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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · December 1, 2023

My Response to Dr. Weaver’s Latest Article

Is it fair to forever bind Dom Guéranger to what he wrote about “barbarous archaisms” in 1855?

Jeff Ostrowski · November 29, 2023

Requesting Our Advent Eucharistic Hymn

A young lady named Agnes wrote to us: “Dear Mr. Ostrowski, do you have the PDF score for Ave Corpus Domini set to the ADVENT melody? Last year, we sang the hymn tune “Nun Komm der Heiden Heiland” quite a bit using your contrafactum technique. My choir appreciates the Latin hymns and practice videos, especially […]

Jeff Ostrowski · November 29, 2023

PDF Download • “Eight Gregorian Psalm Tones” (Harmonized by Jeff Ostrowski)

Yesterday, I recorded a video demonstration of each Gregorian Chant tone.

Jeff Ostrowski · November 27, 2023

Four (4) Excellent Hymns for Catholic Funerals

With a brief digression on certain “nasty” traditionalists.

Jeff Ostrowski · November 25, 2023

Seven (7) Hymn Verses for November!

In the month of November, we remember in a special way the souls in purgatory. The BRÉBEUF HYMNAL often includes text alone versions for its hymns; why is that? The short answer is: flexibility. The “text only” version allows each choirmaster to employ a myriad of melodies. For example, I recently set the English translation […]

Jeff Ostrowski · November 22, 2023

Worst Hymn Pairing Of All Time?

Are there sickening examples of hymn pairings? Oh, most certainly!

Jeff Ostrowski · November 21, 2023

Jeff Ostrowski’s Performance of Plainsong Attacked as “Inartistic”

The special Vigil of Christmas “Alleluia” sung according to the official rhythm of the Catholic Church.

Jeff Ostrowski · November 17, 2023

Jeff’s Attempt at Pipe Organ “Stops”

I’ve been attempting to record some Brébeuf hymns on the pipe organ, but I know very little about registration (“stops”). You can listen to this morning’s attempt, a recording of a tune called TRINITY COLLEGE. Do you know this tune? It’s quite nice. Feel free to email me vis-à-vis the registration I chose. To quickly […]

Jeff Ostrowski · November 17, 2023

Pope Saint Paul VI did not outlaw the TLM

This video shows a signatory of the famous “Agatha Christie Indult” talking about Glenn Gould (specifically his Bach interpretations).

Jeff Ostrowski · November 14, 2023

PDF • Morley’s Choral “Warm-Up”

For decades, I was against choral warm-ups. I felt they should be derived from repertoire—killing two birds with one stone—but was often too lazy to prepare such items. Over the years, I have taken a 180° turn. Now I’m a huge believer in vocal “warm-ups.” Our volunteer choir has been enjoying this wonderful warm-up exercise […]

Jeff Ostrowski · November 12, 2023

(14 Examples) • Jeff Ostrowski’s Artistic “Credo”

Including several hymns eminently suitable for the feast of Christ the King.

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Jeff Ostrowski · November 11, 2023

PDF Download • “Wedding March” (For The Lazy Organist)

This afternoon, it was suggested to me that I write down (“notate”) the arrangement I use.

Jeff Ostrowski · November 10, 2023

Hymn • “Feast of Christ’s Kingship”

A wonderful text for the feast of Christ the King is: “Conquering Kings Their Titles Take.” We’re currently working on creating a professional recording. Until that’s complete, we’ve posted these preliminary versions. You might want to consider this hymn for the upcoming solemnity of Christ’s Kingship.

Jeff Ostrowski · November 9, 2023

“Organ Interlude” (Dom Gregory Murray)

In my humble opinion, Dom Gregory Murray (d. 1992) was a splendid composer. Here’s my attempt to perform one of his INTERLUDES on the pipe organ. I’m not a “concert organist” so I deeply appreciate any feedback—especially about registration. By the way, you can download a fantastic collection of ORGAN INTERLUDES—all 104 pages completely free […]

Jeff Ostrowski · November 9, 2023

November Reminder • Please help!

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Both priests and people in this country [viz. ENGLAND] were largely taken by surprise by the recent restoration of the Easter Vigil, by the changes in the laws of fasting for Holy Communion, and the advent of the Evening Mass.”

— Dom Oswald Sumner (1955)

Recent Posts

  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

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