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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for October 2024

Jeff Ostrowski · October 14, 2024

When Liturgists Are Dopey

Jeff shares a ‘quick thought’ regarding the topic of the sacred liturgy.

Daniel Tucker · October 13, 2024

The Best Conducting Advice

The best conducting advice I’ve ever received…

Andrea Leal · October 12, 2024

To Persevere is Sanctity

To be a successful choir director is to sacrifice and to persevere in a nearly insane manner.

Jeff Ostrowski · October 11, 2024

Music List • (28th Sund. Ordinary Time)

Readers have expressed interest in looking over the “music list” I’ve prepared for this coming Sunday.

Jeff Ostrowski · October 11, 2024

“Unsolved Mysteries” • What Happened To This Institute?

Dom Ermin Vitry, OSB, was in charge of building the pipe organ for the Cathedral of Saint Mary of the Immaculate Conception in Peoria, IL.

Jeff Ostrowski · October 10, 2024

PDF Download • “Entrance Chant in English” for the 28th Sunday in Ordinary Time (Year B)

This coming Sunday—13 October 2024—is the 28th in Ordinary Time.

Jeff Ostrowski · October 9, 2024

“Entrance Chant” • For Sunday (13-Oct-2024)

This one’s in Mode 3, imitating the authentic Gregorian chant.

Jeff Ostrowski · October 8, 2024

PDF Download • Choral Extension! • (Corresponding to the “Holy, Holy, Holy” of the Missal Chants)

Probably one of the most valuable PDF scores we’ve ever released.

Keven Smith · October 8, 2024

Finding New Motets

It strikes me that many of the best motets my choir sings are ones I found by accident. These are motets that popped up as YouTube suggestions, or that someone mentioned in a Facebook thread and I casually gave them a listen. The lesson? Be open to finding good sacred music even when you’re not […]

William J. Fritz · October 7, 2024

Mass • “Singing” Vs. “Reciting”

That single change made clear that those present were able to enter more deeply…

Jeff Ostrowski · October 7, 2024

The End Is Coming!

I can’t help but wonder if this is…

Jeff Ostrowski · October 5, 2024

Music List • (27th Sund. Ordinary Time)

Readers have expressed interest in looking over the “music list” I have prepared for this coming Sunday.

Jeff Ostrowski · October 5, 2024

“In Feriis Per Annum” • Kýrie Eléison

For years I’d been meaning to harmonize the famous KYRIE SIMPLEX—but I never got the opportunity until today. Feel free to download the PDF score if you wish. It is “Kyrie XVI,” which in the old books bore the title In Feriis Per Annum.

Jeff Ostrowski · October 4, 2024

MONTH OF OCTOBER — “Reminder”

Since a new month has arrived, it’s my pleasure to remind you that…

Veronica Brandt · October 4, 2024

PDF Download • “Vexilla Regis” in 3 or 4 parts, alternating chant & polyphony

A lovely and practical piece with fantastic safety features for any time adoring the Cross of Jesus.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“I prefer to preach,” said one priest “even without immediate preparation, for I can always draw—from the various studies stored away during the seminary years—enough material to interest our good Catholic people. But when I have to go to the altar and sing High Mass or a Requiem, and I know that I cannot read a note of the Preface and the ‘Pater Noster’, I feel like going to martyrdom. Yet the notes are right there before my eyes, but they seem to mock my ignorance.”

— From a 1920 article by Very Rev. Leo P. Manzetti

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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