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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for February 2021

Jeff Ostrowski · February 28, 2021

(Screenshots) • Proving Holy Saturday Took Place In The Morning

Five reasons keeping Holy Saturday in the morning is a good idea.

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Jeff Ostrowski · February 26, 2021

“Homily: Second Sunday of Lent” • Father Valentine Young, OFM

I would not want a gift if it came from somebody who thought he had to give it to me.

Andrea Leal · February 25, 2021

Part 2 • “Starting Your Own Traditional Latin Mass”

Can you say “yes” to these seven questions?

Jeff Ostrowski · February 24, 2021

Is This Really The Same Church??

Whoever accompanies this piece on the organ did something—in my humble opinion—very clever!

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Dr. Charles Weaver · February 24, 2021

Solmization from the Inside

What if we take medieval music pedagogy seriously? Do its methods have anything to offer us today?

Jeff Ostrowski · February 23, 2021

“Old Solesmes” Method • What’s That?

I recently conducted an experiment…with surprising results.

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Keven Smith · February 23, 2021

Four Reasons to Improvise at the Organ

If an ex-clarinetist can do it, you can do it—and the benefits far outweigh the effort involved.

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Fr. David Friel · February 21, 2021

The Liturgical Request: “Iube, Domne, Benedicere”

Like so many of the inaudible prayers of the Mass, this short statement is rich in significance.

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Fr. David Friel · February 18, 2021

CDW Guidance for Holy Week 2021

Bishops have broad freedom to determine what adaptations may be necessary in 2021.

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Jeff Ostrowski · February 17, 2021

PDF Download • “O Sacred Head Surrounded” … placed into Gregorian Chant!

Also provided: an organ accompaniment for “Jam Christe Sol Justitiae” (an ancient Catholic hymn for Lent).

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Jeff Ostrowski · February 16, 2021

PDF Download • “Daily Missal with Vespers for Sundays” by Dom Lefevbre (2,007 pages)

…including news Re: the 3rd edition of the Saint Edmund Campion Missal, scheduled to be released in April.

Cynthia Ostrowski · February 16, 2021

(photographs) • The Saint Jean de Brébeuf Hymnal

Keven Smith · February 16, 2021

PDF • “Spiritual Mass Plan for Church Organists”

Some guidance on how to stay recollected at a low Mass while you’re also playing organ.

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Jeff Ostrowski · February 16, 2021

Surprising Popularity!

One of our most popular downloads has proven to be the organ accompaniment to “The Monastery Hymnal” (131 pages). This book was compiled, arranged, and edited by Achille P. Bragers, who studied at the Lemmensinstituut (Belgium) about thirty years before that school produced the NOH. Bragers might be considered an example of Belgium “Stile Antico” […]

Jeff Ostrowski · February 16, 2021

15 February 2021 • To Capitalize…?

In the Introit for the 6th Sunday after Pentecost, there is a question regarding whether to capitalize the word “christi.” The Vulgata does not, because Psalm 27 is not specifically referring to Our Lord, but rather to God’s “anointed one.” However, Missals tend to capitalize it, such as the official 1962 Missal and also a […]

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Corpus Christi Watershed

President’s Corner

    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“In particular, today we must remember that our liturgy—celebrated according to the books promulgated by Saints Paul VI and John Paul II—must be preserved from any element from the ancient forms.”

— Bishops of Costa Rica —Hat tip to ‘Catholic Arena’

Recent Posts

  • PDF • “Communion” (5th Sunday in Ordin.)
  • “Pipe Organ Interlude During Funerals?” • (Reader Feedback)
  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns

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