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Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

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  • MUSICAL WEBSITES
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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · April 26, 2025

Feast of Life • Two Thomas Aquinas Texts for SATB • GIA Publications

Two Thomas Aquinas, translations in English by Alan J. Hommerding — settings by Richard J. Clark

Richard J. Clark · February 19, 2025

PDF Download • “Communion Antiphons” (Complete) for Ordinary Time — 238 pages!

Free Communion Antiphons for Ordinary Time: composed & harmonized by Richard J. Clark.

Richard J. Clark · December 9, 2024

Announcement of Easter & the Moveable Feasts • El Anuncio de la Pascua y Fiestas Movibles • 2025

Epiphany Proclamation scores and practice videos in English and Spanish

Richard J. Clark · November 14, 2024

PDF Download • “Put Out into the Deep”

“His appointment was somewhat unexpected as he was installed as Bishop of Providence in May of 2023.” — Richard J. Clark

Richard J. Clark · September 26, 2024

The Boys of Saint Paul’s Choir School to sing Mahler 8 with Boston Symphony Orchestra

The Boys of Saint Paul’s Choir School will sing Mahler’s Symphony No. 8 with the Boston Symphony Orchestra under the direction of Andris Nelsons October 4-6 at Boston Symphony Hall.

Richard J. Clark · September 23, 2024

Chants of the Diaconate Ordination

Two absolute favorite chants for Diaconate Ordinations are the Introit, “Dominus secus mare Galilaeae,” and the stunningly tender Communion chant, “Simon Ioannis.”

Richard J. Clark · September 13, 2024

PDF Download • “The Saint John’s Gradual”

Free download of Saint John’s Gradual with Ecclesiastical Approbation from his Eminence Cardinal Seán O’Malley, O. F. M., Cap., Archbishop of Boston

Richard J. Clark · July 25, 2024

Spanish Psalter that’s great for the Organ!

Free download of Responsorial Psalms in Spanish that work great for the organ from composer Marc Cersiser

Richard J. Clark · June 19, 2024

Kathleen Pluth discusses hymn writing with National Pastoral Musicians

A recent podcast interview on “Ministry Monday” (National Pastoral Musicians) with Amanda Bruce.

Richard J. Clark · April 2, 2024

Aftermath: Never take Holy Week for granted.

There is “fallout” and recovery from Holy Week as a positive result. It is not merely physical but deeply emotional especially, as we struggle spiritually with whatever crosses we bear in life.

Richard J. Clark · December 5, 2023

Announcement of Easter & the Moveable Feasts • El Anuncio de la Pascua y Fiestas Movibles • 2024

English and Spanish — scores and practice videos in with dates for 2024!

Richard J. Clark · December 4, 2023

Announcement of the Nativity of the Lord from the Roman Martyrology • Practice Video

Practice video for the Announcement of the Nativity of the Lord from the Roman Martyrology

Richard J. Clark · September 21, 2023

Antiphons Vs. Hymns • A “Both/And” Church

“[T]he primordial question is centered on how the hymn or antiphon will help the assembly enter more deeply into the mystery being celebrated.” — Christopher Ferraro

Richard J. Clark · August 18, 2023

Father Morales’ Astonishing “Ave Maris Stella” Gloria

Including a recording from Sacred Music Symposium 2023.

Richard J. Clark · July 26, 2023

Theodore Marier Is the Most Important Liturgical Musician—Even Today.

“The more I learn about Marier, the more I am inspired to be a better human being.” —Richard J. Clark

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Taking into account the “barrenness of the times” and the fact that Father Francisco Guerrero is scarcely able to feed his choirboys, the chapter decides (by a close vote) to give him money to buy new robes, surplices, and caps for his six young charges.

— Resolution: 14 February 1562

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  • PDF Download • Palestrina’s “Ave Maria”

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Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!

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President’s Message (dated 30 May 2025)

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