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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · February 18, 2022

Eucharistic Hymn • By a Jesuit Martyr Priest

English has words whose meanings directly contradict each other (such as “cleave” or “sanction”).

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Jeff Ostrowski · February 16, 2022

Sound superb! … with just 2 minutes of rehearsal

I’m someone who harbors an irrational fear of anything I’m not familiar with.

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Jeff Ostrowski · February 13, 2022

“Alleluia” • Gone For Good?

Two days ago, Bishop Ronald Fabbro of London (Ontario) released a rigid decree. Much could be said, but let’s take just one item. Bishop Fabbro demands that everyone adhere to “the celebration of Mass as found in the new Roman Missal (2011).” Then, in the very next sentence, he rigidly demands that all priests celebrate […]

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Jeff Ostrowski · February 12, 2022

Attention! • “15,283 Signatures … More Needed”

I’m generally against online petitions, but here’s the thing…

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Jeff Ostrowski · February 11, 2022

Breaking! • Bishop Lobsinger Forbids Spanish and French (for Confession & Last Rites)

Spanish may no longer be used (starting 3/6/2022) for the Sacrament of Confession or the Last Rites.

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Jeff Ostrowski · February 8, 2022

Ruth Slenczynska & “Traditionis Custodes”

Bishop Arthur Roche recently sent out puzzling instructions which encourage “Ordinary Form” Catholics to ostracize and belittle those who prefer the Traditional Mass.

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Jeff Ostrowski · February 7, 2022

Fr. Fortescue • “Sequences”

Originally, the Sequence began as farcing of the long neum at the end of the ALLELUIA (the “jubilus”), as did the alleluiatic verse. This does not mean that all the notes of our sequences were originally neums of a jubilus; but once the idea was admitted, numberless sequences were composed and added at this point. […]

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Jeff Ostrowski · February 4, 2022

Seriously? • Bishop of Lexington Insists the Dominican Rite Never Existed (!)

These problematic assertions by Bishop Stowe will have to be withdrawn at some point.

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Jeff Ostrowski · February 1, 2022

“Sample Pages” • Campion Missal (2022 edition)

Sophia Institute Press has made a huge announcement regarding the 3rd edition.

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Jeff Ostrowski · January 30, 2022

“Boston Globe” features Richard J. Clark

The music of Mæstro Clark was featured in the “Metro Section,” which has a tremendous circulation.

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Jeff Ostrowski · January 19, 2022

100% Scrolling Score • “What Exactly Is Vespers?”

For those who have never experienced Vespers, an answer like that comes across as “gobbledygook.”

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Jeff Ostrowski · January 17, 2022

“Tonus Solemnior” • How old is it?

In the 1962 Missal, a section called “præfationes in tono solemniore” contains ornate melodies for the Preface. An article posted on the blog of the Church Music Association of America claims the tone comes from “the late 19th century” and said its elimination “is one of the very few good things which the post-Conciliar reform […]

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Jeff Ostrowski · January 17, 2022

“Hymns for Small Choirs” • The Season of Epiphany

Destroying the season of Epiphany was in direct disobedience to Vatican II.

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Jeff Ostrowski · January 15, 2022

OCP: “Missa Back-To-The-Future” (Not Kidding)

The musical style is totally secular; similar to what one might hear on the radio.

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Jeff Ostrowski · January 14, 2022

Free Videos • “How to say the Extraordinary Form”

This was posted in 2013, but you’ll want to bookmark it.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Cordero de Dios”
    Feel free to download this setting of the “Cordero de Dios” (AGNUS DEI) in Spanish. The congregation gets an interesting melody within reach, the organist gets a straightforward accompaniment, and the person assembling the ORDER OF WORSHIP gets a ‘ready-to-paste’ plainsong version. Try this setting of the “Santo, Santo, Santo” (SANCTUS) if you desire one that’s easy to sing and includes a simple organ accompaniment. For the record, I have harmonized the Spanish “GLORIA” found in the MISAL ROMANO, Tercera Edición. Click here to download that.
    —Jeff Ostrowski
    “Be Joyful Mary” • Organ Interlude

    Peter Piel (1835–1904), was a Roman Catholic composer named “Royal Music Director” under Wilhelm I, King of Prussia.

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    —Jeff Ostrowski
    PDF Download • “Our Father” (1 page)
    Dutch organist, teacher, and conductor HERMAN STRATEGIER (d. 1988) studied under Hendrik Andriessen. He composed this unison setting with organ accompaniment for the LORD’S PRAYER (“Our Father”) which a children’s choir would find both within reach and worthy of the effort. The whole thing fits neatly on a single page. Strategier eventually became organist of Saint Catherine’s Cathedral in Utrecht. He also taught at the “Dutch Institute for Catholic Church Music” (Nederlands Instituut voor Katholieke Kerkmuziek).
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“There are no hymns, in this sense, till the fourth century; they were not admitted to the Roman office till the twelfth. No Eastern rite to this day knows this kind of hymn. Indeed, in our Roman rite we still have the archaic offices of the last days of Holy Week and of the Easter octave, which—just because they are archaic—have no hymns.”

— Adrian Fortescue (25 March 1916)

Recent Posts

  • PDF Download • “Antiphons Which Are Sung Whilst the Blessed Sacrament Is Exposed”
  • PDF Download • Organ Harmonization for a Splendid Version of “O Salutaris Hostia”
  • Musical Lineup • “Mass of Thanksgiving for a Newly-Ordained Priest”
  • PDF Download • “Cordero de Dios”
  • PDF Download • “O God, Our Help in Ages Past” — Simple Organ Interludes (5 pages)

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