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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · July 8, 2016

Those Pesky Letters of Complaint

As surely as the sun rises in the East and sets in the West, someone will be unhappy. Displeasure does not discriminate.

Richard J. Clark · July 1, 2016

The Frontier of Liturgical Composition

The frontier of composition is clearly producing new settings of the propers in the vernacular, useful for a typical parish.

Richard J. Clark · June 24, 2016

New Organ Work • Madonna & Child

It took me—the composer—to realize this is really a work about mother and child.

Richard J. Clark · June 10, 2016

Two Concerts • Two Milestones • 101-rank E. & G. G. Hook & Hastings Organ, Opus 801

2016 marks two milestones: the 140th Anniversary of the Dedication of the E. & G. G. Hook & Hastings, Opus 801 and the thirtieth anniversary of Leo Abbott’s tenure as Cathedral Music Director in Boston

Richard J. Clark · June 3, 2016

“Insidious Form” of Clericalism? A Jesuit Speaks Out

“The presider claims a form of privilege to change things that do not belong to him…”

Richard J. Clark · May 27, 2016

A Model of Sacred Music at Priest’s First Mass

What music does a newly ordained priest, who currently plays the drums in a jazz band, choose for his first Mass? A priest who also has a degree from the Hartt School of Music in Music Production and Technology? The answer will surprise you.

Richard J. Clark · May 20, 2016

Composing Saves My Life

By shear will I chip away at the wretched dumpster fire of incongruence on the page. Then a purpose languidly surfaces with each revised note: Composing is a form of prayer.

Richard J. Clark · May 6, 2016

Working With People With Whom One Disagrees

One’s ability to work effectively with someone else does not actually rely very much on how much one agrees with the other. Why? It comes down to three things.

Richard J. Clark · April 29, 2016

Children’s Choir in a Typical Suburban Parish? Endless Possibilities!

Children who sing today will be the foundation of our Church in the future.

Richard J. Clark · April 22, 2016

Musician • Center of Attention or Servant?

Applause from a congregation for musicians, or musicians that impede congregational singing for the sake of personal artistry, are but symptoms. The church musician has been misidentified as a separate entity—a showpiece—and not properly identified as a servant of the liturgy, a servant of God, a servant of the people.

Richard J. Clark · April 8, 2016

I Claim You for Christ

“One of the most emotional experiences of my life was during the baptism of my second child. The words hit me like a ton of bricks…time froze, and I was bowled over in my heart…”

Richard J. Clark · April 1, 2016

O Happy Fault • Nine things that are pure privilege

Such a reference to original sin—a positive reference—seems quite strange to us.

Richard J. Clark · March 31, 2016

Sequence During the Octave of Easter

Singing the sequence, “Victimae Paschali Laudes” is truly appropriate every day this week.

Richard J. Clark · March 18, 2016

As the Tension Grows

As Holy Week approaches, the tension is palpable.

Richard J. Clark · March 11, 2016

When the Liturgy Astounds • The Fire of Divine Love

I found these words to be jaw dropping—utterly astounding.

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski
    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed

Random Quote

“…it would be a very praiseworthy thing and the correction would be so easy to make that one could accommodate the chant by gradual changes; and through this it would not lose its original form, since it is only through the binding together of many notes put under short syllables that they become long without any good purpose when it would be sufficient to give one note only.”

— Zarlino (1558) anticipating the Medicæa

Recent Posts

  • The “Word of the Father” Chord: Theology and Harmony Meet at Christmas
  • PDF • “Music List” (4th Sunday of Advent)
  • PDF Download • “Santo Santo Santo”
  • Crucial Tips • “Teaching Children How to Sing”
  • Soloists in Gregorian Chant?

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