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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · April 6, 2015

Jaw-Dropping Liturgical Manuscripts (7,055 Pages)

Catholics can now *see with their own eyes* the antiquity of our liturgy.

Jeff Ostrowski · April 4, 2015

Rough PDF • Rubrics & Music, Holy Saturday (1962)

I don’t usually release “rough cut” PDF files, but this one is so valuable…

Jeff Ostrowski · April 4, 2015

PDF Download: Organ Accompaniment to “Et Valde Mane” • 1955 Easter Vigil

A thing desired by many!

Jeff Ostrowski · April 3, 2015

Rubrics • Good Friday (Pius XII Holy Week Revisions)

Even Solesmes makes errors from time to time.

Jeff Ostrowski · April 2, 2015

An Essential & Unique Thing For Holy Thursday

…and a look at Holy Thursday from the 1965 Missal.

Jeff Ostrowski · April 1, 2015

Judas Iscariot & Religious Freedom

Some have criticized Christ for making Judas part of his special group of friends.

Jeff Ostrowski · April 1, 2015

Musical Resources • Holy Thursday (1962)

Bells are rung and the organ played at the “Gloria”—but then stay silent until the Easter Vigil “Gloria.”

Jeff Ostrowski · March 31, 2015

What Happened To Our Catholic Artists?

From what I can tell, a trend toward *ugly* artwork in Church publications began in the late 1950s.

Jeff Ostrowski · March 30, 2015

Is This Where It All Began?

Why do so many traditional priests have an aversion to Pope Pius XII’s revision of Holy Week?

Jeff Ostrowski · March 29, 2015

Palm Sunday Outline • Extraordinary Form

During the procession, all or some of the following selections may be sung…

Jeff Ostrowski · March 29, 2015

Musical Resources • Palm Sunday (1962)

There are two ways to distribute palm branches in the Extraordinary Form.

Jeff Ostrowski · March 26, 2015

Diversity Of Thought

When it comes to reforming the liturgy, they want “all voices heard.”

Jeff Ostrowski · March 26, 2015

“O Sacred Head Surrounded”

An easier organ accompaniment, provided by Dr. Eugène Lapierre, teacher of Roger Wagner.

Jeff Ostrowski · March 25, 2015

Free PDF • Polyphonic Gloria With Practice Videos

Uses Gregorian chant with polyphonic _Falsibordone_ by Caesare de Zachariis (†1594).

Jeff Ostrowski · March 25, 2015

Video • Vocation Story Of Bishop Robert C. Morlino

“Scranton is a very Catholic town. Every guy, growing up considered the priesthood.” —Bishop Morlino

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Corpus Christi Watershed

President’s Corner

    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

[Speaking about the Silent Canon, with audible “per ómnia”] — “So in all such cases it is usual for the otherwise silent celebrant occasionally to sing a clause aloud, to show how far he has arrived.”

— Father Fortescue (pages 313-314) • “A Study of the Roman Liturgy”

Recent Posts

  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?
  • Music List • (Easter Sunday, 2026)
  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?

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