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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for June 2023

Jeff Ostrowski · June 30, 2023

“Six Suggestions” • Working with Volunteer Choirs

One priest on this committee said something I’ll never forget…

Jeff Ostrowski · June 30, 2023

“Counter-Melody” for a Hymn Tune…

Jeff Ostrowski has added a “counter-melody” to CUPERTINO, a hymn tune composed by Kevin Allen. You can download the Organist Score (PDF), which doubles as the vocalist score. You can also hear Jeff’s volunteer choir sing that “counter-melody” version in real life by clicking here.

Dr. Charles Weaver · June 29, 2023

Some Thoughts on Gregorian Modal Ethos

You should memorize this list.

Jeff Ostrowski · June 29, 2023

“The Use of Plainsong in Heretical Worship” • (Letter by Dom Gregory Murray)

“Unless Catholic musicians (especially priests) are careful, they may easily encourage non-Catholics in the belief that the differences between Catholics and non-Catholics are of minor importance.” —Dom Murray

Patrick Williams · June 28, 2023

Gregorian Rhythm Wars • Video: “Introduction to Mensuralism” (28 June 2023)

“If a picture is worth a thousand words, then a video has to be worth at least 1.8 million words.” —Dr. James McQuivey

Richard J. Clark · June 28, 2023

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

CRCCM Repertoire Project Released!

The Conference of Roman Catholic Cathedral Musicians (CRCCM) has just launched a remarkable free resource offering recommendations of choral music, antiphons, propers, and more for all Sundays of the liturgical calendar, solemnities, and Ritual Masses.

Jeff Ostrowski · June 27, 2023

PDF Download • Extremely Rare! • “Liber Cantus Gregoriani” (1950) — 1,864 pages!

Church musicians ought not proceed in a frenzied, panic-stricken manner.

Corpus Christi Watershed · June 19, 2023

“We’re In Financial Trouble!” • (June 2023)

We must avoid placing our website behind a paywall.

Jeff Ostrowski · June 19, 2023

Easter Sequence • “Both English and Latin”

Earlier this afternoon, I created an organ harmonization for the EASTER SUNDAY SEQUENCE: Víctimæ Pascháli Laudes in English and Latin. The rhythm conforms to the pure (“untouched”) Vatican Edition, like what you’d find in editions by Schwann, Monsignor Nekes, Max Springer of Beuron, and Peter Wagner (Commissionis Pontificiæ Gregorianæ Membrum). The beautiful and highly accurate […]

Jeff Ostrowski · June 18, 2023

Theological…

The 330-page booklet for Sacred Music Symposium contains more than just fabulous and inspiring music. Little theological ‘tidbits’ cover its pages. For example, consider Page 265. You can download a PDF copy of the entire booklet at the Symposium website.

Patrick Williams · June 18, 2023

“Text-Informed Performance Practice in Chant”

“The older responsorial method is more in accord with a right understanding of this text.” —Patrick Williams

Christopher Mueller · June 17, 2023

Richard J. Clark’s “Salve Regina”

“Thanks, Richard, for another accessible and mellifluous motet!” —Chris Mueller

Daniel Tucker · June 16, 2023

Updates on the Liturgy of the Hours

The exciting re-translation project for the Liturgy of the Hours continues! This article will get you up to speed.

Corpus Christi Watershed · June 13, 2023

A Message For You! • (From Natalia Ferreiro)

Exciting news for the sacred music world—regarding something important starting next week.

Jeff Ostrowski · June 10, 2023

“Please Share On Social Media” • Thank you!

For immediate release…

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“The Night Office—Nocturns or Matins—except for Holy Week, Easter Octave, and Christmas, has never appeared in the Vatican edition. The larger part of the mediaeval repertory for the Office thus remains still unpublished in the Vatican edition, and is likely to remain so, for the obvious reason that almost no cathedral chapters or monastic choirs sing the Night Office regularly today.”

— John Merle Boe (1968)

Recent Posts

  • PDF Download • “In Paradisum” in English
  • “O Antiphons” Elevated?
  • PDF • “Music List” (Sunday, 28 December)
  • Should Catholics Sing Protestant Christmas Carols?
  • PDF • “Music List” (Xmas Midnight Mass)

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