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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for September 2022

Dr. Charles Weaver · September 29, 2022

Solmization from the Inside: Part 2

What can medieval and renaissance music pedagogy offer to us now?

Jeff Ostrowski · September 28, 2022

PDF Download • SATB “Alleluia” by J.S. Bach

This short piece shimmers with beauty. The arrangement is by Monsignor René Moissenet.

Jeff Ostrowski · September 27, 2022

“What Is Polyphony?” • With Audio Examples

A professor at our conservatory always told us: “An example is worth 1,000 words.”

Jeff Ostrowski · September 26, 2022

Say “Hello” to the Villain Who Lied About You

Fulton J. Sheen told a story about a man who bumped into Abraham Lincoln yelling: “Get out of my way, you big ugly lummox!”

Corpus Christi Watershed · September 24, 2022

“North American Martyrs” • Stained Glass Window

Their feast is on Monday (in Canada and the EF)!

Jeff Ostrowski · September 24, 2022

“Nobody Cares About This” • (Except Me!)

I’ve attempted to create a recording for this coming Sunday according to the official rhythm…

Dr. Lucas Tappan · September 21, 2022

Saint Brigid’s School • New Choir School for the Cathedral of Saint Mary (San Francisco)

Thirty years ago most pastors would not have been open to inaugurating good sacred music programs in their parishes, but times have changed.

Jeff Ostrowski · September 21, 2022

Why Text Only?

Why do hymns in the Saint Jean de Brébeuf Hymnal give so many optional “text only” versions of the hymns? It’s easier to demonstrate than explain. Consider Hymn #24, which allows the director to choose a wonderful melody and easily apply it to the text. Hymnal editors knew about the value of “text only” versions […]

Corrinne May · September 20, 2022

“My Reflections” • Re: 2022 Symposium Keynote

“I ended up spending hours, transcribing each and every word from Father Fryar’s Symposium lecture. Although it took many hours, I relished the process.” —Corrinne May

Jeff Ostrowski · September 20, 2022

PDF Download • Brief Polyphonic “Asperges Me” for SATB by Father Guerrero (d. 1599)

Here’s my attempt at recording all the voices myself, to give you a rough idea how it sounds.

Jeff Ostrowski · September 20, 2022

Official USCCB Synod Document: “The Limited Access to the 1962 Missal Was Lamented…”

In this official document, we find a remarkable statement!

Jeff Ostrowski · September 20, 2022

“Choral Eavesdropping” • 15 Sept. 2022

If you enjoy eavesdropping, here’s a rehearsal excerpt (mp3) of my volunteers singing the exercise I posted last week. This is the second time we’ve used it, and I can definitely hear improvement. You can download this choral warm-up for free.

Jeff Ostrowski · September 18, 2022

“An Irish Hymnal?” • 126 Pages (English and Gaelic)

I find this hymn quite beautiful—and singers love it!

Veronica Brandt · September 17, 2022

Adding More Spaces around Bar Lines in Gregorio

Some useful tips on adjusting the spacing in Gregorio scores.

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Corpus Christi Watershed · September 16, 2022

“Did Bishop Burbidge Violate Canon 932 in Order to Punish His Flock?”

“Holy Trinity is where Josh came into the Church, went through RCIA, and was married…”

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President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“The production of this book was too far advanced for notice to be taken of the new translation of the Hebrew psalter into Latin by the professor of the Biblical Institute at Rome. The Holy Father’s permission to use it in the divine office when properly adapted for the purpose will prove a welcome boon.”

— Father Cuthbert Lattey (15 Nov. 1944)

Recent Posts

  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)

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