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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for May 2020

Keven Smith · May 18, 2020

What to Do When Music Creeps Into Your Prayer

Music is a language, but it does not supplant our own. Rather, it enlivens our words so that they can penetrate the soul with the fullness of their meaning—and enlighten our eyes in any circumstance.

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Fr. David Friel · May 17, 2020

Returning to the Sacraments • “Breathe Easter Now” (Hopkins)

Words of Hope from Gerard Manley Hopkins

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Jeff Ostrowski · May 16, 2020

PDF Download • Organ Accompaniments (Benediction of the Blessed Sacrament)

Including O SALUTARIS (“O Saving Victim Opening Wide”) and TANTUM ERGO (“Down in Adoration Falling”) in Latin and English.

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Veronica Brandt · May 16, 2020

Regina Caeli: How Good do you Need to Be to Sing Polyphony?

To sing at Mass though, you need more than just being able to finish together.

William J. Fritz · May 15, 2020

How to Change a Hymn Without Changing It

Ever thought of changing the way you play a hymn without needing to have studies advanced theory and harmonization techniques? Here are two ways of changing the way you are playing a hymn without changing the harmony or re-voicing it.

Wilfrid Jones · May 15, 2020

Post-Pandemic Liturgy

Some very brief comments on the lessons we might learn during this pandemic for the future of liturgical music.

Jeff Ostrowski · May 14, 2020

Can’t Decide Which Hymn Tune To Use?

My brain can’t accept the approach chosen by this “Graduale”…

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Dr. Alfred Calabrese · May 13, 2020

Josquin’s “Ave Maria…Virgo Serena” • The Most Famous Piece Of 1502

It stands to reason that if someone wants to sell a lot of books, he should put something in there that people want to buy.

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Jeff Ostrowski · May 12, 2020

What Did Palestrina Look Like?

Father Lawrence Lew, OP, is perhaps the world’s greatest photographer.

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Jeff Ostrowski · May 12, 2020

Does Gregorian Chant ever skip a 7th?

I’ve really been enjoying singing from the Père Daniel Kyriale (126 pages), which is a fabulous little book. I had no idea it would turn out so nicely—incredibly useful, and the printing is super crisp. I noticed something quite strange the other day: Kyrie X (an extremely ancient chant) contains a skip of a seventh. […]

Jeff Ostrowski · May 12, 2020

We love getting messages like this one…

“I am a 25-year-old organist and cantor from the mountains of Northern Colorado. I wanted to take this opportunity to thank you and your friends for working hard to bring excellent content to your website and my inbox. I have found many, many awesome resources to help me stay faithful to the Church’s stance and […]

Dr. Lucas Tappan · May 12, 2020

How Do the Greats Approach the Science of Choral Conducting?

Michelangelo, without training and in wont of the best paints and plaster, would have struggled to paint the ceiling of the Sistine Chapel.

Jeff Ostrowski · May 11, 2020

How to properly sing “Alleluia” in Eastertide (1962 Missal)

The way to “repeat” Alleluia during Eastertide confuses many people.

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Keven Smith · May 11, 2020

Choir Roster? No. It’s a Love List!

You can form a stronger connection with your choir even while rehearsals are suspended. All it takes is one simple thing that you probably already have.

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Jeff Ostrowski · May 11, 2020

A B C D F etc. — An Ancient “Alphabetical” Hymn

This hymn by Caelius Sedulius (Christian Poet from the 5th century) has been translated into English by a Catholic priest.

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Corpus Christi Watershed

President’s Corner

    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski
    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“In chronological order, [Dom Pierre Combe] traces the Gregorian reform from its beginnings under Dom Guéranger in 1833, to the problems of the Vatican Commission on Sacred Music in the first decade of the 20th century. As one reads the topic headings and development of their content, one wonders how such an innocent and un-warlike subject such as Gregorian chant could have been the focal point of such an intense and continuing battle among scholars and churchmen for so many decades.”

— Dr. Theodore Marier (1968)

Recent Posts

  • Active Participation • “Participatio Actuosa”
  • “Holy Name Hymn” (2-Voice Arrangement)
  • PDF Download • Introit (3rd Sn. Ord.)
  • “New Hope For Sacred Music!” • Richard J. Clark Interviews Dr. Myrna Keough
  • Fulton J. Sheen • “24-Hour Catechism”

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