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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Veni Sancte Spiritus” (Sequence) • 18 Accompaniments

Jeff Ostrowski · May 21, 2021

URING AN INTERVIEW, the pianist André Watts said something to the effect of: “When you walk on stage to perform, you must be absolutely convinced that your interpretation is the only correct one—the only valid one.” Searching amongst the various Pentecost Sequence organ accompaniments given below, we hope you can find the version which (in your heart of hearts) you believe is the best.

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Here’s the Pentecost Sequence in an English translation approved for liturgical use in the United States of America:

*  PDF Download • “Veni Sancte Spiritus” (in English)
—PENTECOST SEQUENCE • English Translation with musical notes for singers.

*  PDF Download • ORGAN ACCOMPANIMENT (in English)
—PENTECOST SEQUENCE • Organ accompaniment (English).

*  PDF Download • “Veni Sancte Spiritus” (in Latin)
—PENTECOST SEQUENCE (Latin) • With English Translation by Father Adrian Fortescue.

Eighteen (18) different organ accompaniments for the Latin version are provided below:

Version 1 of 18 :

Chaumonot Composers Group: This smooth version was sent to us, and I believe it’s the very best one. Their project is being lead by a former student of mine—and she seems to have been heavily influenced by the version in the Nova organi harmonia ad graduale juxta editionem vaticanam in her accompaniment:

*  PDF Download • “Veni Sancte Spiritus” (Sequence)
—Posted with permission from the Chaumonot Composers Group.

Version 2 of 18 :

Father Green: Father Andrew Green (d. 1950) assisted Father Herman Koch with a 1942 collection called “Laudate Hymnal.” Dr. Horst Buchholz—Director of Sacred Music at the Cathedral and the Archdiocese of St. Louis—has expressed admiration for this hymnal, which uses many German melodies. Father Andrew was famous as a poet, musician, composer, author and teacher. He was part of St. Benedict’s Abbey in Atchison, Kansas.

*  PDF Download • VENI SANCTE SPIRITUS (Version 02)

Version 3 of 18 :

Dom Gregory Murray: Dom Andrew Gregory Murray (d. 1992) was a marvelous organist and composer who lived in England. Based on his many published attacks against Solesmes Abbey, he seems to have had quite an unpleasant personality. But his organ compositions are beautiful. Dom Gregory studied with Sir Richard Runciman Terry as a child, and later served as organist for Downside Abbey.

*  PDF Download • VENI SANCTE SPIRITUS (Version 03)

Version 4 of 18 :

Father Jones: Dr Percy Jones (d. 1992) was an Australian Catholic priest and musician who died the same year as Dom Gregory Murray. Father Jones compiled and edited The Australian Hymnal (1941) and The Hymnal of Blessed Pius X (1952). I believe the chord he chose for “tus” of et emítte caélitus sounds just awful—was he smoking crack when he composed that?

*  PDF Download • VENI SANCTE SPIRITUS (Version 04)

Version 5 of 18 :

Canon Van Nuffel: Father Jules Van Nuffel (d. 1953) was a Belgian priest, composer, and musicologist. Flor Peeters was his student. His crowning achievement was the creation of the Nova Organi Harmonia. This was an eight-volume collection of Gregorian accompaniments, composed by Canon Van Nuffel, along with Flor Peeters, Monsignor Jules Vyverman, Marinus de Jong, and other professors at the Lemmens Institute.

*  PDF Download • VENI SANCTE SPIRITUS (Version 05)

Version 6 of 18 :

Father Weber: Father Samuel F. Weber is a professed monk and priest of Saint Meinrad Archabbey, Indiana. In 2014, Father Weber published Hymnal for the Hours, which was reviewed by Daniel Craig. He has served as a seminary professor for forty-three years. Father Weber taught Jeff Ostrowski’s brother, who is a priest of the Archdiocese of Kansas City, Kansas.

*  PDF Download • VENI SANCTE SPIRITUS (Version 06)

Version 7 of 18 :

Dr. Marier: In 1934, Dr. Theodore Marier (d. 2001) began fifty-two years of musical service at The Church of St. Paul (Harvard Square) in Cambridge, Massachusetts. In 1963, alongside Monsignor Augustine F. Hickey, he founded a choir school associated with the parish—“St. Paul’s Choir School”—and directed it until his retirement in 1986. During the 1950s, Marier was a faculty member of the Pius X School of Liturgical Music at Manhattanville College. In 1966, Marier was elected president of the Church Music Association of America. Dr. Marier produced a hymnal in the 1970s called “Hymns, Psalms, and Spiritual Canticles” which has been reviewed by Daniel Craig.

*  PDF Download • VENI SANCTE SPIRITUS (Version 07)

Version 8 of 18 :

Father Carlo Rossini: Father Carlo Rossini (d. 1975) had a long career at Saint Paul’s Cathedral (Pittsburgh, Pennsylvania). Father Rossini composed 20 Masses, including his popular “Adeste fideles” Christmas Mass and his “Missa Solemnis,” which he wrote for his Golden Jubilee on 19 May 1963.

