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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · February 14, 2015

Vexilla Regis Prodeunt (Gregorian Hymn)

Oh, what a difference a thousand years makes…

Jeff Ostrowski · February 14, 2015

Controversy Over Female Altar Servers

“It will always be very appropriate to follow the noble tradition of having boys serve at the altar.” —Congregation for Divine Worship (15 March 1994)

Jeff Ostrowski · February 12, 2015

Musical Resources • Quinquagesima Sunday

«GLORIA in EXCELSIS» is not said from Septuagesima Sunday until Easter, except on Holy Thursday, Holy Saturday, & some special feasts.

Jeff Ostrowski · February 10, 2015

Teaching Polyphony To Singers Who Can’t Read Music

Your singers can’t read music? No problem!

Jeff Ostrowski · February 10, 2015

The Facts About Annibale Bugnini’s Death

The difference between correlation & causality.

Jeff Ostrowski · February 8, 2015

Musical Resources • Sexagesima Sunday

«GLORIA in EXCELSIS» is not said from Septuagesima Sunday until Easter, except on Holy Thursday, Holy Saturday, & some special feasts.

Jeff Ostrowski · February 4, 2015

Exclusive Interview With Dr. William Mahrt

Towards the end I ask the CMAA president a loaded question … and he answers!

Jeff Ostrowski · February 3, 2015

Palestrina “O Crux Ave” • Practice Videos

I’ve been yearning to sing this piece since 2002.

Jeff Ostrowski · February 2, 2015

Elvis Presley, Offertory Processions, & “Alius Cantus”

Offertory processions in the 1940s? Really?

Jeff Ostrowski · January 31, 2015

Musical Resources • Septuagesima Sunday

«GLORIA in EXCELSIS» is not said from Septuagesima Sunday until Easter, except on Holy Thursday, Holy Saturday, & some special feasts.

Jeff Ostrowski · January 28, 2015

Innocuous But Uninspired Music At Mass?

In my youth, I recall singing some of these same songs at Mass, but I refused to do the hand gestures.

Jeff Ostrowski · January 27, 2015

PDF Download: Eucharistic Verset By Palestrina

Your more advanced singers will love this piece by Palestrina!

Jeff Ostrowski · January 26, 2015

Father Richard McBrien & The Passing Of An Era

“My Roman collar is my television uniform.” —Fr. Richard McBrien

Jeff Ostrowski · January 24, 2015

PDF Download: Saint Rose Hymnal (1938)

“It contains about two hundred hymns—all from approved sources—and covers every phase of Catholic devotion.” —Foreword by the Bishop of La Crosse

Jeff Ostrowski · January 23, 2015

Musical Resources • Third Sunday after Epiphany

Hymns can be implemented into the Latin High Mass with great effect.

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Corpus Christi Watershed

President’s Corner

    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski
    Beginning a Men’s Schola
    I mentioned that we recently began a men’s Schola Cantorum. Last Sunday, they sang the COMMUNION ANTIPHON for the 3rd Sunday of Easter, Year C. If you’re so inclined, feel free to listen to this live recording of them. I feel like we have a great start, and we’ll get better and better as time goes on. The musical score for that COMMUNION ANTIPHON can be downloaded (completely free of charge) from the feasts website.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

From 1827 until the last month of his life, Liszt gave lessons in composition and piano playing. He wrote in 1829 that his schedule was “so full of lessons that each day, from half-past eight in the morning till 10 at night, I have scarcely breathing time”

— Re: Abbé Franz Liszt

Recent Posts

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  • Reader Feedback • Mendelssohn’s “Wedding March” at a Nuptial Mass?
  • Music List • “Repertoire for Weddings”
  • We (Will) Have A Pope!

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