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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“What is the Best Catholic Missal?” • Video Review by Catholic Family News

Andrea Leal · April 2, 2025

N ORGANIZATION called “Catholic Family News” has released a short video worth your time, comparing a whole bunch of hand-missals for the Extraordinary Form (a.k.a. 1962 Missal). They rank highly the favorite hand-missal of my colleague, Veronica Moreno: the third edition of the Saint Edmund Campion Missal published by SOPHIA INSTITUTE PRESS. That book contains both versions of Holy Week. In other words, it has the ‘traditional’ Holy Week from 1950 as well as the Pius XII Holy Week. The newer version got its name because the reformation (or ‘demolition’ depending upon one’s point of view) took place under Pope Pius XII. The Holy Week reforms began in 1951 and later became mandatory. The first year all the reforms were mandatory was 1956. The Campion Missal is indispensable because it compares and contrasts both.

This excerpt treats the Saint Edmund Campion Missal:

Here’s the direct URL link.

Two Quibbles • The gentleman who makes the film does a nice job. I did notice two small errors. First of all, in addition to the translation by Monsignor Knox, the Saint Edmund Campion Missal also contains the familiar translation by Father Lasance. That ORDO MISSAE is found in a section without commentary. In other words, it’s intended for use by Catholics already at home with the MISSALE VETUSTUM. The video also says the Fulton J. Sheen Sunday Missal (1962) contains a translation of the “Lauda Syon” sequence by Monsignor Knox. As a matter of fact, the translation is not by Knox—it was created by Fr. James Aylward (1813-1872).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, Father Lasance Missal, Francis Xavier Lasance, Hand-Missal compare handmissal comparison, Missale Vetustum, Old Holy Week, Pius XII Holy Week, Pre-1955 Holy Week, What is the Best Catholic Missal Last Updated: April 2, 2025

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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President’s Corner

    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“However well equipped and trained a choir may be, all its good points may be obscured by an unsuitable accompaniment. In fact the organist can, in a large measure, either make or mar his choir. It must be owned, however, that the accompanist of Plainsong has to contend with many difficulties. […] The purist will still find his best enjoyment of the chant when it is sung unaccompanied, but to most a becoming accompaniment gives an added charm.”

— Benedictines of Stanbrook (1905)

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  • PDF • “O Come All Ye Faithful” (Simplified)
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