Views from the Choir Loft

PDF Download • “Sanctus For Two Voices”

Jeff Ostrowski · August 1, 2019

ENTION HAS BEEN MADE in the past of an “in house” collection from France (or possibly Quebec) which I came across while I was a graduate student in musicology at the University of Kansas. It is missing the first 50+ pages, but seems to be designed for use in cathedrals. I have had occasion to transcribe pieces from this book in the past—since it uses archaic clefs and was written by hand, not printed—and someday I’d like to transcribe the entire book. ¹

I have transcribed a very interesting SANCTUS by Jules Couture (d. 1959), where the ladies sing one voice and the men sing the other voice:

* * PDF Download • “Sanctus for Two Voices” (Men + Women)

EQUAL VOICES : YouTube • Mp3 Labeled

LADIES : YouTube • Mp3 Labeled

GENTLEMEN : YouTube • Mp3 Labeled

Try this piece! Your choir will love it. Furthermore, the composer does cool things with the voices; e.g. carefully compare the two (2) HOSANNA sections.

A GOOD CHOIRMASTER soon discovers a crucial reality: Easy music often comes off better than complicated music. That’s because simpler music allows the choir to master the musical phrasing, vowels, rhythm, and intonation. The fact that a piece such as this Couture SANCTUS was considered suitable for cathedral use corresponds to what was said in a document promulgated by Pope Pius XII on 3 September 1958:

“In general, it is better to do something well, however modest, than to attempt something on a grander scale if proper means are lacking.”

The source of that quote—as well as other interesting Church regulations—are here:

* * Article • Jimmy Stewart & Church Music Regulations?

NOTES FROM THIS ARTICLE:

1 Unless I am wrong, it was created as a lithograph. I am told many such “in house” publications exist in France, some of which date from times when the Church was being persecuted by the French government: for example, circa 1905, when persecutory laws were enacted.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

15th Sunday in Ordinary Time (Year C)

This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.

—Jeff Ostrowski

Music Director Job • $80,000 per year

Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!

—Jeff Ostrowski

Simplest “Agnus Dei” Ever Published

Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed

Impelled by the weightiest of reasons, we are fully determined to restore Latin to its position of honor, and to do all We can to promote its study and use. The employment of Latin has recently been contested in many quarters, and many are asking what the mind of the Apostolic See is in this matter. We have therefore decided to issue the timely directives contained in this document, so as to ensure that the ancient and uninterrupted use of Latin be maintained and, where necessary, restored.”

— Pope John XXIII (22 February 1962)