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Views from the Choir Loft

Father Friel • Article Archive

Ordained in 2011, Father Friel served as Parochial Vicar at Saint Anselm Church in Northeast Philly before earning a doctorate in liturgical theology at The Catholic University of America. He presently serves as Vocation Director for the Archdiocese of Philadelphia.—(Read full biography).

Fr. David Friel · April 13, 2014

Who Should Proclaim the Passion?

The “Circular Letter Concerning the Preparation and Celebration of the Easter Feasts”

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Fr. David Friel · April 6, 2014

Lazarus, Come Out!

Slavery to Sin & Freedom in Christ

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Fr. David Friel · March 30, 2014

Saints Who Were Artists

A Catalog

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Fr. David Friel · March 23, 2014

Secular Architecture

Reneging on the Promise of Public Art

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Fr. David Friel · March 16, 2014

Being Amazed

The Fullness of Beauty

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Fr. David Friel · March 9, 2014

Steering Wedding Dates away from Advent & Lent

Embracing the Spirit of the Liturgical Calendar

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Fr. David Friel · March 5, 2014

The Essence of Lent

“Rend Your Hearts, Not Your Garments”

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Fr. David Friel · March 2, 2014

The Value of Tradition

Experience vs. Impartiality

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Fr. David Friel · February 23, 2014

St. Therese on Beauty

The Divine Artist of souls is pleased when we do not stop at the exterior.

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Fr. David Friel · February 16, 2014

Movie Review: The Monuments Men

Not Great Art, Itself, But Nevertheless Thought-Provoking

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Fr. David Friel · February 9, 2014

Celebrating Parish Weddings

New Rubrics for Use of the Gloria

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Fr. David Friel · February 2, 2014

Youth in Favor of Sacred Music

Not a Negligible Niche

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Fr. David Friel · January 26, 2014

Comparing Canons

Does Using Eucharistic Prayer II Really “Save Time”?

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Fr. David Friel · January 24, 2014

The Art of the Beautiful Lecture Series

Professor Anthony Esolen Presents: “Love & Artistic Genesis”

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Fr. David Friel · January 19, 2014

The Authentic Role of the Laity

There is no mention in Apostolicam Actuositatem of running bake sales or pulling bingo numbers.

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Corpus Christi Watershed

President’s Corner

    Oldest Latin Eucharistic Hymn
    The Church’s oldest Latin Eucharistic hymn is featured in the Brébeuf Hymnal. Indeed, the legendary Father Adrian Fortescue made a translation of it—matching the original’s meter—which was elevated by the Brébeuf team. For years, we’ve been working on a Spanish hymnal: “Cantoral del Padre Antonio Daniel.” The progress has been slow but steady, and we encourage anyone fluent in Spanish to consider joining the proofreading team. A few days ago, my wife helped me record a rehearsal video for this Spanish version of the Church’s oldest Latin Eucharistic hymn.
    —Jeff Ostrowski
    Rare Plainsong Accompaniments
    Our contributor, Veronica Brandt, went deep into Australia to take photographs of organ accompaniments for Gregorian Chant. Some consider these peculiar PLAINSONG ACCOMPANIMENTS—with 3-part harmonies by Barcelona Cathedral organist, Father Josep Muset i Ferrer—to be the rarest in the world. Click here to learn more. Thanks Veronica! 😊
    —Jeff Ostrowski
    “Hidden Chant” • For the Ordinary Form

    Not even the magnificent “GregoBase”—which is incredibly comprehensive—realizes music for this antiphon was published by the Vatican in the 1930s.

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    —Jeff Ostrowski

Quick Thoughts

    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski
    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski

Random Quote

“Every medicine does not suit every stage of sickness; because the tonic given to those who are recovering from fever would be hurtful to them if given while yet in their feverish condition. So likewise Baptism and Penance are as purgative medicines, given to take away the fever of sin; whereas this sacrament [the Sanctissimum] is a medicine given to strengthen, and it ought not to be given except to them who are quit of sin.”

— Saint Thomas Aquinas Re: the EUCHARIST

Recent Posts

  • These Photographs Are Utterly Astounding !
  • Public Criticism of Jeff Ostrowski’s Singing Voice • Also: “Dich König loben wir”
  • Oldest Latin Eucharistic Hymn
  • Rare Plainsong Accompaniments
  • “Participatio Actuosa” • Re: Active Participation During The Holy Mass

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