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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Archives for September 2020

Fr. David Friel · September 16, 2020

Solesmes Publishes “Antiphonale Romanum I” for Lauds

This 2020 chant edition makes possible the chanting of Lauds according to the Liturgy of the Hours.

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Jeff Ostrowski · September 15, 2020

More on the Mystery Book

Examples: Non Abluunt Lymphae Deum, Rebus Creatis Nil Egens, Salve Caput Cruentatum, Sancti Venite, Victis Sibi Cognomina, Hoste Dum Victo Triumphans, and Jam Desinant Suspiria.

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Cynthia Ostrowski · September 15, 2020

(Installment #8) “Catholic Hymnals” • Cynthia Ostrowski

According to Bishop Sheen: “Christianity, unlike any other religion in the world, begins with catastrophe and defeat.”

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Jeff Ostrowski · September 15, 2020

Homily — “Seven Sorrows of the Blessed Mother” • Father Valentine Young, OFM

During World War II, Catholic churches were filled on Friday evenings for the Sorrowful Mother Novena and Benediction.

Keven Smith · September 14, 2020

Graduale Renovatum: New Resource Brings Chant Rhythm to Life

These intuitive manuscripts give singers the information they need to bring out the oft-ignored nuances of chant rhythm.

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Jeff Ostrowski · September 14, 2020

13th Anniversary of “Summorum Pontificum”

“The cemeteries are filled……”

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Andrea Leal · September 12, 2020

PDF Download • “Order of the Mass without a Congregation” (1970)

I find it interesting that the “Order of the Mass without a congregation” also tells the priest when he should face the Altar and when he not should face the Altar.

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Jeff Ostrowski · September 10, 2020

“A blast from the past”

Consilium document (“Instantibus Pluribus”) to presidents of the national liturgical commissions, on norms for translation of the Graduale Simplex, dated 23 January 1968: “The types of chant in the Graduale Simplex may be adapted to the style of music and song typical of individual peoples. But any sort of secular or profane melody is excluded.”

Jeff Ostrowski · September 10, 2020

PDF Download • 1928 “Invitatory” (86 pages)

The “invitatory” occurs at the beginning of Matins and therefore introduces the daily divine Office.

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Richard J. Clark · September 8, 2020

(Installment #7) “Catholic Hymnals” • Richard J. Clark

“Hymns, Psalms, and Spiritual Canticles”—the most influential post-conciliar hymnal—was never distributed by any large publisher!

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Jeff Ostrowski · September 8, 2020

“Homily — 24th Sunday in Ordinary Time, Year A” • Father Valentine Young, OFM

“Often, the person who did us harm won’t even know that we’re still stewing over what they did to us; and if they knew, they might even be glad.”

Jeff Ostrowski · September 7, 2020

Jeff Ostrowski • “Three Rules For Good Music”

But we have not spoken very much about Baroque music…

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Keven Smith · September 7, 2020

Introvert, Except at Rehearsal? You May Be an Ambivert

(Keven Smith) • Here are some suggestions on how to get the most out of your unusual combination of skills and traits+

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Wilfrid Jones · September 6, 2020

Music as a Technology of the Soul

When you ask how a computer works, what you’re really asking is how people use it. That’s a good starting point for understanding how liturgical music works, but just as a computer trains its user to work in a particular way, liturgical music trains us to pray in particular ways.

Jeff Ostrowski · September 6, 2020

Important Message To Fathers

“Kids don’t remember this…”

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“If I could only make the faithful sing the Kyrie, the Gloria, the Credo, the Sanctus, and the Agnus Dei…that would be to me the finest triumph sacred music could have, for it is in really taking part in the liturgy that the faithful will preserve their devotion. I would take the Tantum Ergo, the Te Deum, and the Litanies sung by the people over any piece of polyphony.”

— ‘Giuseppe Cardinal Sarto, Letter to Msgr. Callegari (1897)’

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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