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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · October 2, 2025

Incredible Message of Hope from Michael Olbash

“I’m convinced many of them will go on to be great parish priests, bishops, great theologians, and great political leaders…” —Michael Olbash

Richard J. Clark · September 29, 2025

I’m tired of tribalism.

“Forgive this recounting of my personal background…” —Richard J. Clark

Richard J. Clark · August 11, 2025

New Marian Organ Work • a Triptych on “Lumen Ad Revelatiónem”

Dr. Jennifer Pascual premiered this work in concert at Saint John’s Seminary…

Richard J. Clark · August 1, 2025

“I Don’t Care Anymore!” • Lead by Loving Example

Pope Benedict XVI often spoke of teaching us better how to pray not by edict or decree but through loving example.

Richard J. Clark · April 26, 2025

Feast of Life • Two Thomas Aquinas Texts for SATB • GIA Publications

Two Thomas Aquinas, translations in English by Alan J. Hommerding — settings by Richard J. Clark

Richard J. Clark · February 19, 2025

PDF Download • “Communion Antiphons” (Complete) for Ordinary Time — 238 pages!

Free Communion Antiphons for Ordinary Time: composed & harmonized by Richard J. Clark.

Richard J. Clark · December 9, 2024

Announcement of Easter & the Moveable Feasts • El Anuncio de la Pascua y Fiestas Movibles • 2025

Epiphany Proclamation scores and practice videos in English and Spanish

Richard J. Clark · November 14, 2024

PDF Download • “Put Out into the Deep”

“His appointment was somewhat unexpected as he was installed as Bishop of Providence in May of 2023.” — Richard J. Clark

Richard J. Clark · September 26, 2024

The Boys of Saint Paul’s Choir School to sing Mahler 8 with Boston Symphony Orchestra

The Boys of Saint Paul’s Choir School will sing Mahler’s Symphony No. 8 with the Boston Symphony Orchestra under the direction of Andris Nelsons October 4-6 at Boston Symphony Hall.

Richard J. Clark · September 23, 2024

Chants of the Diaconate Ordination

Two absolute favorite chants for Diaconate Ordinations are the Introit, “Dominus secus mare Galilaeae,” and the stunningly tender Communion chant, “Simon Ioannis.”

Richard J. Clark · September 13, 2024

PDF Download • “The Saint John’s Gradual”

Free download of Saint John’s Gradual with Ecclesiastical Approbation from his Eminence Cardinal Seán O’Malley, O. F. M., Cap., Archbishop of Boston

Richard J. Clark · July 25, 2024

Spanish Psalter that’s great for the Organ!

Free download of Responsorial Psalms in Spanish that work great for the organ from composer Marc Cersiser

Richard J. Clark · June 19, 2024

Kathleen Pluth discusses hymn writing with National Pastoral Musicians

A recent podcast interview on “Ministry Monday” (National Pastoral Musicians) with Amanda Bruce.

Richard J. Clark · April 2, 2024

Aftermath: Never take Holy Week for granted.

There is “fallout” and recovery from Holy Week as a positive result. It is not merely physical but deeply emotional especially, as we struggle spiritually with whatever crosses we bear in life.

Richard J. Clark · December 5, 2023

Announcement of Easter & the Moveable Feasts • El Anuncio de la Pascua y Fiestas Movibles • 2024

English and Spanish — scores and practice videos in with dates for 2024!

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

The old Roman rite had the offering by the people and then, as offertory-prayer, what we call the “Secret.” The name “Secreta” means that it was said in a low voice, because the offertory-psalm was being sung. For the same reason it is not preceded by “Oremus.”

— Father Adrian Fortescue

Recent Posts

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  • “Offertory” at Catholic Funerals

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