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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Veni Sancte Spiritus” (Sequence) • 18 Accompaniments

Jeff Ostrowski · May 21, 2021

URING AN INTERVIEW, the pianist André Watts said something to the effect of: “When you walk on stage to perform, you must be absolutely convinced that your interpretation is the only correct one—the only valid one.” Searching amongst the various Pentecost Sequence organ accompaniments given below, we hope you can find the version which (in your heart of hearts) you believe is the best.

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Here’s the Pentecost Sequence in an English translation approved for liturgical use in the United States of America:

*  PDF Download • “Veni Sancte Spiritus” (in English)
—PENTECOST SEQUENCE • English Translation with musical notes for singers.

*  PDF Download • ORGAN ACCOMPANIMENT (in English)
—PENTECOST SEQUENCE • Organ accompaniment (English).

*  PDF Download • “Veni Sancte Spiritus” (in Latin)
—PENTECOST SEQUENCE (Latin) • With English Translation by Father Adrian Fortescue.

Eighteen (18) different organ accompaniments for the Latin version are provided below:

Version 1 of 18 :

Chaumonot Composers Group: This smooth version was sent to us, and I believe it’s the very best one. Their project is being lead by a former student of mine—and she seems to have been heavily influenced by the version in the Nova organi harmonia ad graduale juxta editionem vaticanam in her accompaniment:

*  PDF Download • “Veni Sancte Spiritus” (Sequence)
—Posted with permission from the Chaumonot Composers Group.

Version 2 of 18 :

Father Green: Father Andrew Green (d. 1950) assisted Father Herman Koch with a 1942 collection called “Laudate Hymnal.” Dr. Horst Buchholz—Director of Sacred Music at the Cathedral and the Archdiocese of St. Louis—has expressed admiration for this hymnal, which uses many German melodies. Father Andrew was famous as a poet, musician, composer, author and teacher. He was part of St. Benedict’s Abbey in Atchison, Kansas.

*  PDF Download • VENI SANCTE SPIRITUS (Version 02)

Version 3 of 18 :

Dom Gregory Murray: Dom Andrew Gregory Murray (d. 1992) was a marvelous organist and composer who lived in England. Based on his many published attacks against Solesmes Abbey, he seems to have had quite an unpleasant personality. But his organ compositions are beautiful. Dom Gregory studied with Sir Richard Runciman Terry as a child, and later served as organist for Downside Abbey.

*  PDF Download • VENI SANCTE SPIRITUS (Version 03)

Version 4 of 18 :

Father Jones: Dr Percy Jones (d. 1992) was an Australian Catholic priest and musician who died the same year as Dom Gregory Murray. Father Jones compiled and edited The Australian Hymnal (1941) and The Hymnal of Blessed Pius X (1952). I believe the chord he chose for “tus” of et emítte caélitus sounds just awful—was he smoking crack when he composed that?

*  PDF Download • VENI SANCTE SPIRITUS (Version 04)

Version 5 of 18 :

Canon Van Nuffel: Father Jules Van Nuffel (d. 1953) was a Belgian priest, composer, and musicologist. Flor Peeters was his student. His crowning achievement was the creation of the Nova Organi Harmonia. This was an eight-volume collection of Gregorian accompaniments, composed by Canon Van Nuffel, along with Flor Peeters, Monsignor Jules Vyverman, Marinus de Jong, and other professors at the Lemmens Institute.

*  PDF Download • VENI SANCTE SPIRITUS (Version 05)

Version 6 of 18 :

Father Weber: Father Samuel F. Weber is a professed monk and priest of Saint Meinrad Archabbey, Indiana. In 2014, Father Weber published Hymnal for the Hours, which was reviewed by Daniel Craig. He has served as a seminary professor for forty-three years. Father Weber taught Jeff Ostrowski’s brother, who is a priest of the Archdiocese of Kansas City, Kansas.

*  PDF Download • VENI SANCTE SPIRITUS (Version 06)

Version 7 of 18 :

Dr. Marier: In 1934, Dr. Theodore Marier (d. 2001) began fifty-two years of musical service at The Church of St. Paul (Harvard Square) in Cambridge, Massachusetts. In 1963, alongside Monsignor Augustine F. Hickey, he founded a choir school associated with the parish—“St. Paul’s Choir School”—and directed it until his retirement in 1986. During the 1950s, Marier was a faculty member of the Pius X School of Liturgical Music at Manhattanville College. In 1966, Marier was elected president of the Church Music Association of America. Dr. Marier produced a hymnal in the 1970s called “Hymns, Psalms, and Spiritual Canticles” which has been reviewed by Daniel Craig.

*  PDF Download • VENI SANCTE SPIRITUS (Version 07)

Version 8 of 18 :

Father Carlo Rossini: Father Carlo Rossini (d. 1975) had a long career at Saint Paul’s Cathedral (Pittsburgh, Pennsylvania). Father Rossini composed 20 Masses, including his popular “Adeste fideles” Christmas Mass and his “Missa Solemnis,” which he wrote for his Golden Jubilee on 19 May 1963.

