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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Who We Are

avatar for Jeff OstrowskiJeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

avatar for Fr. David FrielFr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

avatar for Richard J. ClarkRichard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

avatar for Veronica BrandtVeronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

avatar for Dr. Lucas TappanDr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

avatar for Andrew LeungAndrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

avatar for Cynthia OstrowskiCynthia Ostrowski

Cynthia Ostrowski holds a bachelor's degree (2005) in Geographic Information Science and a minor in Computer Science from Texas A&M University Corpus Christi.—(Read full biography).

avatar for Keven SmithKeven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

avatar for Andrew R. MotykaAndrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

avatar for Dr. Charles WeaverDr. Charles Weaver

Dr. Charles Weaver is on the faculty of the Juilliard School, and serves as director of music for St. Mary’s Church. He lives in Connecticut with his wife and four children.—(Read full biography).

avatar for Veronica MorenoVeronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

avatar for Dr. Alfred CalabreseDr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

avatar for Andrea LealAndrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

avatar for Mark HaasMark Haas

Mark Haas is a composer and speaker whose music has been sung in over 600 parishes and 10 countries. He serves as the Music Director at Ave Maria Parish in Ave Maria, Florida where he lives with his wife and seven children.—(Read full biography).

avatar for Daniel TuckerDaniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

avatar for William J. FritzWilliam J. Fritz

William J. Fritz currently serves as music director at St. John the Baptist Catholic Church in Costa Mesa, CA where he resides with his wife and three boys.—(Read full biography).

avatar for Corrinne MayCorrinne May

Corrinne May is one of Singapore’s most celebrated singer-songwriters. She is also a wife and homeschooling mother.—(Read full biography).

avatar for Christopher MuellerChristopher Mueller

Christopher Mueller is a conductor and composer who aims to write beautiful music out of gratitude to God, Author of all beauty.—(Read full biography).

avatar for Wilfrid JonesWilfrid Jones

Wilfrid Jones is a PhD student in the theology faculty of the Albert-Ludwigs University of Freiburg, studying the theology and practice of sacred music.—(Read full biography).

avatar for Dr. Gregory HamiltonDr. Gregory Hamilton

Dr. Gregory Hamilton is a composer and performer currently on the faculty of Holy Trinity Seminary in Dallas TX.—(Read full biography).

avatar for Matthew FrederesMatthew Frederes

Mr. Frederes is a software engineer, pilot, served as an organist for 31 years, and directed small parish choirs/scholas for 22 years. He and his wife have 12 children. —(Read full biography).

avatar for Julie HuebnerJulie Huebner

Julie earned degrees at Luther College and Southern Illinois University. With her husband and three children, she resides in Wauwatosa, Wisconsin.—(Read full biography).

avatar for Patrick TorsellPatrick Torsell

Patrick Torsell is a staff substitute organist at the Cathedral Basilica of the Immaculate Conception in Denver, CO, and associate organist at Our Lady of Mt. Carmel (FSSP), Littleton, CO—(Read full biography).

avatar for Dr. Samuel BackmanDr. Samuel Backman

Samuel earned degrees at Saint Olaf College, Yale University, and the University of Oklahoma. He resides with his wife in Minneapolis, Minnesota.—(Read full biography).

avatar for Daniel MarshallDaniel Marshall

An active composer, Daniel writes liturgical works in English, Spanish, Latin, and Portuguese. He lives in Massachusetts with his wife and two children.—Read full biography (with photographs).

avatar for Adam RahaAdam Raha

Together with his wife, Adam Raha has embraced the role of being the first (and most important) teachers for their eight children.—(Read full biography).

avatar for Rebecca De La TorreRebecca De La Torre

Rebecca holds a Bachelor of Science in Computer Science from Arizona State University. She resides with her husband and daughter in Phoenix, Arizona.—(Read full biography).

avatar for Dr. Myrna KeoughDr. Myrna Keough

Dr. Myrna Keough and her husband, Shawn, have five children. She earned two doctorates, and serves on the faculty of Mount Angel Seminary in Oregon. —Read full biography (with photographs).

Benedict XVI • Many years ago, we uploaded a stunning Blog Header image. Some have asked why Cardinal Ratzinger is featured instead of Pope Emeritus. The fact of the matter is, young Ratzinger has always been present on our header—even though our blog began after the election of Benedict XVI. The following paragraphs explain why.

It’s no secret that many who hopped on the “B16 Bandwagon” abandoned the liturgical movement when Pope Benedict XVI abdicated on 28 February 2013. It demonstrates that these authors—instead of being committed to perennial ideals—simply got caught up with a “trend.” However, if you examine the biographies of our contributors, most of us were involved in promoting authentic sacred music long before Benedict XVI was elected, and at least a decade before Summorum Pontificum was issued. We recall that the liturgy does not depend on the priorities or “taste” of a pope. Indeed, there were decades in our Church’s history when nobody knew who the true pope was! Yet, the liturgy continued. Assisting at Mass, where Christ is truly present, must be the summit of our existence: not “trends.”

*  PDF Download • Original Sketch of Young Cardinal Ratzinger

Cardinal Ratzinger, therefore, is featured because of the crucial role he played before he was elected pope. This does not minimize what he did as pope; and without question, the most important thing Ratzinger accomplished as pope was to make it forever impossible for anyone to assert that those desiring authentic liturgy are “living in the past,” because documents such as Summorum Pontificum and Universae Ecclesiae were issued in the last decade, whereas documents such as Sacrosanctum Concilium and Inter Oecumenici were issued 50+ years ago. The artist (Igor Kazarin) drew Cardinal Ratzinger circa 1988, based on various photographs we provided. The artist used a “modern” technique where only one element—Ratzinger’s hat—is colored, and the rest is black & white. This is symbolic of CCWatershed, where we promote tradition, but use modern techniques to spread it. Furthermore, take a look at this photograph of Cardinal Ottaviani dressed in his cardinal’s vestments. One reason cardinals wear red is to demonstrate their willingness to shed blood for the Gospel. Ratzinger was certainly a “martyr” in terms of the abuse he suffered from the anti-Catholic press. We believe that today’s church musicians must be “martyrs” to overcome the difficulties they face. But red is also used for the Holy Ghost; how fitting and significant! We require the Holy Ghost’s guidance to be good church musicians!

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

The literal translation: “Lord, have mercy—Christ, have mercy,” does not offer much material for an acceptable song text. The words, not having any feminine syllables, are abrupt; the sounds are almost all muted and colorless; the rhythmic flow is too brief. So many people may prefer responses that further extend the song of the assembly, e.g., “Have pity on us, Lord” or “Pardon us and change our hearts.

— J. Gelineau attacking the KYRIE ELEYSON (page 64 in “Learning to Celebrate,” 1985)

Recent Posts

  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”

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