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Views from the Choir Loft

It’s All About The Players

Dr. Alfred Calabrese · October 29, 2015

321Pyramid blue LIKE BASEBALL. I LIKE BASEBALL A LOT. I especially like baseball when my team is in the World Series. This is the case this year. A quote by New York Mets manager Terry Collins caught my attention last week. When asked about how he felt about getting to the World Series he accepted no credit, saying “It’s all about the players. They did all the work.” This comment made me think again about choirs, choir leadership, and choral sound.

There are many different approaches to the choral sound. One of the more famous ones is the concept formulated back in the 1930’s by John Finley Williamson at Westminster Choir College in Princeton, NJ. Williamson described this sound as the shape of a New England church. (See: Ray Robinson and Allen Winold, The Choral Experience: Literature, Materials, and Methods, New York, Hagerstown, San Francisco, and London: Harper’s College Press, 1976, 179). This can also be thought of as a pyramid. In this choral sound the basses, greater in number than any other section, created the foundation. The altos and tenors created a rich middle. Second sopranos were fewer in number and rested above the alto and tenor. Finally, the fewest singers were in the first soprano section, which rested at the top of the pyramid. These days, this concept of choral sound is probably not utilized in exactly this way, but we do find instances of a pyramid effect, in which the choral sound is created from the bottom up. In this concept, sopranos are asked to create a shimmery, light and pure sound over a rich and warm foundational bass.

If choral sound can be thought of as a pyramid, perhaps the social construct of a choir can be thought of as an inverted pyramid, with the conductor at the bottom. Balancing everything, never tipping, the conductor is the least of all the individuals involved. Above the conductor, along the rich middle, sits all the singers, in increasing numbers and importance. Let’s face it – without people there is no choir. At the very top of the inverted pyramid, along the largest and widest swath of space, is the music itself.

People join choirs for many reasons. Some join because of the great repertoire, some for the social aspect, and some to serve. But conductors can also become the reason people join. People become attached to their conductors, who may be charismatic, great teachers, big personalities, or excellent jokesters. Some conductors relish their reputations as maestros, scholars, or gurus, achieving an almost cultish following. Conductors can sometimes fall into the trap of thinking they are the reason the choir exists, or why people join the choir. This is dangerous. Conductors should think of themselves as small, at the bottom, with the people of the choir and its repertoire growing and expanding in importance above them.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Quick Thoughts

    Tempo?? • 𝘏𝘰𝘭𝘺 𝘎𝘰𝘥, 𝘞𝘦 𝘗𝘳𝘢𝘪𝘴𝘦 𝘛𝘩𝘺 𝘕𝘢𝘮𝘦
    Once, after Mass, my pastor said he really loved the hymn we did. I said: “Father, that's Holy God, We Praise Thy Name—you never heard it before?” He replied: “But the way you did it was terrific. For once, it didn't sound like a funeral dirge!” Last Sunday, our volunteer choir sang that hymn. I think the tempo was just about right … but what do you think?
    —Jeff Ostrowski
    Don’t You Agree About These?
    If you want to make Jeff Ostrowski really happy, send him an email with effusive praise about the individual voice recordings for hymn #296. [Soprano, Alto, Tenor, Bass] They came out dazzlingly sensational, don't you agree?
    —Jeff Ostrowski
    Choral Vowels? Yes? No?
    Here's a live recording of one of the choral “warm-up” exercises my choir enjoys. It was taken during our rehearsal on 27 January 2023. It’s good to make sure each chord is perfectly in tune and balanced before moving to the next one. That only happens when each singer has the correct vowel. If you like, you can freely download that vocal exercise.
    —Jeff Ostrowski

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It would be contrary to the Constitution to decree or even to hint that sung celebrations, especially of the Mass, should be in Latin.

— Annibale Bugnini attacking “Sacrosanctum Concilium” (§36)

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