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Views from the Choir Loft

Archives for December 2017

Jeff Ostrowski · December 19, 2017

“Death” • By John Henry Cardinal Newman

No man can deliver his brother, no make agreement unto God for him.

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Jeff Ostrowski · December 18, 2017

PDF Download • Kyrie “O Magnum Mysterium”

This morning, I recorded the voice parts—but please pardon my screechy soprano notes!

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Jeff Ostrowski · December 17, 2017

How Should Renaissance Music Be Sung?

Hermann Finck (d. 1558) wrote about choral sound and performance in 1556.

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Fr. David Friel · December 17, 2017

Gray Book for Baptism of Children Approved

How will the “confirmatio” and “regonitio” processes unfold in light of “Magnum principium”?

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Veronica Brandt · December 16, 2017

Not That Gaudete

A simple misunderstanding that arises with new choir members who are aware of the Christmas Carol called Gaudete and that the Third Sunday of Advent is known as Gaudete Sunday.

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Richard J. Clark · December 15, 2017

Discouragement and Hope

Despite such a bleak picture, so many musicians remain faithful and loyal servants of the Church. This is hope.

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Jeff Ostrowski · December 14, 2017

3rd Sunday of Advent (3rd of December)

John answered them, saying, “I baptize with water; but there hath stood one in the midst of you, Whom you know not…”

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Andrew Leung · December 14, 2017

Video • A Chinese Offertory Hymn

My new choir singing a Chinese offertory hymn…

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Jeff Ostrowski · December 13, 2017

PDF Download • “Rorate Mass” (13 pages) —Dec 2017

“Let us not be cast into the darkness to burn in flames, but may we share the joy of heaven, seeing the face of God.”

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Guest Author · December 12, 2017

Latin Mass Youth Choir…in Las Vegas!

“I am a firm believer that anyone can learn to sing, even tiny children.” —Andrea Leal

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Jeff Ostrowski · December 11, 2017

Advent Piece for 2 Voices

Multi-Track recording created by a high school sophomore.

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Fr. David Friel · December 10, 2017

Knowledge of the Infant Lord

Sheer Grace

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Veronica Brandt · December 9, 2017

Online Advent Calendars 2017

What do you use to countdown to Christmas?

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Jeff Ostrowski · December 8, 2017

PDF Download • Immac. Conception Booklet

“He whom the whole world cannot contain was enclosed in thy womb…”

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Jeff Ostrowski · December 7, 2017

“Creator Alme Siderum” (Guerrero)

The famous plainsong tune can be played on a Woofer Guitar.

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Corpus Christi Watershed

President’s Corner

    “Citation Needed” • Dom Foote of ICEL
    Father Basil Foote, OSB, was organist at WESTMINSTER ABBEY MISSION (British Columbia, Canada). In 1984 he published an article called “Chanting in the Vernacular.” Twenty years later, it was republished by ADOREMUS—and that’s how it came to my attention. In that article, Dom Foote makes a claim I consider somewhat outlandish. At the very least, his statement with regard to the Latin accent needs some sort of citation. He has served on the Music Sub-Committee of the International Commission on English in the Liturgy (ICEL).
    —Jeff Ostrowski
    Music List • “Corpus Christi” (Year A)

    The 28-page Singers’ Booklet is included. Our children’s choir will join us for this Mass.

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    —Jeff Ostrowski
    PDF Download • “Rubric Challenge”
    The feast of Corpus Christi is special for TLM altar boys. On that day, two of us thurifers got to walk backwards while using the THURIBLE. (That American custom, if memory serves, is not strictly described in the rubrics.) A few weeks ago on the CCW Facebook Page we posted this screenshot from a 1915 Roman Catholic hymnal. The challenge is to guess what the rubric says, which we blocked from view with a red box. So far, nobody has guessed correctly. Feel free to guess! Our email address is listed at the bottom of each page. UPDATE: The answer has been revealed as of 8 June 2026.
    —Jeff Ostrowski

Quick Thoughts

    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski
    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski

Random Quote

Saint Phillip Neri founded a religious congregation called the Oratory. Animuccia was involved from early on and remained “maestro di capella” of the Oratory until his death. The Oratory was able to attract many musicians who volunteered their services, including the famous singer Francesco Soto de Langa from the Capella Sistina, the composer Palestrina, and probably the composer Tomás Luis de Victoria who lived in the same house as St. Phillip Neri for five years.

— Source Unknown

Recent Posts

  • PDF Download • “Simple Organ Interludes for Use in the Catholic Church” (108 pages)
  • Dr. Tappan in Rome • “Ubi Caritas”
  • Time and Again We Are Asked…
  • “Citation Needed” • Dom Foote of ICEL
  • “Should the People Sing in Parts?” • Weighing the Case for SATB Hymnals in the Pews

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