Views from the Choir Loft

“Kyrie Eleison” (SATB) within the reach of any choir!

Jeff Ostrowski · March 1, 2016

ORPUS CHRISTI WATERSHED has no paid employees and no endowment. We are all volunteers. One of my duties is asking for donations, and frankly I hate asking for money! But without our donors—who usually give $5.00 per month—we could not continue our work. ¹

Today I will try a different fundraising approach. I will create five articles with examples of Watershed productions—and hopefully some readers will be inspired to give $5.00 per month. We need your help!

Here’s the first example, recorded by myself and a friend yesterday evening:

* * PDF • KYRIE PART “A” Francisco Guerrero (d. 1599)

REHEARSAL VIDEOS :

EQUAL VOICES : YouTube • Mp3 Audio

SOPRANO : YouTube • Audio

ALTO : YouTube • Audio

TENOR : YouTube • Audio

BASS : YouTube • Audio

HOW MANY DONATIONS will come in? Only our Lord knows, and we’re happy to leave this in His Hands. In the past, our work has seemed to please the Lord, Who has taken care of us in miraculous ways.

NOTES FROM THIS ARTICLE:

1 Even though we don’t have employees, we require funding for numerous things: backing up internet servers; purchasing old hymnals for scanning; various service fees such as MyEmma (for the CCW mailing list); and so forth. People would be amazed to learn how much work it is just to maintain what we have begun.

This article is part of a series:

PART 1 • Simple SATB Kyrie by Guerrero

PART 2 • 1913 Woodward Hymnal … Outrageously Rare!

PART 3 • Rehearsal videos for Lenten Hymn

PART 4 • New Westminster Hymnal … For the first time ever!

PART 5 • Rehearsal Videos for Forty-Three (43) Pieces

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

6 January 2021 • Anglicans on Plainsong

A book published by Anglicans in 1965 has this to say about Abbat Pothier’s Editio Vaticana, the musical edition reproduced by books such as the LIBER USUALIS (Solesmes Abbey): “No performing edition of the music of the Eucharistic Psalmody can afford to ignore the evidence of the current official edition of the Latin Graduale, which is no mere reproduction of a local or partial tradition, but a CENTO resulting from an extended study and comparison of a host of manuscripts gathered from many places. Thus the musical text of the Graduale possesses a measure of authority which cannot lightly be disregarded.” They are absolutely correct.

—Jeff Ostrowski

2 January 2021 • Temptation

When I see idiotic statements made on the internet, I go nuts. When I see heretics promoted by people who should know better, I get angry. Learning to ignore such items is difficult—very difficult. I try to remember the words of Fr. Valentine Young: “Do what God places in front of you each day.” When I am honest, I don’t believe God wants me to dwell on errors and idiocy; there’s nothing I can do about that. During 2021, I will strive to do a better job following the advice of Fr. Valentine.

—Jeff Ostrowski

31 December 2020 • “COMITES CHRISTI”

The feasts for Saint Stephen Proto-Martyr (26 December), Saint John the Evangelist The Disciple Whom Jesus Loved (27 December), and the Feast of the Holy Innocents (28 December) seem untouched by any liturgical reforms. These are very powerful feasts—I believe they once possessed octaves—and I believe they could sometimes “overpower” a Sunday feast. The rules for octaves in the olden days are extremely complex. These feasts are sometimes referred to as a single entity as: Comites Christi (“Companions of Christ”). This is just a guess, but there seems to be a triple significance: STEPHEN martyred after Christ lived, JOHN was a martyr who knew Christ personally, and the HOLY INNOCENTS were martyred before Christ’s birth.

—Jeff Ostrowski

“The sun’s disc did not remain immobile. This was not the sparkling of a heavenly body, for it spun round on itself in a mad whirl, when suddenly a clamor was heard from all the people. The sun, whirling, seemed to loosen itself from the firmament and advance threateningly upon the earth as if to crush us with its huge fiery weight. The sensation during those moments was terrible.”

— ‘Dr. Almeida Garrett, professor of natural sciences at the University of Coimbra (1917)’