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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

PDF Download • “New Westminster Hymnal” (1939)

Jeff Ostrowski · March 7, 2016

ERE’S THE FOURTH PART in a series I’m creating to convince readers to donate $5.00 per month. Scroll down to access the other installments. By the way, the fifth installment (forthcoming) will make you very happy! [By the way, if you have not already done so, please do yourself a huge favor and check out the Brébeuf hymnal by Sophia Institute Press.]

All 452 pages of NEW WESTMINSTER HYMNAL—one of the most remarkable ever Catholic hymnals ever produced—has been made available for the first time:

* *  PDF Download • NEW WESTMINSTER HYMNAL (1939)
—Document scanned and uploaded by Corpus Christi Watershed.

If you value rare books like this one, please consider donating $5.00 per month. Watershed is a 100% volunteer organization; none of us is paid. Without your support, we cannot continue.

WHAT’S SO SPECIAL about hymn books like this? For one thing, it contains numerous Gregorian accompaniments by Dom Gregory Murray. (You can compare Murray’s version of “Corde Natus Ex Parentis” to mine.) This is to say nothing of the excellent hymn texts by Msgr. Ronald Knox and others. Moreover, interesting pairings abound. Consider, for example, Number 32, which takes my favorite Lenten hymn and adds a text by Alan McDougall, whose poetry was prominent in the Campion Hymnal.

Evelyn Waugh (1903-1966) has this to say about the work of Msgr. Ronald Knox on the NEW WESTMINSTER HYMNAL:

At the Low Week meeting of the hierarchy in 1936, Ronald had been appointed to a committee to revise the WESTMINSTER HYMNAL. Some converts from Protestantism repine at their lost opportunities for congregational singing. Indeed, many adult English Catholics do not hear a hymn from one year’s end to another. Ronald attributed this silence to the low literary quality of many Catholic hymns. He took the work of revision very seriously, and his taste—more than that of any other individual—pervaded the committee, whose deliberations were protracted for two years. He attended every meeting, succeeded in introducing several hymns from Catholic sources which had previously been known only to those who used the ENGLISH HYMNAL, and the work of comparatively modern poets such as Francis Thompson, G. K. Chesterton, Lionel Johnson, Canon Gray, and “Michael Field.” More than this, he made 47 translations from the Latin (out of a total of 106, only 9 of which were by living writers) and contributed 4 original hymns. The new book bears his personal marks clearly; it was issued in 1940 and cordially welcomed by informed critics. Catholic parishes are slow to change their habits. They still sing what the oldest members learned at school. A full generation must pass before the innovations, so patiently debated, are allowed to fulfil their work of enrichment.

This article is part of a series:

PART 1 • Simple SATB Kyrie by Guerrero

PART 2 • 1913 Woodward Hymnal … Outrageously Rare!

PART 3 • Rehearsal videos for Lenten Hymn

PART 4 • New Westminster Hymnal … For the first time ever!

PART 5 • Rehearsal Videos for Forty-Three (43) Pieces

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: August 18, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Quick Thoughts

23 May 2022 • FEEDBACK

From a reader: “I wasn’t looking for it. But, I stumbled across your hand-dandy arrangement of Pachelbel’s Canon. Jeff, this is the greatest thing since sliced bread! I had to play a wedding on Saturday. The bride requested the Canon. There were 11 bridesmaids! The organ loft is a football field away from the communion rail. It’s so difficult to play and keep checking the mirror. Your arrangement is absolutely genius. One can skip and choose which variations to use. The chord names are handy so that when my eyes are off the music, I always know where I am at. A thousand times thank you for sharing this arrangement!”

—Jeff Ostrowski
19 May 2022 • “Trochee Trouble”

I’m still trying to decide how to visually present the “pure” Editio Vaticana scores, using what is (technically) the official rhythm of the Church. You can download my latest attempt, for this coming Sunday. Notice the “trochee trouble” as well as the old issue of neumes before the quilisma.

—Jeff Ostrowski
16 May 2022 • Harmonized Chant?

This year’s upcoming Sacred Music Symposium will demonstrate several ways to sing the CREDO at Mass. This is because—for many parishes—to sing a full-length polyphonic CREDO by Victoria or Palestrina is out of the question. Therefore, we show options that are halfway between plainsong and polyphony. You can hear my choir rehearsing a section that sounds like harmonized plainsong.

—Jeff Ostrowski

Random Quote

“After the Second Vatican Council, the impression arose that the pope really could do anything in liturgical matters, especially if he were acting on the mandate of an ecumenical council. Eventually, the idea of the givenness of the liturgy, the fact that one cannot do with it what one will, faded from the public consciousness of the West.”

— Joseph Cardinal Ratzinger

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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Our president has been avoiding asking for money, but now we have reached a crisis point.

We must find 125 donors willing to give $5.00 per month before 27 June 2022.

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