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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for December 2020

Andrea Leal · December 31, 2020

Hymns for the Holy Name of Jesus

Covid-friendly hymns for the Feast of the Holy Name.

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Keven Smith · December 28, 2020

Start the New Year Right with a Spectacular Alleluia

If you attend the Extraordinary Form, the Alleluia for the Octave of the Nativity will enable you to start the New Year with a bang.

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Jeff Ostrowski · December 27, 2020

“Homily — Feast of the Holy Family, Year B” • Father Valentine Young, OFM

I can speak mainly from my experience with Indians, more specifically the Navajos; their native culture has a great respect and love for marriage and family life.

Veronica Brandt · December 26, 2020

Chasing the Little Office of the Blessed Virgin Mary

I thought making a course on singing the Little Office would be an easy project. However, as with just about everything to do with Sacred Music, there is so much more to it than you expect.

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Jeff Ostrowski · December 23, 2020

PDF Download • “Midnight Mass Musical Plan” (2020)

To show our singers how special our music is, I’ve included ancient MSS for each piece—as well as rehearsal videos.

Jeff Ostrowski · December 23, 2020

23 December 2020 • A 5th? or 4th?

I have noticed that where the Editio Vaticana has a descending perfect fourth for the Gradual of Christmas Midnight Mass, many ancient manuscripts have a descending perfect fifth, which is pretty cool: Example A — Example B. The Vatican Edition is a CENTO, and never made any claim to be anything other than a CENTO. […]

Jeff Ostrowski · December 23, 2020

PDF Download • “Creator Alme Siderum” with Organ Accompaniment

The Brébeuf Hymnal provides ancient (Roman Catholic) English translations of this hymn, but Eleanor Parker found versions in Anglo-Saxon!

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Jeff Ostrowski · December 22, 2020

“Improving As Musicians” • Eight Suggestions

Did you know I communicate with dead Catholic composers? I’m not joking.

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Keven Smith · December 21, 2020

Hidden Gem: Alma Redemptoris Mater (Salazar)

Here’s a Spanish Baroque motet that will gradually, gently win your heart while giving your choir another good option for the entire Christmas cycle.

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Daniel Tucker · December 20, 2020

What’s With All the Chant?

I had the honor of presenting this material to my parishioners at St. Thérèse Little Flower Catholic Church last week.

Richard J. Clark · December 20, 2020

Announcement of Easter & the Movable Feasts • 2021 • English & Spanish

The following free downloads in English and Spanish contain dates for 2021 in the score.

William J. Fritz · December 17, 2020

(Installment #15) “Catholic Hymnals” • William Fritz

To (re)Harmonize a Hymn—“Anima Christi” by Dr. Theodore Marier

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Jeff Ostrowski · December 16, 2020

The First Time We’ve Ever Done This Correctly!

Abbot Pothier included a section called “De Ritibus Servandis In Cantu Missae.”

Jeff Ostrowski · December 15, 2020

“Blessing the Bell” • Most Rev’d Alejandro D. Aclan

When a monk hears the bell, he stops whatever he’s doing and immediately goes to prayer. It is the voice of God calling us to pray, to avoid sin, and to forget the things of this world and think of Him.

Richard J. Clark · December 15, 2020

Saint Paul’s Choir School Presents “Starry Night: Christmas in Harvard Square”

A beacon of light in a dark time, the Saint Paul’s Choir of Men and Boys presents “Starry Night: Christmas in Harvard Square”

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“The Church has always kept, and wishes still to maintain everywhere, the language of her Liturgy; and, before the sad and violent changes of the 16th century, this eloquent and effective symbol of unity of faith and communion of the faithful was, as you know, cherished in England not less than elsewhere. But this has never been regarded by the Holy See as incompatible with the use of popular hymns in the language of each country.”

— Pope Leo XIII (1898)

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