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Corpus Christi Watershed

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Views from the Choir Loft

Archives for December 2016

Jeff Ostrowski · December 31, 2016

Brave Schola Director Posts “Live” Recording…

A snippet caught by a generous alto at Candle-lit Mass in Hollywood.

Richard J. Clark · December 31, 2016

Mary was one of the strongest women to ever walk planet Earth.

“Meek,” “mild,” “humble,” and “lowly” are mistaken for submission and weakness. Only a person of great strength could possess such qualities.

Veronica Brandt · December 30, 2016

The longest 54 seconds in a Missa Cantata

Directing music for a Sung Mass can be terrifying. Here’s a tip to help you avoid one trap.

Follow the Discussion on Facebook

Dr. Lucas Tappan · December 27, 2016

A Christmas Carol

Keep the flame of the true Christmas spirit burning brightly and carol to your heart’s content.

Corpus Christi Watershed · December 26, 2016

“The Journey of the Magi”

Originally, the star was shown above the tiled roof of the stable.

Jeff Ostrowski · December 25, 2016

Proof Good People Still Exist

Several singers shown here helped record the Watershed polyphonic rehearsal videos.

Jeff Ostrowski · December 24, 2016

Christmas • When Jackie Gleason Broke Character (Updated)

I forgot something important…

Richard J. Clark · December 23, 2016

“Immense in the form of God, tiny in the form of a slave”

“Christmas is thus the feast of the loving humility of God….” — Pope Francis

Veronica Brandt · December 22, 2016

Epiphany Proclamation 2017

“It is solemnly made known, dearest brethren that, just as we—through the bounteous mercy of God—have rejoiced in the Birth of Our Lord Jesus Christ…”

Guest Author · December 22, 2016

Opening Our Hearts At Christmas

The best way to spread Christmas cheer is…

Jeff Ostrowski · December 21, 2016

60 Minutes • “The Pope’s Choir” (Sistine Chapel)

This video sharply condemns the choir’s previous director…a dangerous game.

Jeff Ostrowski · December 20, 2016

Shortest “Kyrie” Palestrina Ever Wrote

Especially suited for the Ordinary Form—and did you spot the invertible counterpoint?

Dr. Lucas Tappan · December 20, 2016

Appropriate Music for the Sacred Liturgy

It’s hard to implement a program of truly sacred music, focused on the Lord, when so many of our Masses and other services are celebrated as if God were a side note…

Veronica Brandt · December 17, 2016

Random Acts of Beauty: the Vestment Fund

Looking for a chariitable appeal you can support in good conscience? Check out this new Vestment Fund.

Richard J. Clark · December 16, 2016

Art is an act of love.

At certain times, an artist requires refuge…

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Only against this background, of the effective denial of the authority of Trent, can one understand the bitterness of the struggle against allowing the celebration of Mass according to the 1962 Missal after the liturgical reform. The possibility of so celebrating constitutes the strongest, and thus (for them) the most intolerable contradiction of the opinion of those who believe that the faith in the Eucharist, as formulated by Trent, has lost its validity.”

— Cardinal Ratzinger, 2001

Recent Posts

  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”
  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
  • Bugnini’s Statement (6 November 1966)

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