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Corpus Christi Watershed

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Views from the Choir Loft

Who We Are

avatar for Jeff OstrowskiJeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

avatar for Fr. David FrielFr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

avatar for Richard J. ClarkRichard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

avatar for Veronica BrandtVeronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

avatar for Dr. Lucas TappanDr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

avatar for Keven SmithKeven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

avatar for Dr. Charles WeaverDr. Charles Weaver

Dr. Charles Weaver is on the faculty of the Juilliard School, and serves as director of music for St. Mary’s Church. He lives in Connecticut with his wife and four children.—(Read full biography).

avatar for Veronica MorenoVeronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

avatar for Dr. Alfred CalabreseDr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

avatar for Andrea LealAndrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

avatar for Mark HaasMark Haas

Mark Haas is a composer and speaker whose music has been sung in over 600 parishes and 10 countries. He serves as the Music Director at Ave Maria Parish in Ave Maria, Florida where he lives with his wife and seven children.—(Read full biography).

avatar for Daniel TuckerDaniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

avatar for Christopher MuellerChristopher Mueller

Christopher Mueller is a conductor and composer who aims to write beautiful music out of gratitude to God, Author of all beauty.—(Read full biography).

avatar for William J. FritzWilliam J. Fritz

William J. Fritz currently serves as music director at St. John the Baptist Catholic Church in Costa Mesa, CA where he resides with his wife and three boys.—(Read full biography).

avatar for Dr. Gregory HamiltonDr. Gregory Hamilton

Dr. Gregory Hamilton is a composer and performer currently on the faculty of Holy Trinity Seminary in Dallas TX.—(Read full biography).

avatar for Wilfrid JonesWilfrid Jones

Wilfrid Jones is a PhD student in the theology faculty of the Albert-Ludwigs University of Freiburg, studying the theology and practice of sacred music.—(Read full biography).

avatar for Matthew FrederesMatthew Frederes

Mr. Frederes is a software engineer, pilot, served as an organist for 31 years, and directed small parish choirs/scholas for 22 years. He and his wife have 12 children. —(Read full biography).

avatar for Julie HuebnerJulie Huebner

Julie earned degrees at Luther College and Southern Illinois University. With her husband and three children, she resides in Wauwatosa, Wisconsin.—(Read full biography).

avatar for Dr. Samuel BackmanDr. Samuel Backman

Samuel earned degrees at Saint Olaf College, Yale University, and the University of Oklahoma. He resides with his wife in Minneapolis, Minnesota.—(Read full biography).

avatar for Daniel MarshallDaniel Marshall

An active composer, Daniel writes liturgical works in English, Spanish, Latin, and Portuguese. He lives in Massachusetts with his wife and two children.—Read full biography (with photographs).

avatar for Dr. Myrna KeoughDr. Myrna Keough

Dr. Myrna Keough and her husband, Shawn, have five children. She earned two doctorates, and serves on the faculty of Mount Angel Seminary in Oregon. —Read full biography (with photographs).

avatar for Adam RahaAdam Raha

Together with his wife, Adam Raha has embraced the role of being the first (and most important) teachers for their eight children.—(Read full biography).

avatar for Rebecca De La TorreRebecca De La Torre

Rebecca holds a Bachelor of Science in Computer Science from Arizona State University. She resides with her husband and daughter in Phoenix, Arizona.—(Read full biography).

Benedict XVI • Many years ago, we uploaded a stunning Blog Header image. Some have asked why Cardinal Ratzinger is featured instead of Pope Emeritus. The fact of the matter is, young Ratzinger has always been present on our header—even though our blog began after the election of Benedict XVI. The following paragraphs explain why.

It’s no secret that many who hopped on the “B16 Bandwagon” abandoned the liturgical movement when Pope Benedict XVI abdicated on 28 February 2013. It demonstrates that these authors—instead of being committed to perennial ideals—simply got caught up with a “trend.” However, if you examine the biographies of our contributors, most of us were involved in promoting authentic sacred music long before Benedict XVI was elected, and at least a decade before Summorum Pontificum was issued. We recall that the liturgy does not depend on the priorities or “taste” of a pope. Indeed, there were decades in our Church’s history when nobody knew who the true pope was! Yet, the liturgy continued. Assisting at Mass, where Christ is truly present, must be the summit of our existence: not “trends.”

*  PDF Download • Original Sketch of Young Cardinal Ratzinger

Cardinal Ratzinger, therefore, is featured because of the crucial role he played before he was elected pope. This does not minimize what he did as pope; and without question, the most important thing Ratzinger accomplished as pope was to make it forever impossible for anyone to assert that those desiring authentic liturgy are “living in the past,” because documents such as Summorum Pontificum and Universae Ecclesiae were issued in the last decade, whereas documents such as Sacrosanctum Concilium and Inter Oecumenici were issued 50+ years ago. The artist (Igor Kazarin) drew Cardinal Ratzinger circa 1988, based on various photographs we provided. The artist used a “modern” technique where only one element—Ratzinger’s hat—is colored, and the rest is black & white. This is symbolic of CCWatershed, where we promote tradition, but use modern techniques to spread it. Furthermore, take a look at this photograph of Cardinal Ottaviani dressed in his cardinal’s vestments. One reason cardinals wear red is to demonstrate their willingness to shed blood for the Gospel. Ratzinger was certainly a “martyr” in terms of the abuse he suffered from the anti-Catholic press. We believe that today’s church musicians must be “martyrs” to overcome the difficulties they face. But red is also used for the Holy Ghost; how fitting and significant! We require the Holy Ghost’s guidance to be good church musicians!

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Corpus Christi Watershed

President’s Corner

    “Be Joyful Mary” • Organ Interlude

    Peter Piel (1835–1904), was a Roman Catholic composer named “Royal Music Director” under Wilhelm I, King of Prussia.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    PDF Download • “Our Father” (1 page)
    Dutch organist, teacher, and conductor HERMAN STRATEGIER (d. 1988) studied under Hendrik Andriessen. He composed this unison setting with organ accompaniment for the LORD’S PRAYER (“Our Father”) which a children’s choir would find both within reach and worthy of the effort. The whole thing fits neatly on a single page. Strategier eventually became organist of Saint Catherine’s Cathedral in Utrecht. He also taught at the “Dutch Institute for Catholic Church Music” (Nederlands Instituut voor Katholieke Kerkmuziek).
    —Jeff Ostrowski
    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“The wounded fingers of Jogues and Goupil and Coûture festered and bred worms and attracted flies and insects. They had no remedies, no cloth for bandages, nothing for relieving the pain but the tepid waters of the river. All day long they were cramped in the little boats; at night they had no rest from the mosquitoes and bugs that stung them all over their naked skin.”

— From “The Life of Saint Isaac Jogues”

Recent Posts

  • “Be Joyful Mary” • Organ Interlude
  • Active Passivity? Yes. Let me explain.
  • “A Mode of Singing & Chanting Mass for Children”
  • Sacred Music in the Sunflower State!
  • The Vanishing Art of Knowing Hymns • We Seek a Hymn “Expert” (Not Just a Hymn “Enthusiast”)

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