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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

1965 English Mass Demonstration “Sign Of Peace”

Jeff Ostrowski · June 16, 2013

ROBABLY NINETY PERCENT of my blog entries are “made-to-order.” In other words, I write them when I feel inspired. The remaining ten percent are not “time sensitive” — that is, I keep them in reserve for a rainy day. Many of these are articles I wrote years ago, but never published for one reason or another. Today’s blog entry is one of the “ten percent.” I decided to release it because I saw a discussion on the NLM Blog about the “Sign of Peace.”

Monsignor Francis P. Schmitt documented the tumultuous introduction of the Novus Ordo Missae (which is now called the Ordinary Form). We have quoted him in the past, and we shall continue to do so. There’s a lot more material and some is quite interesting!

In 1965, Msgr. Schmitt described a “Demonstration Mass” in which he took part. At the bottom of this blog, I give a link to the full article. Here is an excerpt from the article:

On the structural side, I would only mention the boy-scout hand-shake which replaces the Pax, and which the promoters wish to be fairly noisy. It is no reflection on the reverential, if let’s-play-house, attitude of the ministers and participants of the dry-run I observed to state that the lady with whom I shook hands accused me of trying to steal her bracelet.

Wow! So the handshake started all the way back in 1965! I didn’t know that. Here in South Texas, people give a “hippie peace sign” to one another in the pews. I remember being pretty scandalized when I first saw it. After all, this is Church! But I digress . . .

Here’s another interesting quote from Msgr. Schmitt about early attempts at the “Sung Canon,” which I wrote about towards the end of a rejected article:

The most successful portion of the demonstration musically, is the adaptation of the Canon of the Mass to the formula of the Exultet.

Finally, here’s the entire article:

      * *  1965 Article by Fr. Frank Schmitt: “English Mass Demonstration” [pdf]

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: 1965 Missal Last Updated: November 5, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“These French offices represent a new case of the old tendency towards local modification—which the Council of Trent had meant to repress. They are commonly attributed to Gallican ideas and are supposed to be not free from Jansenist venom. Some of these local French uses survived almost to our own time. They were supplanted by the Roman books in the 19th century, chiefly by the exertions of Dom Prosper Guéranger (d. 1875).”

— Dr. Adrian Fortescue (d. 1923)

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