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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for December 2020

Andrea Leal · December 31, 2020

Hymns for the Holy Name of Jesus

Covid-friendly hymns for the Feast of the Holy Name.

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Keven Smith · December 28, 2020

Start the New Year Right with a Spectacular Alleluia

If you attend the Extraordinary Form, the Alleluia for the Octave of the Nativity will enable you to start the New Year with a bang.

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Jeff Ostrowski · December 27, 2020

“Homily — Feast of the Holy Family, Year B” • Father Valentine Young, OFM

I can speak mainly from my experience with Indians, more specifically the Navajos; their native culture has a great respect and love for marriage and family life.

Veronica Brandt · December 26, 2020

Chasing the Little Office of the Blessed Virgin Mary

I thought making a course on singing the Little Office would be an easy project. However, as with just about everything to do with Sacred Music, there is so much more to it than you expect.

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Jeff Ostrowski · December 23, 2020

PDF Download • “Midnight Mass Musical Plan” (2020)

To show our singers how special our music is, I’ve included ancient MSS for each piece—as well as rehearsal videos.

Jeff Ostrowski · December 23, 2020

23 December 2020 • A 5th? or 4th?

I have noticed that where the Editio Vaticana has a descending perfect fourth for the Gradual of Christmas Midnight Mass, many ancient manuscripts have a descending perfect fifth, which is pretty cool: Example A — Example B. The Vatican Edition is a CENTO, and never made any claim to be anything other than a CENTO. […]

Jeff Ostrowski · December 23, 2020

PDF Download • “Creator Alme Siderum” with Organ Accompaniment

The Brébeuf Hymnal provides ancient (Roman Catholic) English translations of this hymn, but Eleanor Parker found versions in Anglo-Saxon!

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Jeff Ostrowski · December 22, 2020

“Improving As Musicians” • Eight Suggestions

Did you know I communicate with dead Catholic composers? I’m not joking.

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Keven Smith · December 21, 2020

Hidden Gem: Alma Redemptoris Mater (Salazar)

Here’s a Spanish Baroque motet that will gradually, gently win your heart while giving your choir another good option for the entire Christmas cycle.

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Daniel Tucker · December 20, 2020

What’s With All the Chant?

I had the honor of presenting this material to my parishioners at St. Thérèse Little Flower Catholic Church last week.

Richard J. Clark · December 20, 2020

Announcement of Easter & the Movable Feasts • 2021 • English & Spanish

The following free downloads in English and Spanish contain dates for 2021 in the score.

William J. Fritz · December 17, 2020

(Installment #15) “Catholic Hymnals” • William Fritz

To (re)Harmonize a Hymn—“Anima Christi” by Dr. Theodore Marier

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Jeff Ostrowski · December 16, 2020

The First Time We’ve Ever Done This Correctly!

Abbot Pothier included a section called “De Ritibus Servandis In Cantu Missae.”

Jeff Ostrowski · December 15, 2020

“Blessing the Bell” • Most Rev’d Alejandro D. Aclan

When a monk hears the bell, he stops whatever he’s doing and immediately goes to prayer. It is the voice of God calling us to pray, to avoid sin, and to forget the things of this world and think of Him.

Richard J. Clark · December 15, 2020

Saint Paul’s Choir School Presents “Starry Night: Christmas in Harvard Square”

A beacon of light in a dark time, the Saint Paul’s Choir of Men and Boys presents “Starry Night: Christmas in Harvard Square”

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Corpus Christi Watershed

President’s Corner

    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed
    “Music List” • 29th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 19 October 2025, which is the 29th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

«In the same quarter where he was crucified there was a garden.» (John 19:41) — The word “garden” hinted at Eden and the fall of man, as it also suggested through its flowers in the springtime the Resurrection from the dead.

— Fulton J. Sheen

Recent Posts

  • PDF • “Lectionary Comparison Chart”
  • “Can Choral Music Survive?” • 3 Reasons It Will
  • A Simple Way to Sing and Notate Organum Harmony
  • Feast of the Jesuit Martyrs of North America
  • “Music List” • 29th in Ordinary Time (Year C)

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