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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · January 31, 2015

Musical Resources • Septuagesima Sunday

«GLORIA in EXCELSIS» is not said from Septuagesima Sunday until Easter, except on Holy Thursday, Holy Saturday, & some special feasts.

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Jeff Ostrowski · January 28, 2015

Innocuous But Uninspired Music At Mass?

In my youth, I recall singing some of these same songs at Mass, but I refused to do the hand gestures.

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Jeff Ostrowski · January 27, 2015

PDF Download: Eucharistic Verset By Palestrina

Your more advanced singers will love this piece by Palestrina!

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Jeff Ostrowski · January 26, 2015

Father Richard McBrien & The Passing Of An Era

“My Roman collar is my television uniform.” —Fr. Richard McBrien

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Jeff Ostrowski · January 24, 2015

PDF Download: Saint Rose Hymnal (1938)

“It contains about two hundred hymns—all from approved sources—and covers every phase of Catholic devotion.” —Foreword by the Bishop of La Crosse

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Jeff Ostrowski · January 23, 2015

Musical Resources • Third Sunday after Epiphany

Hymns can be implemented into the Latin High Mass with great effect.

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Jeff Ostrowski · January 22, 2015

True Meaning Of The Word “Liturgy”

Historically, “liturgy” referred to a service done for the people, not by them.

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Jeff Ostrowski · January 21, 2015

PDF Download: “Laudate Hymnal” (1942) … An Exceptionally Rare Book!

“We feel that the selection of hymns leaves little to be desired…” —From the 1942 Foreword

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Jeff Ostrowski · January 20, 2015

PDF Download: Hymn Book By Sisters Of Notre Dame (1907)

“Yet zephyrs vainly fan me, and flow’rs to groves invite…”

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Jeff Ostrowski · January 19, 2015

Dick Morris & Gregorian Accompaniment

Some people accept a job as choir director and say, “I have five singers who don’t read music, so I guess that’s how it will always be.”

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Jeff Ostrowski · January 18, 2015

From The 1400s • Communion Kneeling

A beautiful image from 15th-century Austria.

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Jeff Ostrowski · January 15, 2015

PDF Download: Standard Catholic Hymnal (1921)

This extremely rare Catholic hymn book is here made available for the first time ever as a PDF download.

Jeff Ostrowski · January 15, 2015

Musical Resources • Second Sunday after Epiphany

It’s hard to imagine a more beautiful text than Sedulius’ Hymn: Hostis Herodes Impie.

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Jeff Ostrowski · January 14, 2015

Hypocrisy About Francis From An Unlikely Source

Resist the temptation to believe that Francis is 80,000 times as important as Benedict since he receives 80,000 times as much media coverage.

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Jeff Ostrowski · January 13, 2015

PDF Download: Notre Dame Hymn Tune Book (1905)

“They call me a Papist and they laugh at my creed…”

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Corpus Christi Watershed

President’s Corner

    Calling Dr. Weaver!

    A remarkable exposition of the “mora vocis” (published in 1953 in the Netherlands) which doesn’t shy away from a certain item!

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    —Jeff Ostrowski
    SLANE • “Simplified” Keyboard Arr.

    Do you know ‘SLANE’ the hymn tune?

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    —Jeff Ostrowski
    Insane Baroque-Era Dissonance!
    The sumptuous melody called “JESU LEIDEN PEIN UND TOD” appears no fewer than three times in the Brébeuf Catholic Hymnal and is harmonized with standard Common Practice Era SATB voice leading and harmonies (which is only natural). However, one who takes the time to examine what Sebastian Bach did with that tune will encounter an incredibly dissonant sound. As far as I’m concerned, there is no more dissonant sound—in the entire Baroque era—than what I highlighted in yellow on that excerpt. Please let me know if you disagree.
    —Jeff Ostrowski

Quick Thoughts

    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed
    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski

Random Quote

“The director should not allow any one to pre-intone who is not able to do it, lest ridiculous mistakes should occur; he should suppress all singing out of tune, all shouting, and all arbitrary harmonising by the singers, and should see that in responding to the celebrant, the choir invariably take up the tone corresponding to his.”

— Manual of Roman Chant (1860) by a Priest of the Congregation of the Most Holy Redeemer

Recent Posts

  • PDF Download • “Roman Catholic Music in England from 1850–1962” — Lengthy Dissertation (402 pages)
  • Why I Never Write Articles for Corpus Christi Watershed Anymore
  • Calling Dr. Weaver!
  • “A Catholic Choir Director’s Decalogue” • Jeff’s Personal Odyssey (10 Points)
  • SLANE • “Simplified” Keyboard Arr.

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