*  PDF Download • VENI SANCTE SPIRITUS (Version 08)

Version 9 of 18 :

Mr. Julius Bas: Julius Bas was engaged by Solesmes Abbey to compose accompaniments for the entire Editio Vaticana (“Vatican Edition”). He served as editor of the famous Rassegna Gregoriana.

*  PDF Download • VENI SANCTE SPIRITUS (Version 09)

Version 10 of 18 :

Dr. Peter Wagner: Dr. Peter Wagner (d. 1931) was a student of Father Michael Hermesdorff at Trier. If memory servers, Wagner’s dissertation was on the secular music of Palestrina. He founded a special school for the study of Gregorian chant at the University of Fribourg (Switzerland). His students included: Joseph Gogniat, Father Charles Dreisoerner, and Dr. Karl Gustav Fellerer.

*  PDF Download • VENI SANCTE SPIRITUS (Version 10)

Version 11 of 18 :

Father Franz Xaver Mathias: Dr. Mathias (d. 1939) was an Alsatian organist and composer who studied in Germany with Hugo Riemann. He was organist at the Strasbourg Cathedral (1898–1908). In 1913, Father Mathias founded “The Saint Leo Institute for Sacred Music.”

*  PDF Download • VENI SANCTE SPIRITUS (Low Key, Version 11)
*  PDF Download • VENI SANCTE SPIRITUS (High Key, Version 12)

Version 13 of 18 :

Max Springer: Max Springer (d. 1954) was a German organist, composer, and music educator. In 1910 he published Organum comitans ad graduale parvum quod juxta Editionem Vaticanam. His organ accompaniments are quite bizarre, but supposedly represent what was done at the famous Beuron Archabbey:

*  PDF Download • VENI SANCTE SPIRITUS (Version 13)

Version 14 of 18 :

Dom Desroquettes: Dom Jean-Hébert Desroquettes (d. 1972) was organist at Solesmes Abbey (“Abbey of Saint-Pierre de Solesmes”). Here is something rather peculiar: Dom Desrocquettes died the same year as Henri Potiron died, and was born the same year as Achille P. Bragers was born.

*  PDF Download • VENI SANCTE SPIRITUS (Version 14)

Version 15 of 18 :

Achille P. Bragers: Achille P. Bragers studied at the Lemmens Institute (Belgium). He later taught at the Pius the Tenth School of Liturgical Music at Manhattanville College of the Sacred Heart in New York.

*  PDF Download • VENI SANCTE SPIRITUS (Low Key, Version 15)
*  PDF Download • VENI SANCTE SPIRITUS (High Key, Version 16)

Version 17 of 18 :

Henri Potiron: Henri Potiron was choirmaster of Sacred Heart Basilica (Paris) and taught at the Gregorian Institute. He was friends with Dom Desrocquettes. I must say, the version of “Veni Sancte Spiritus” by Potiron is pretty awful.

*  PDF Download • VENI SANCTE SPIRITUS (Version 17)

Version 18 of 18 :

Dr. Eugène Lapierre: Canadian organist Dr. Lapierre (d. 1970) was the one who gave Roger Wagner his doctorate. In Paris, Lapierre studied with Vincent d’Indy (d. 1931), Marcel Dupré (d. 1971), Henri Potiron (d. 1972), and Dom Jean Hébert Desrocquettes (d. 1974). Of Potiron and Desrocquettes, Lapierre said: “These two eminent Gregorianists were my professors in Paris, and they remain my guides.”

*  PDF Download • VENI SANCTE SPIRITUS (Version 18)

Bonus version: Here is another harmonization:

*  PDF Download • “Veni Sancte Spiritus” (Monsignor Nekes)
—Franz Nekes (d. 1914) was a Roman Catholic priest, composer, and conductor who worked in Aachen.

And here’s an organ accompaniment by Mr. Winfred Douglas:

*  PDF Download • “Veni Sancte Spiritus” (Winfred Douglas)
—Mr. Winfred Douglas was a member of the Episcopal Church.

And here’s an organ accompaniment in the 1953 Münster Hymnal:

*  PDF Download • “Veni Sancte Spiritus” (1953 Münster Hymnal)


NOTES FROM THIS ARTICLE:

*   For scholarly purposes, you may compare the 1981 version by Abbe Ferdinand Portier. In my humble opinion, his harmonization is very poorly done.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured, PDF Download Tagged With: Chaumonot Communions, Chaumonot Composers, Dom Gregory Murray, Dr Theodore Marier, Henri Potiron, Pentecost Sequence, Rev Carlo Rossini, Sir Richard Runciman Terry, Veni Sancte Spiritus Last Updated: June 6, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“The council did not say Latin should be abolished. It said Latin should be used. […] While at Ecclesia Dei, I once received a letter from a chancery office in the United States, asking me if I didn’t know that the council had abolished Latin!”

— Cardinal Mayer, Prefect (1985–1988) of the Vatican’s Congregation for Divine Worship

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