*  PDF Download • VENI SANCTE SPIRITUS (Version 08)

Version 9 of 18 :

Mr. Julius Bas: Julius Bas was engaged by Solesmes Abbey to compose accompaniments for the entire Editio Vaticana (“Vatican Edition”). He served as editor of the famous Rassegna Gregoriana.

*  PDF Download • VENI SANCTE SPIRITUS (Version 09)

Version 10 of 18 :

Dr. Peter Wagner: Dr. Peter Wagner (d. 1931) was a student of Father Michael Hermesdorff at Trier. If memory servers, Wagner’s dissertation was on the secular music of Palestrina. He founded a special school for the study of Gregorian chant at the University of Fribourg (Switzerland). His students included: Joseph Gogniat, Father Charles Dreisoerner, and Dr. Karl Gustav Fellerer.

*  PDF Download • VENI SANCTE SPIRITUS (Version 10)

Version 11 of 18 :

Father Franz Xaver Mathias: Dr. Mathias (d. 1939) was an Alsatian organist and composer who studied in Germany with Hugo Riemann. He was organist at the Strasbourg Cathedral (1898–1908). In 1913, Father Mathias founded “The Saint Leo Institute for Sacred Music.”

*  PDF Download • VENI SANCTE SPIRITUS (Low Key, Version 11)
*  PDF Download • VENI SANCTE SPIRITUS (High Key, Version 12)

Version 13 of 18 :

Max Springer: Max Springer (d. 1954) was a German organist, composer, and music educator. In 1910 he published Organum comitans ad graduale parvum quod juxta Editionem Vaticanam. His organ accompaniments are quite bizarre, but supposedly represent what was done at the famous Beuron Archabbey:

*  PDF Download • VENI SANCTE SPIRITUS (Version 13)

Version 14 of 18 :

Dom Desroquettes: Dom Jean-Hébert Desroquettes (d. 1972) was organist at Solesmes Abbey (“Abbey of Saint-Pierre de Solesmes”). Here is something rather peculiar: Dom Desrocquettes died the same year as Henri Potiron died, and was born the same year as Achille P. Bragers was born.

*  PDF Download • VENI SANCTE SPIRITUS (Version 14)

Version 15 of 18 :

Achille P. Bragers: Achille P. Bragers studied at the Lemmens Institute (Belgium). He later taught at the Pius the Tenth School of Liturgical Music at Manhattanville College of the Sacred Heart in New York.

*  PDF Download • VENI SANCTE SPIRITUS (Low Key, Version 15)
*  PDF Download • VENI SANCTE SPIRITUS (High Key, Version 16)

Version 17 of 18 :

Henri Potiron: Henri Potiron was choirmaster of Sacred Heart Basilica (Paris) and taught at the Gregorian Institute. He was friends with Dom Desrocquettes. I must say, the version of “Veni Sancte Spiritus” by Potiron is pretty awful.

*  PDF Download • VENI SANCTE SPIRITUS (Version 17)

Version 18 of 18 :

Dr. Eugène Lapierre: Canadian organist Dr. Lapierre (d. 1970) was the one who gave Roger Wagner his doctorate. In Paris, Lapierre studied with Vincent d’Indy (d. 1931), Marcel Dupré (d. 1971), Henri Potiron (d. 1972), and Dom Jean Hébert Desrocquettes (d. 1974). Of Potiron and Desrocquettes, Lapierre said: “These two eminent Gregorianists were my professors in Paris, and they remain my guides.”

*  PDF Download • VENI SANCTE SPIRITUS (Version 18)

Bonus version: Here is another harmonization:

*  PDF Download • “Veni Sancte Spiritus” (Monsignor Nekes)
—Franz Nekes (d. 1914) was a Roman Catholic priest, composer, and conductor who worked in Aachen.

And here’s an organ accompaniment by Mr. Winfred Douglas:

*  PDF Download • “Veni Sancte Spiritus” (Winfred Douglas)
—Mr. Winfred Douglas was a member of the Episcopal Church.

And here’s an organ accompaniment in the 1953 Münster Hymnal:

*  PDF Download • “Veni Sancte Spiritus” (1953 Münster Hymnal)


NOTES FROM THIS ARTICLE:

*   For scholarly purposes, you may compare the 1981 version by Abbe Ferdinand Portier. In my humble opinion, his harmonization is very poorly done.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured, PDF Download Tagged With: Chaumonot Communions, Chaumonot Composers, Dom Gregory Murray, Dr Theodore Marier, Henri Potiron, Pentecost Sequence, Rev Carlo Rossini, Sir Richard Runciman Terry, Veni Sancte Spiritus Last Updated: June 6, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“I examined him in your presence, and could find no substance in any of the charges you bring against him; nor could Herod, when I referred you to him. It is plain that he has done nothing which deserves death. I will scourge him, and then he shall go free.”

— Pontius Pilate

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  • “Reminder” — Month of October (2025)

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