ANY HAVE ASKED about the “corrupt” chant editions posted by CCWatershed in 2008. At that time, we were practically the only organization to value such editions, and people wanted to know: “What is the purpose of posting such books? Are we supposed to sing from them?” The short answer is: It is crucial to know what books the people were looking at in historical times. Nicolas Dufetel understands this all too well, and consulted the correct books for his fantastic article about Franz Liszt. It turns out Liszt was “obsessed” with trying to unlock the secrets of plainsong modality and rhythm, which at that time were not fully understood.
The Gregorian sheets with Liszt’s margin notes are not to be missed:
This document is courtesy of the HAL website, under the “progressive and awesome” Creative Commons which allows authors to share things but still receive full credit and legal protection.
Citation: Nicolas Dufetel. Religious Workshop and Gregorian Chant: The Janus Liszt, or How to Make New with the Old. James Deaville et Michael Saffle. Liszt’s Legacies. Based on papers presented at the International Liszt Conference held at Carleton University, Ottawa, Canada, Pendragon Press, pp. 43-71, 2014.
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