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Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

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Views from the Choir Loft

Archives for September 2023

Jeff Ostrowski · September 13, 2023

Why Sing? • Byrd Answers!

Make sure to click on the recent article by Dr. Charles Weaver, because he links to something remarkable. In essence, it’s a list—written by William Byrd!—regarding why we should sing.

Dr. Charles Weaver · September 13, 2023

A Concert in Honor of William Byrd

The better the voice is, the meeter it is to honour and serve God therewith: and the voice of man is chiefly to be employed to that end.

Jeff Ostrowski · September 13, 2023

SEPTEMBER • Monthly Reminder

Each day, I speak via telephone to folks who have supported Corpus Christi Watershed for years. Yet many of them don’t know about our email newsletter! Please sign up! Simply scroll to the bottom of any blog article and enter your email address. Thank you!

Jeff Ostrowski · September 13, 2023

Eucharistic Hymn by the Archbishop of Canterbury

Using a favorite melody of Dr. Theodore Marier.

William J. Fritz · September 13, 2023

“Ever Ancient, Ever New” • Sacred Concert in North Florida

“It is even more encouraging when a concert with 𝑡𝑟𝑢𝑙𝑦 𝑎𝑢𝑡ℎ𝑒𝑛𝑡𝑖𝑐 Catholic music is done.” —Mæstro Fritz

Jeff Ostrowski · September 12, 2023

“Mixing” Your Singers? • Just Do It!

Not long ago, I posted an Agnus Dei for Three Voices by William Byrd (d. 1623). When we sing the “Agnus Dei” at Mass, I often have the singers mix up, so they’re not standing next to someone singing their part. In my experience, this technique does wonders for tuning. Here’s a live excerpt (Mp3) […]

Jeff Ostrowski · September 12, 2023

“Can No One Defend This?” • Why Everyone Should Sing From the Official Edition

I can never go back!

Jeff Ostrowski · September 11, 2023

Jeff Ostrowski’s Discovery • (Does Anyone Care?)

Feel free to examine every single page if you doubt what I’m saying!

Cynthia Ostrowski · September 11, 2023

Can a Lens Make a Difference?

My husband tells me this edition (by Dom Pothier’s student) is of monumental importance. I take him at his word.

Dr. Lucas Tappan · September 9, 2023

Lack Choir Boys? • A Foolproof Way to Get Them!

What happened to this masculine presence in all things musical in the United States?

Jeff Ostrowski · September 8, 2023

8 Sept. 2023 • Charles Rosen on Bach!

Charles Rosen was a concert pianist who published insightful books about various musical topics. I believe our readers will enjoy this 27-minute presentation on the music of Johann Sebastian Bach. Not everything Mr. Rosen says is true. (For instance, Rosen was not the first pianist to record the ART OF THE FUGUE on the piano. […]

Dr. Alfred Calabrese · September 7, 2023

Dr. Alfred Calabrese on William Byrd’s “Sanctus” • (Mass for Five Voices)

“The Byrd Masses were printed without title pages, and with no reference to a composer. It was too dangerous to do so.” —Dr. Calabrese

Jeff Ostrowski · September 7, 2023

7 Sept. 2023 • Alphabetized Hymnals?

One could be forgiven for believing that arranging hymns in alphabetical order would make them easier to find. Believe it or not, that’s actually one of the worst decisions an editor could make. This very brief video explains why.

Jeff Ostrowski · September 6, 2023

Natalia’s Message • “Explaining The Two Sections!”

If you asked random Catholics to recite in English—without reference to a book—a stanza from the “Tantum Ergo” of Saint Thomas Aquinas, how many do you think could?

Jeff Ostrowski · September 5, 2023

Does It Make Sense to Alphabetize Hymnals?

Perhaps you’re saying to yourself: “Jeff comes across as super ungrateful.”

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Soloists are dangerous in any church choir! Their voices frequently do not blend with those of the other singers to form a rich, integrated tone.

— Roger Wagner

Recent Posts

  • Luis Martínez Must Go!
  • Pope Pius XII Hymnal?
  • PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)
  • “Hybrid” Chant Notation?
  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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