptures throughout the week. Most obvious are the readings from Isaiah during Advent and Acts during the Easter Season. But through every week there is a thread from one Sunday to the next. The daily life of Christ comes to life for us every day. Though no virtue of my own, I am blessed to experience this.

OST INTERESTINGLY, Boston College was originally named “Boston College of the Immaculate Conception.” Therefore, it was fitting that St. Mary’s reopened on the Feast of the Immaculate Conception in 2014. Connected to St. Mary’s Hall on Boston College’s Central Campus, St. Mary’s Chapel opened in 1917. A beautiful wood carved ceiling and marble floors and side altars frame the chapel’s Gothic windows. In the choir loft sits an exquisite one-manual, eight rank D.A. Flentrop organ tuned to the Kellner (Bach) temperament, which is particularly gorgeous in certain keys. Stefan Maier has done extraordinary work in maintaining and preparing this wonderful instrument.

During the academic year, I have the opportunity to hear a few dozen Jesuits preach, and some on a very regular basis. The preaching on any given weekday from the Jesuits is remarkably thoughtful, substantial, well prepared—and brief, which speaks to the high level of preparation. I have been blessed to get to know many of these fine priests including one who has baptized all three of my children. I have also been fortunate to work for three exceedingly thoughtful and supportive rectors in addition to Assistant Rector, Fr. Michael Ford. This is another rare blessing for which I am grateful.

Wherever you are, go to mass during the week. You will be blessed with greater strength to live out what God calls you to do.

If you are at Boston College, mass is offered at seven different locations on campus. You may view the schedules (including St. Mary’s Chapel) here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Boston College, Daily Mass Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“We wish to express the hope that students of Gregorian Chant come back to the pure Vatican Edition, in the ancient block-note form, without the addition of any signs whatever, in order to achieve Gregorian unity.”

— Josef Gogniat (12 March 1938)

Recent Posts

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  • Bishop François Charrière Vs. Hannibal Bugnini
  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”

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