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Views from the Choir Loft

Father Friel • Article Archive

Ordained in 2011, Father Friel served as Parochial Vicar at Saint Anselm Church in Northeast Philly before earning a doctorate in liturgical theology at The Catholic University of America. He presently serves as Vocation Director for the Archdiocese of Philadelphia.—(Read full biography).

Fr. David Friel · April 13, 2014

Who Should Proclaim the Passion?

The “Circular Letter Concerning the Preparation and Celebration of the Easter Feasts”

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Fr. David Friel · April 6, 2014

Lazarus, Come Out!

Slavery to Sin & Freedom in Christ

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Fr. David Friel · March 30, 2014

Saints Who Were Artists

A Catalog

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Fr. David Friel · March 23, 2014

Secular Architecture

Reneging on the Promise of Public Art

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Fr. David Friel · March 16, 2014

Being Amazed

The Fullness of Beauty

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Fr. David Friel · March 9, 2014

Steering Wedding Dates away from Advent & Lent

Embracing the Spirit of the Liturgical Calendar

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Fr. David Friel · March 5, 2014

The Essence of Lent

“Rend Your Hearts, Not Your Garments”

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Fr. David Friel · March 2, 2014

The Value of Tradition

Experience vs. Impartiality

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Fr. David Friel · February 23, 2014

St. Therese on Beauty

The Divine Artist of souls is pleased when we do not stop at the exterior.

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Fr. David Friel · February 16, 2014

Movie Review: The Monuments Men

Not Great Art, Itself, But Nevertheless Thought-Provoking

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Fr. David Friel · February 9, 2014

Celebrating Parish Weddings

New Rubrics for Use of the Gloria

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Fr. David Friel · February 2, 2014

Youth in Favor of Sacred Music

Not a Negligible Niche

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Fr. David Friel · January 26, 2014

Comparing Canons

Does Using Eucharistic Prayer II Really “Save Time”?

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Fr. David Friel · January 24, 2014

The Art of the Beautiful Lecture Series

Professor Anthony Esolen Presents: “Love & Artistic Genesis”

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Fr. David Friel · January 19, 2014

The Authentic Role of the Laity

There is no mention in Apostolicam Actuositatem of running bake sales or pulling bingo numbers.

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Corpus Christi Watershed

President’s Corner

    PDF • “Singers’ Booklet” (22 Pages)

    The formatting of this booklet is ‘messy’—but it’s only ever seen by the singers (not the congregation).

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    —Jeff Ostrowski
    Twenty-Two (22) English Translations
    We gathered every English translation of “Creátor Alme Síderum” ever made by Catholic poets, priests, bishops, cardinals, and saints (22 in all). Click this link to see them displayed, placed directly alongside the original Latin. Some are strikingly beautiful (e.g. “Great Maker of the glitt’ring stars”) and together they trace the hymn back to the ancient “Cónditor Alme Síderum,” which POPE URBAN VIII reworked in 1632AD.
    —Jeff Ostrowski
    Stained Glass Window • Father Brébeuf
    Saint John de Brébeuf was one of the North American Martyrs. The photograph of a gorgeous stained glass window depicting Father Brébeuf was sent to us by Courtney Roberson. Father Brébeuf and his companions were canonized by Pope Pius XI on 29 June 1930. We are told this window is found in the Cathedral of Peoria, Illinois.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

If then Dom Pothier has sometimes adapted authentic melodies found elsewhere in the manuscripts to texts of the Mass it is not, as Mr. X. maintains, because he has “composed them from scratch and declared them as traditional.”

— Most Rev’d Henri Laurent Janssens (25 November 1905)

Recent Posts

  • PDF • “Singers’ Booklet” (22 Pages)
  • Twenty-Two (22) English Translations
  • “Creátor Alme Síderum” • Twenty-Two (22) English Translations by Catholic Priests and Archbishops!
  • “Gregorian Chant Rhythm” • Recorded Conversation with Dr. Horst Buchholz Re: Rhythmic Markings
  • Stained Glass Window • Father Brébeuf

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