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Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · April 12, 2022

“Ah, Holy Jesus, How Hast Thou Offended?”

A wonderful passiontide hymn is #692 in the Brébeuf hymnal. It works especially well for Communion. Here is a live recording from last Sunday, sung by the fabulous female singers in my volunteer parish choir.

Jeff Ostrowski · April 11, 2022

PDF Download • SATB “Refrain” for Good Friday

Is it “traditional” to receive Holy Communion on Good Friday?

Jeff Ostrowski · April 10, 2022

PDF Download • “Palm Sunday Hymn”

During the procession on Palm Sunday, the 1962 rubrics allow alius cantus in honorem Christi Regis—“a hymn or song in honor of Christ the King.” A simple yet beautiful Gregorian hymn you might consider is Te Sæculorum Principem, which was composed for the feast of Christ the King by Father Vittorio Genovesi (d. 1967). The […]

Jeff Ostrowski · April 7, 2022

“Schizophrenia” • Pius XII Annihilated Tenebræ

I know of no author who has attempted to reconcile, explain, or justify the (obviously contradictory) “schizophrenia flaw.”

Jeff Ostrowski · April 6, 2022

“Victimæ Paschali Laudes” • Nineteen (19) Organ Accompaniments

Including a remarkable musical setting by Father Adrian Fortescue (d. 1923).

Jeff Ostrowski · April 5, 2022

Free Organ Accompaniment • “Vexilla Regis”

During Passiontide, the hymn at Vespers is the mighty Vexilla Regis Prodeunt of Bishop Venantius Fortunatus. In 2015, I composed an organ accompaniment for this hymn with each verse written out. This comes in pretty handy on occasions when the organist must “lead the hymn from the organ bench.” Please feel free to download my […]

Jeff Ostrowski · April 2, 2022

“Hymn To Saint Joseph” • (Rec. 4/2/2022)

Certainly the only “Eucharistic” hymn to Saint Joseph I know!

Jeff Ostrowski · April 1, 2022

Gregorian Chant • “Its True & Authentic Rhythm”

For this coming Sunday (Passion Sunday), there’s only one “MMV” singers must observe—and I placed a little arrow above it.

Jeff Ostrowski · March 31, 2022

Cardinal Schönborn Consecrates “IKEA Altar”

When Father Fortescue was diagnosed with cancer, he was seen to kiss devoutly the Altar on which he had so frequently celebrated Mass before going to the hospital to die.

Jeff Ostrowski · March 25, 2022

PDF Download • “Missa Philomena” (Philippe Verdelot) — Part 1 has been added.

We already released Part 2; today we release Part 1.

Jeff Ostrowski · March 24, 2022

“Extraordinary Form” • Is This Name Still Allowed?

Fulton J. Sheen reminded us: “Many a pontiff goes through life without making a single infallible decision … not one.”

Jeff Ostrowski · March 20, 2022

“Ah, Holy Jesus” • Lent + Passiontide Hymn

Mr. Currie complained about hymn lyrics that “unduly emphasize the human nature of the Savior.”

Jeff Ostrowski · March 20, 2022

Names Have Been Revealed!

The clinicians for Sacred Music Symposium 2022 have been officially released! You can see them by downloading this PDF file. Please help us spread the word. Thank you!

Jeff Ostrowski · March 15, 2022

“Three Hymns for Lent” • (Rec. 03/10/2022)

Sometimes what goes without saying must be said.

Jeff Ostrowski · March 13, 2022

PDF Download • “Audi Benigne Conditor” (Organ Accompaniment)

Finding the “perfect” accompaniment for hymns can be challenging. Here’s my attempt.

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

On 26 July 1916—during the German occupation of Belgium—a student choir led by Van Nuffel performed his setting of the psalm “Super flumina Babylonis” in Saint Rumbold’s Cathedral. The text and the musical setting very aptly expressed the depressed and rebellious mood of the population. The acclaim was enormous, and it laid the foundation for Van Nuffel’s formation of the Saint Rumbold’s choir.

— Unknown

Recent Posts

  • Pope Leo XIV pays tribute to Palestrina
  • PDF Download • Palestrina’s “Ave Maria”
  • PDF Download • “2025 Booklet for Participants for the Sacred Music Symposium” — (155 pages)
  • Luis Martínez Must Go!
  • Pope Pius XII Hymnal?

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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