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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Archives for August 2019

Richard J. Clark · August 30, 2019

Broken Rosaries and a Triptych of Wisdom

Three priests — three pearls of wisdom

Dr. Lucas Tappan · August 27, 2019

Mr. Pete Avendano and His Incredible Choir

Now back in Los Angeles, Avendano hopes to found a Catholic boys choir dedicated solely to singing the Church’s music.

Dr. Lucas Tappan · August 20, 2019

Five Suggestions • “Music in Our Schools”

If we desire to educate, we should keep our end in mind—to teach children what is good, and to love that good.

Jeff Ostrowski · August 19, 2019

Brébeuf #182 • “Creator Alme Siderum” (Advent)

Most people know this one as “Creator of the stars of night.”

Jeff Ostrowski · August 16, 2019

Symposium 2019 • “Video Outtakes”

Like any other human, I go through difficult times—this conference was a source of strength.

Dr. Lucas Tappan · August 13, 2019

Five Rules • “Successful Music Camps”

A choirmaster must always be recruiting…and a summer camp is a great recruiting tool.

Jeff Ostrowski · August 7, 2019

Brébeuf #465 • “Christ Ist Erstanden” (In Latin!)

We posted rehearsal videos in English the other day—now they’re given in Latin!

Jeff Ostrowski · August 6, 2019

Brébeuf #661 • “Come, Thou Long-Expected Jesus”

It’s okay to start thinking about Advent, which will be here before we know it.

Andrew Leung · August 5, 2019

Southeastern Sacred Music Workshop 2019

The fifth annual Southeastern Sacred Music Workshop in Birmingham, AL, this weekend.

Jeff Ostrowski · August 3, 2019

Brébeuf #379 • “Quem Terra” (Melcombe)

One of the most popular melodies in Catholic hymnals of yesteryear.

Jeff Ostrowski · August 1, 2019

PDF Download • “Sanctus For Two Voices”

“In general, it is better to do something well, however modest, than to attempt something on a grander scale if proper means are lacking.” —Pope Pius XII

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“We decided to entrust this work to learned men of our selection. They very carefully collated all their work with the ancient codices in Our Vatican Library and with reliable, preserved or emended codices from elsewhere. Besides this, these men consulted the works of ancient and approved authors concerning the same sacred rites; and thus they have restored the Missal itself to the original form and rite of the holy Fathers.”

— ‘Pope St. Pius V (Quo Primum, 1570)’

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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