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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for July 2022

Corpus Christi Watershed · July 12, 2022

“By day 4, tears were running down my face.”

“The symposium was like nothing I have ever experienced.” — South Dakota Participant

Jeff Ostrowski · July 12, 2022

PDF Download • “Sunday Vespers” (22 pages)

In spite of its imperfections, creating this (draft) booklet required much more effort than I had anticipated.

Andrea Leal · July 12, 2022

FSSP Guadalajara • “Conferencia de Musica Sagrada”

New Sacred Music Conference in Guadalajara, Mexico!

Jeff Ostrowski · July 11, 2022

11 July 2022 • FEEDBACK

Someone who heard the CCW plainsong recordings with NOH accompaniment says: “For years I have travelled the continents and crossed the oceans of Gregorian chant in search of a composition and interpretation as sublime as this. The text and the melody are interwoven in a game of mirrors with the interpreters, the singer and the […]

Jeff Ostrowski · July 11, 2022

Gregorian Chant • Its “True” Rhythm

I’m dumbstruck (with joy) to see that my recent video presentation on plainsong rhythm has garnered quite a number of “views” on VIMEO. I also made the full presentation available on YouTube, and—as I write these words—it has collected 700+ views. How cool is it that folks are still interested in the rhythm of Cantus […]

Jeff Ostrowski · July 9, 2022

“Do You Know This Hymn Composer?” • Orlando Gibbons (d. 1623)

Installment 2 • “How Has Nobody Done This Before?” (series)

Corpus Christi Watershed · July 8, 2022

PDF Download • “High Resolution Image”

Some have requested a “high resolution image” of Sacred Music Symposium 2022…

Jeff Ostrowski · July 8, 2022

“I’ll be back next year … but with my entire choir!”

“The symposium exceeded all of my expectations.” — Pediatrician, Choirmaster, and Mother of Six Children

Corpus Christi Watershed · July 6, 2022

“Chant Rhythm Wars” • Dueling Lectures!

Ostrowski Vs. Weaver: Solesmes Rhythm, Gregorian Semiology, Dom Mocquereau, Dom Pothier, Mensuralism, and more!

Follow the Discussion on Facebook

Jeff Ostrowski · July 2, 2022

Across the Pacific • Alto is “Raving”

From Asia: “I held choir rehearsal yesterday and one of the choir members (singing Alto) was just raving about how she loved the layout of the Brébeuf Choral Supplement because she didn’t have to look up and down for both music and verse—and she loved the ease with which she could sing her part because […]

Corpus Christi Watershed · July 1, 2022

“I Decided to Get a Plane Ticket and Fly 8,700 Miles From Singapore to Take Part.”

“These are the musical treasures everyone needs to know about.” — 2022 Participant

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President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“This chapter hereby extends the prohibition of 13 June 1561 against loaning singers or instrumentalists on any account whatsoever to include even the humblest choirboy.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (10 June 1562)

Recent Posts

  • Typo in the “Missale Romanum” (1962)
  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?
  • Little Encouragement?
  • Children’s Repertoire • Mueller’s Recommendations

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