“Stations of the Cross” • By Fulton J. Sheen?
Bishop Brennan selected the version by Fulton J. Sheen. He began weeping (towards the final station) because of their beauty and poignancy.
“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).
Bishop Brennan selected the version by Fulton J. Sheen. He began weeping (towards the final station) because of their beauty and poignancy.
As of a few minutes ago, you may go here to download the organ accompaniment booklet (25 pages) I created for the feast of the TRANSFIGURATION. Obviously, that feast will not take place for another year. Nevertheless, several techniques I used may be of interest to those who create liturgical booklets.
Sometimes you win and sometimes you learn!
The professor inserted himself into our conversation, saying: “You’re both being foolish…”
I mentioned a 3-Voice Setting of the AGNUS DEI, based on a Canon by William Byrd (d. 1623) in the context of the “hairpin” technique, something I really will emphasize this coming season. The piece is for Soprano, Middle, and Baritone. (The “Middle” voice should ideally be a mixture of women and men.) Recently, we […]
If music sung at Church resembles a toothpaste commercial, a Broadway show, or a campfire song—does it really belong at Mass?
In case anybody missed it, we recently updated our editorial policy. Our website continues to grow in popularity—Deo gratias! Therefore, it seemed appropriate to ‘codify’ what we’ve been doing for the last few years.
It’s really humbling—and also very cool—to come across examples of how acclaimed several of my colleagues are. I was doing some research for a recent post and came across (!) one of our contributors in a place I was not expecting. You can see which one if you click here and scroll towards the middle […]
Confirmed: Full archives of “Triumph” (a 1960s Roman Catholic magazine) are available online!
Dr. Weaver kindly made me aware of something stupendous. Created by Abbat Pothier’s assistant and approved by his successor (about ten years after his death), it’s a KYRIALE, GRADUALE, and VESPERALE: 2,000 pages long! It’s in Gregorian notation on five staves and marks each mora vocis. Here’s a photograph of the “Puer Natus” INTROIT taken with my […]
In 1994, the most powerful mainstream Catholic music organization published a song about the “enlightenment of Buddha.”
I’ve received many compliments about a comparison chart which was part of a recent article I posted. I feel flattered by these kind words, but I would like to point out that my chart doesn’t make much sense unless one reads the entire article.
We have updated our donate by check window. Pretty fancy, no? When possible, we try to do things in an “artistic” way.
Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.
The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!
But we’re under pressure to transfer our website to a “subscription model.”
We don’t want to do that. We believe our website should remain free to all.
Our president has written the following letter:
President’s Message (dated 30 May 2025)
Time's up