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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Archives for May 2019

Jeff Ostrowski · May 30, 2019

Learn To Sing SATB • “A New Approach!”

Twelve (12) hymns are already available, with tons more on the way!

Jeff Ostrowski · May 29, 2019

What Makes A “Catholic” Hymnal?

I find the following pairings reprehensible…

Dr. Lucas Tappan · May 28, 2019

St. Mary's

St. Mary’s Cathedral Choir (Sydney, Australia)

If you are interested in the great English Cathedral music tradition, please consider listening to these podcasts.

Jeff Ostrowski · May 23, 2019

PDF Download • Palestrina “Gloria” w/ practice videos!

Careful: the Alto line is surprisingly difficult!

Dr. Lucas Tappan · May 21, 2019

Further Thoughts on Westminster Cathedral

I am reminded of the care with which the Pieta was transported from the Vatican to New York City for the World’s Fair in 1964 and I hope and pray that the Westminster Cathedral Choir will be treated with as much veneration and respect.

Fr. David Friel · May 19, 2019

Installation of New Pipe Organ on Capitol Hill

Noack Opus 162 built for St. Peter’s Church

Jeff Ostrowski · May 17, 2019

PDF Download • Franz Liszt and Gregorian Chant

Many would ask: “What is the purpose of posting such books? Are we supposed to sing from them?” • It turns out, these editions help us understand the journey of Franz Liszt to understand Gregorian modality.

Jeff Ostrowski · May 16, 2019

How Do You Mark Starting Pitches?

Some might ask: “Why not just write the name of the note?”

Jeff Ostrowski · May 8, 2019

1941 Mass (Chicago) mixed with 2017 Mass (FSSP)

I can’t remember if I ever released this “comparison” video…

Dr. Lucas Tappan · May 7, 2019

To: Headmaster of Westminster Cathedral Choir School

Like the great Cathedral of Notre Dame, this daily musical offering belongs not only to the Church in London and the British Isles, but to the universal Church.

Jeff Ostrowski · May 6, 2019

“Common” Hymn Melodies • What are they?

Choirmasters and organists understand how crucial flexibility is.

Corpus Christi Watershed · May 6, 2019

Lulu Coupon • But Notice The Expiration Date!

These LULU coupons come and go…so watch the expiration date!

Jeff Ostrowski · May 2, 2019

PDF Download • Complete Kyriale on Modern Staves!

If you can read treble clef, you can read this edition … a brilliant idea!

Corpus Christi Watershed · May 1, 2019

Repertoire • Sacred Music Symposium 2019

Sacred Music Symposium 2019

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“When we force a boy to be a mediocrity in a dozen subjects we destroy his standards, perhaps for life.”

— C. S. Lewis

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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