• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Archives for August 2024

Jeff Ostrowski · August 20, 2024

“Entrance Chant” • For Sunday (1-Sep-2024)

Coming up fast is Sunday, 1 September 2024, which is the 22nd Sunday in Ordinary Time. Here is the PDF file of the ENTRANCE ANTIPHON—in Gregorian notation on five lines—which we’ll be singing. You can also download this organ accompaniment which corresponds to that file. If you’re somebopdy who enjoys rehearsal videos, you can listen […]

Jeff Ostrowski · August 20, 2024

“The Very Best 42 Seconds of Gregorian Chant”

Fulton J. Sheen, Saint John Mary Vianney, and more!

Jeff Ostrowski · August 19, 2024

“Our Father” • (Arr. for 3 Voices)

This tune has many names such as “Psalm 112” and “Old Hundred Twelfth.”

Jeff Ostrowski · August 19, 2024

Must This Be Accompanied?

The age-old question—will it ever be resolved?

Adam Raha · August 17, 2024

Fathers Must Turn Their Hearts To Their Children

I don’t necessarily mean children with no dad. I mean “absent” fathers.

Jeff Ostrowski · August 17, 2024

Music List • (20th Sund. Ordinary Time)

This coming Sunday is 18 August 2024.

Jeff Ostrowski · August 15, 2024

Music List • “Assumption” (15 August)

Several readers expressed interest in seeing my music list for the Assumption (15 August). You will notice the COMMUNION HYMN is a special version of “Ave Maris Stella” in English and Spanish. Our Mass on the Assumption was Tri-Lingual: Latin, English, and Spanish. Here’s the organ accompaniment (five pages) for that hymn. Furthermore, those who […]

Jeff Ostrowski · August 14, 2024

“Missa de Angelis” • Gloria

Feel free to download this PDF file containing GLORIA VIII (“Mass of the Angels”) harmonized by the great Belgian organist: Flor Peeters.

Jeff Ostrowski · August 14, 2024

Assumption Resp. Psalm (in Spanish)

Responsorial Psalm in Spanish for the feast of Our Lady’s Assumption, 15 August.

Jeff Ostrowski · August 13, 2024

15 August • “Our Lady’s Assumption”

Jeff shares a ‘quick thought’ regarding the topic of the sacred liturgy.

Corpus Christi Watershed · August 11, 2024

(Chicago) • Upcoming Sacred Music Workshop!

Featuring as presenters Jeffrey Ostrowski and Kevin Allen.

Jeff Ostrowski · August 9, 2024

Music List • (19th Sund. Ordinary Time)

This coming Sunday (11 August 2024) is the 19th Sunday in Ordinary Time, Year B. Some have expressed interest in seeing my “ORDER OF MUSIC.” If such a thing be appealing to you, it can be downloaded as a PDF file.

Jeff Ostrowski · August 6, 2024

MONTH OF AUGUST • “Reminder”

Each day I speak to folks who have followed our blog for years but (somehow) don’t realize we publish a free newsletter. Please subscribe to it! Simply scroll to the bottom of any blog article and enter your email address. We have no endowment, no major donors, no savings, and refuse to run annoyong ads. Therefore, […]

Jeff Ostrowski · August 6, 2024

“Reader Feedback” • 6 August 2024

Mrs. J.M. writes to us from Manassas, Virginia: “I’m thrilled you are offering this scan by the Sisters of the Most Precious Blood in O’Fallon, Missouri! Years ago I wrote to the sisters and one sent me a copy of all the booklets and cds. I have been such an admirer of Msgr Hellriegel’s work!”

Jeff Ostrowski · August 6, 2024

PDF Download • “Entrance Chant in English” (19th Sunday in Ordinary Time)

Including twelve (12) different versions!

  • « Go to Previous Page
  • Page 1
  • Page 2
  • Page 3
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“We know that originally the offertories of the repertoire included a series of verses, just like the introit and the communion, but generally more ornate. Many of these are musical compositions of great beauty. They quickly fell into disuse, and we find them only in the most ancient manuscripts. The only remaining trace of this older arrangement in our present-day liturgy is that of the offertory of the Requiem Mass.”

— Dom Joseph Gajard (1956)

Recent Posts

  • “Reader Feedback” • 5 November 2025
  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.