Views from the Choir Loft

Alfred Calabrese • Article Archive

Dr. Alfred Calabrese is a conductor, educator, composer, scholar, and church musician. Having worked in academia for two decades, he felt called to enter full-time work in the Catholic Church, and since 2007 has directed the music at Saint Rita Catholic Church. He and his wife live in Dallas, TX. They have two grown children. —Read full biography (with photographs).

Dr. Alfred Calabrese · November 11, 2015

The Sacral Language of Liturgiam Authenticam as Applied to Choral Diction

The Church has its own language and its own culture. Are you a native speaker?

Dr. Alfred Calabrese · October 29, 2015

It’s All About The Players

The social construct of a choir should be like an inverted pyramid.

Dr. Alfred Calabrese · October 15, 2015

The Church Must Be Countercultural

What music is appropriate for a wedding?

Dr. Alfred Calabrese · October 8, 2015

Family and Work: both are full time jobs

My children are now grown, but I’m not about to reveal any family secrets!

Dr. Alfred Calabrese · October 1, 2015

Is this the “Proper” solution for you?

I’ve decided to try an experiment that may work in other parishes.

Dr. Alfred Calabrese · September 24, 2015

Getting the most from your choir: Passion

Passion … is a tremendous engine for achieving the very best results.

Dr. Alfred Calabrese · September 14, 2015

Getting the most from your choir: Preparation

Only by knowing a piece inside and out can we teach it effectively and efficiently.

Dr. Alfred Calabrese · September 8, 2015

“Imagination, Preparation, Passion” • Getting the most from your choir

“The conductor should be able to hear a perfect performance of the piece before it even begins.” —Dr. Alfred Calabrese

Dr. Alfred Calabrese · January 15, 2013

Biography • Dr. Alfred Calabrese

Alfred holds a doctorate in choral conducting from Indiana University…

Cheap! Cheap! Cheap!

It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…

—Jeff Ostrowski

PDF Download • Dom Murray Harmonies

Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”

—Jeff Ostrowski

“Music List” • 14 September (Holy Cross)

Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.

—Jeff Ostrowski

Karl Keating • “Canonization Questions”

We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.

—Corpus Christi Watershed

Vatican II Changed Wedding Propers?

It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.

—Corpus Christi Watershed

Solemn “Salve Regina” (Chant)

How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).

—Corpus Christi Watershed