Solesmes Publishes “Antiphonale Romanum I” for Lauds
This 2020 chant edition makes possible the chanting of Lauds according to the Liturgy of the Hours.
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This 2020 chant edition makes possible the chanting of Lauds according to the Liturgy of the Hours.
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Examples: Non Abluunt Lymphae Deum, Rebus Creatis Nil Egens, Salve Caput Cruentatum, Sancti Venite, Victis Sibi Cognomina, Hoste Dum Victo Triumphans, and Jam Desinant Suspiria.
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According to Bishop Sheen: “Christianity, unlike any other religion in the world, begins with catastrophe and defeat.”
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During World War II, Catholic churches were filled on Friday evenings for the Sorrowful Mother Novena and Benediction.

These intuitive manuscripts give singers the information they need to bring out the oft-ignored nuances of chant rhythm.
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“The cemeteries are filled……”
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I find it interesting that the “Order of the Mass without a congregation” also tells the priest when he should face the Altar and when he not should face the Altar.
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Consilium document (“Instantibus Pluribus”) to presidents of the national liturgical commissions, on norms for translation of the Graduale Simplex, dated 23 January 1968: “The types of chant in the Graduale Simplex may be adapted to the style of music and song typical of individual peoples. But any sort of secular or profane melody is excluded.”

The “invitatory” occurs at the beginning of Matins and therefore introduces the daily divine Office.
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“Hymns, Psalms, and Spiritual Canticles”—the most influential post-conciliar hymnal—was never distributed by any large publisher!
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“Often, the person who did us harm won’t even know that we’re still stewing over what they did to us; and if they knew, they might even be glad.”

But we have not spoken very much about Baroque music…
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(Keven Smith) • Here are some suggestions on how to get the most out of your unusual combination of skills and traits+
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When you ask how a computer works, what you’re really asking is how people use it. That’s a good starting point for understanding how liturgical music works, but just as a computer trains its user to work in a particular way, liturgical music trains us to pray in particular ways.

“Kids don’t remember this…”
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