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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for January 2025

Jeff Ostrowski · January 17, 2025

“2-Voice Piece” • For February 2nd

The hymn traditionally sung on the feast of the Purification.

Jeff Ostrowski · January 15, 2025

“Entrance Chant” • 2nd Sunday (Ord. Time)

This English adaptation matches the mode of the authentic Gregorian Chant version.

Jeff Ostrowski · January 14, 2025

PDF Download • “Rare Hymnal” (1966) by Monsignor Hayburn and Others — 632 Pages!

In 1979, Monsignor Robert F. Hayburn published an important book called: “Papal Legislation on Sacred Music.”

Jeff Ostrowski · January 14, 2025

Repugnant Rhymes in Hymns

This stuck out like a sore thumb.

Jeff Ostrowski · January 14, 2025

Was “Ordinary Time” Found in the 1962 Missal?

The answer might surprise you!

Corpus Christi Watershed · January 13, 2025

“What A Choral Conductor Must Know” • Interview with Dr. John Paul Johnson

Dr. John Paul Johnson—a frequent guest conductor at Carnegie Hall—served as a conductor-in-residence at the Trinity College of Music (London).

Julie Huebner · January 13, 2025

PDF Download • “Small Choirs Unite!”

We have a wide range of expertise: from experienced choristers (some with music degrees) to a gentleman who’d never sung in a choir in his life before joining.

Corpus Christi Watershed · January 11, 2025

When Does “Christmas” End?

“I believe (though I could be wrong) the USCCB website is correct and Jeff is wrong.” —Father J. Haley

Jeff Ostrowski · January 10, 2025

PDF Download • “Baptism of the Lord” (Hymn)

From what I have seen, musicians tend to be the best liturgists…

Jeff Ostrowski · January 9, 2025

“Music List” • Baptism of the Lord

Readers have expressed interest in perusing the “music list” I prepared…

Dr. Lucas Tappan · January 9, 2025

Livestreams Worth the Reader’s Time

Today I introduce two very different—yet equally sublime—choral foundations.

Corpus Christi Watershed · January 8, 2025

“Prelim. Details” • Sacred Music Symposium 2025

Too many parish choirs don’t sound as nice as they could. We’re here to help!

Jeff Ostrowski · January 8, 2025

“Entrance Chant” • Baptism of the Lord

This English adaptation matches the mode of the authentic Gregorian Chant version.

Jeff Ostrowski · January 6, 2025

Hidden Treasure!

What are you waiting for?

Jeff Ostrowski · January 6, 2025

PDF Download • Extremely Rare! —Solesmes “Graduale” acc. to the Official Rhythm (1,049 pages)

Doesn’t it stand to reason that we should sing from this edition in the manner its creators intended?

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski

Random Quote

“Much of the reordering [in 1970] of the pieces of the Roman Gradual seems arbitrary and useless; nevertheless, with some exceptions, it does not affect the shape of the service, since like pieces are exchanged for like.”

— Dr. William Peter Mahrt

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