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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

May 2016 • Major Choral Event In Dallas!

Dr. Alfred Calabrese · January 18, 2016

847 Frank La Rocca HIS EXCITING NEW major work by composer Frank La Rocca will receive its world premiere on Saturday, May 21, 2016 at 8:00pm in Dallas, Texas:

  * A ROSE IN WINTER • The life of Saint Rita of Cascia

Dr. La Rocca’s 90-minute oratorio for chorus, orchestra, and soloists was commissioned by Saint Rita Catholic Church (URL) in Dallas, and is the brainchild of Alfred Calabrese, director of music at the parish. The original libretto is by Matthew Lickona. Four outstanding American soloists will take part in the world premiere:

SOPRANO — Melanie Sarakatsannis
BARITONE — Sumner Thompson
TENOR — Brian Downen
BASS — Daniel Cole

The title role—that of Saint Rita—will be Ms. Sarakatsannis. The professional orchestra will be joined by the St. Rita Festival Choir, and the conductor will be Alfred Calabrese (BIO).

HE CONCERT on 21 May will be preceded by a three-day conference entitled “High Above the Stars: Sainthood, Beauty, and Catholic Artistic Expression.” The conference (May 19-21) is designed for musicians, artists, poets, theologians, and Catholic laity, and deals with the creation of sacred music and art, the promotion of beauty, and the quest for sainthood in everyday life. Masterclasses will be held for conductors, composers, and poets. Speakers include: Carmen-Helena Téllez, (University of Notre Dame); David Clayton, artist, writer and educator, and a regular contributor to the New Liturgical Movement website; Ron and Kathryn Rombs (University of Dallas); and the Very Rev. Michael F. DiGregorio, O.S.A, Prior Provincial of the Augustinians of the Saint Thomas of Villanova Province. Fr. DiGregorio is the former director of the National Shrine of St. Rita in Philadelphia and pastor of the parish.

All are invited and encouraged to come to Dallas for this event. A website is being developed for the concert and conference. There you will be able to find registration materials, a complete schedule of events, biographies of all of the principle players, information on travel to and from Dallas, housing options, and fun things to do and see while you’re here. All proceedings will be held on the north Dallas campus of Saint Rita parish, which is a mere 15 minutes from DFW Airport.

Please join us in May for this tremendously exciting moment in the Catholic musical world!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski
    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski
    PDF • “Music List” (Immaculate Concep.)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 8 December 2025, the feast of OUR LADY’S IMMACULATE CONCEPTION. If such a thing interests you, feel free to download it as a PDF file. The fauxbourdon setting of the COMMUNION is exquisite. In Latin, the title of this feast is: In Conceptione Immaculata Beatae Mariae Virginis. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed

Random Quote

[to the executioner] Sir Thomas More: “I forgive you right readily.” [gives him a coin] “Be not afraid of your office; you send me to God.” Archbishop Cranmer: “You’re very sure of that, Sir Thomas?” More: “He will not refuse one who is so blithe to go to him.” [kneeling, he places his head on the chopping block]

— From “A Man for All Seasons” (1960 play by Robert Bolt)

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  • (5 Dec. 2025) • Pope Leo XIV Speaks on Liturgical Music

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