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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · September 24, 2014

Are We Getting Dumber?

In spite of all the progress our civilizations have made, the self-appointed “expert liturgists” are regressing.

Jeff Ostrowski · September 23, 2014

Photographs • Cardinal Lercaro (Consilium President)

Cardinal Lercaro (President of the Consilium) must not be mixed up with Cardinal Larraona (Prefect of the Sacred Congregation of Rites).

Jeff Ostrowski · September 22, 2014

Fair-Weather Friends Of Good Liturgy & Pope Francis

The catastrophic scandals in our Church, especially those perpetrated by members of the hierarchy, are an opportunity for us to place all of our trust in God.

Jeff Ostrowski · September 21, 2014

WEDDING MUSIC FOR A B

(A) Organ music for procession. (B) Introit = Ladies —- “Deus Israel” (C) Kyrie (Rene as Tenor) = 5294 • KYRIE “Iste Sanctus” Figure out how it will be sung… Normal is fine. (D) Gloria (Rene as Tenor) = 7709 • Viadana “Falsobordone Gloria” (E) ALLELUIA (Rene as Tenor) = 3524 • Guerrero “Alleluia” for […]

Jeff Ostrowski · September 17, 2014

Positive Liturgical Fruits Of Vatican II: Second Part

I know people will attack me for saying this, but I’m against “concert Masses”—and I think that quote from “Sacrosanctum Concilium” backs me up.

Jeff Ostrowski · September 16, 2014

Spectacular Video: Porfiri Conducts Requiem For Parents In China

“As you notice, they sing the whole concert—seventeen pieces—all by memory. They are really amazing.” — Aurelio Porfiri

Jeff Ostrowski · September 15, 2014

A Catholic Nun Challenged Reagan As Vice-President … For The Communist Party!

Are we surprised that authentic Church music died in the 1970s?

Jeff Ostrowski · September 15, 2014

Can Church Musicians Learn From An Online Role-Playing Game?

Let’s help Catholics appreciate the richness of polyphonic music, which can be quite powerful.

Jeff Ostrowski · September 14, 2014

Update * Atonement Parish — San Antonio, Texas

A consistently serious parish whose Pastor never deviates from Catholic doctrine.

Jeff Ostrowski · September 10, 2014

Vatican Breaks Its Silence On Kneeling For Communion In The USA

“When this Congregation gave ‘recognitio’ to your Bishops’ Conference, this was done on the condition that kneeling communicants are not to be denied Holy Communion.” — Vatican Statement

Jeff Ostrowski · September 9, 2014

That Inscrutable Creature On The Internet

I’ve come to realize that truth & beauty should be loved for their own sake. Trying to “possess” them is silly.

Jeff Ostrowski · September 8, 2014

Have We Lost The Church Music Battle?

The traditional music still triumphs in one important area: parishes run by “no-nonsense” priests.

Jeff Ostrowski · September 2, 2014

PDF Download: Mediator Dei Hymnal (1955)

This book’s editor had the reputation of being a “walking encyclopedia” of American hymnology…

Jeff Ostrowski · September 1, 2014

Barack Obama & Catholic Sacred Music

I wish somebody had explained this to me in 2005, when I began working for the Ordinary Form.

Jeff Ostrowski · August 28, 2014

Why I No Longer Compose

When I observe our beautiful children, I realize that God is the True Artist.

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

On 26 July 1916—during the German occupation of Belgium—a student choir led by Van Nuffel performed his setting of the psalm “Super flumina Babylonis” in Saint Rumbold’s Cathedral. The text and the musical setting very aptly expressed the depressed and rebellious mood of the population. The acclaim was enormous, and it laid the foundation for Van Nuffel’s formation of the Saint Rumbold’s choir.

— Unknown

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