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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for September 2022

Dr. Charles Weaver · September 29, 2022

Solmization from the Inside: Part 2

What can medieval and renaissance music pedagogy offer to us now?

Jeff Ostrowski · September 28, 2022

PDF Download • SATB “Alleluia” by J.S. Bach

This short piece shimmers with beauty. The arrangement is by Monsignor René Moissenet.

Jeff Ostrowski · September 27, 2022

“What Is Polyphony?” • With Audio Examples

A professor at our conservatory always told us: “An example is worth 1,000 words.”

Jeff Ostrowski · September 26, 2022

Say “Hello” to the Villain Who Lied About You

Fulton J. Sheen told a story about a man who bumped into Abraham Lincoln yelling: “Get out of my way, you big ugly lummox!”

Corpus Christi Watershed · September 24, 2022

“North American Martyrs” • Stained Glass Window

Their feast is on Monday (in Canada and the EF)!

Jeff Ostrowski · September 24, 2022

“Nobody Cares About This” • (Except Me!)

I’ve attempted to create a recording for this coming Sunday according to the official rhythm…

Dr. Lucas Tappan · September 21, 2022

Saint Brigid’s School • New Choir School for the Cathedral of Saint Mary (San Francisco)

Thirty years ago most pastors would not have been open to inaugurating good sacred music programs in their parishes, but times have changed.

Jeff Ostrowski · September 21, 2022

Why Text Only?

Why do hymns in the Saint Jean de Brébeuf Hymnal give so many optional “text only” versions of the hymns? It’s easier to demonstrate than explain. Consider Hymn #24, which allows the director to choose a wonderful melody and easily apply it to the text. Hymnal editors knew about the value of “text only” versions […]

Corrinne May · September 20, 2022

“My Reflections” • Re: 2022 Symposium Keynote

“I ended up spending hours, transcribing each and every word from Father Fryar’s Symposium lecture. Although it took many hours, I relished the process.” —Corrinne May

Jeff Ostrowski · September 20, 2022

PDF Download • Brief Polyphonic “Asperges Me” for SATB by Father Guerrero (d. 1599)

Here’s my attempt at recording all the voices myself, to give you a rough idea how it sounds.

Jeff Ostrowski · September 20, 2022

Official USCCB Synod Document: “The Limited Access to the 1962 Missal Was Lamented…”

In this official document, we find a remarkable statement!

Jeff Ostrowski · September 20, 2022

“Choral Eavesdropping” • 15 Sept. 2022

If you enjoy eavesdropping, here’s a rehearsal excerpt (mp3) of my volunteers singing the exercise I posted last week. This is the second time we’ve used it, and I can definitely hear improvement. You can download this choral warm-up for free.

Jeff Ostrowski · September 18, 2022

“An Irish Hymnal?” • 126 Pages (English and Gaelic)

I find this hymn quite beautiful—and singers love it!

Veronica Brandt · September 17, 2022

Adding More Spaces around Bar Lines in Gregorio

Some useful tips on adjusting the spacing in Gregorio scores.

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Corpus Christi Watershed · September 16, 2022

“Did Bishop Burbidge Violate Canon 932 in Order to Punish His Flock?”

“Holy Trinity is where Josh came into the Church, went through RCIA, and was married…”

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“Saint Pius X restored to the faithful the two essential means of participation: communion and chant. Unfortunately, owing to prevailing ideas and circumstances, there was a tendency (it still persists) to separate the two, and one consequence of the increase of communions has been the desertion of high Mass; a distinction has grown up between communion Mass (anomalous term) and sung Mass, as if the two were incompatible.”

— Lancelot Capel Sheppard (22 Jan 1955)

Recent Posts

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  • Call For Submissions! • ‘Usus Antiquior’ in Contemporary Catholicism (October 2026)
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  • Entrance Chant • Before or After Opening Hymn?
  • “Unfair Characterization” • (But Good Question)

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