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Views from the Choir Loft

Archives for September 2023

William J. Fritz · September 13, 2023

“Ever Ancient, Ever New” • Sacred Concert in North Florida

“It is even more encouraging when a concert with 𝑡𝑟𝑢𝑙𝑦 𝑎𝑢𝑡ℎ𝑒𝑛𝑡𝑖𝑐 Catholic music is done.” —Mæstro Fritz

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Jeff Ostrowski · September 12, 2023

“Mixing” Your Singers? • Just Do It!

Not long ago, I posted an Agnus Dei for Three Voices by William Byrd (d. 1623). When we sing the “Agnus Dei” at Mass, I often have the singers mix up, so they’re not standing next to someone singing their part. In my experience, this technique does wonders for tuning. Here’s a live excerpt (Mp3) […]

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Jeff Ostrowski · September 12, 2023

“Can No One Defend This?” • Why Everyone Should Sing From the Official Edition

I can never go back!

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Jeff Ostrowski · September 11, 2023

Jeff Ostrowski’s Discovery • (Does Anyone Care?)

Feel free to examine every single page if you doubt what I’m saying!

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Cynthia Ostrowski · September 11, 2023

Can a Lens Make a Difference?

My husband tells me this edition (by Dom Pothier’s student) is of monumental importance. I take him at his word.

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Dr. Lucas Tappan · September 9, 2023

Lack Choir Boys? • A Foolproof Way to Get Them!

What happened to this masculine presence in all things musical in the United States?

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Jeff Ostrowski · September 8, 2023

8 Sept. 2023 • Charles Rosen on Bach!

Charles Rosen was a concert pianist who published insightful books about various musical topics. I believe our readers will enjoy this 27-minute presentation on the music of Johann Sebastian Bach. Not everything Mr. Rosen says is true. (For instance, Rosen was not the first pianist to record the ART OF THE FUGUE on the piano. […]

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Dr. Alfred Calabrese · September 7, 2023

Dr. Alfred Calabrese on William Byrd’s “Sanctus” • (Mass for Five Voices)

“The Byrd Masses were printed without title pages, and with no reference to a composer. It was too dangerous to do so.” —Dr. Calabrese

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Jeff Ostrowski · September 7, 2023

7 Sept. 2023 • Alphabetized Hymnals?

One could be forgiven for believing that arranging hymns in alphabetical order would make them easier to find. Believe it or not, that’s actually one of the worst decisions an editor could make. This very brief video explains why.

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Jeff Ostrowski · September 6, 2023

Natalia’s Message • “Explaining The Two Sections!”

If you asked random Catholics to recite in English—without reference to a book—a stanza from the “Tantum Ergo” of Saint Thomas Aquinas, how many do you think could?

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Jeff Ostrowski · September 5, 2023

Does It Make Sense to Alphabetize Hymnals?

Perhaps you’re saying to yourself: “Jeff comes across as super ungrateful.”

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Matthew Frederes · September 4, 2023

Revealed! • Father Enemond Massé Manuscripts of Sacred Gregorian Chant

Please enjoy this new addition to the website which provides a useful list of manuscripts discussed on this blog, for easy access to the same sources used by the contributors!

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Jeff Ostrowski · September 4, 2023

When Others Say You’re “Dumb”

I could give a zillion more examples of my disability.

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Jeff Ostrowski · September 2, 2023

Are You A Professional? • (Am I One?)

Including a Eucharistic Hymn (#142) every Catholic should know!

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Guest Author · September 1, 2023

Gregorian Rhythm Wars • “The Counter Tradition”

Guest submission (1 September 2023) by Alasdair Codona of Glasgow, Scotland.

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Corpus Christi Watershed

President’s Corner

    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski
    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski
    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla Cathedral: Chapter Resolution (13 December 1564)

Recent Posts

  • Eucharistic Prayer No. 2 on Sundays?
  • “Panis Angelicus” • Organ Accompaniment (7 Pages)
  • 1,187 Pages • “Dripping With Color, Craft, and Splendor” (Missale Romanum, 1933)
  • Knox. Has. No. Equal.
  • “Plainsong Propers” • Fascinating 1980s Recordings

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